Against the Death Cult: We Must Not Let Ruthless Ideologues Destroy the Climate and Kill Us All

person tie
Agriculture

The Niger delta is burning. The oil companies plumbing the river basin of its black gold have found an ingenious way of dealing with the natural gas they consider a waste by-product of the extraction process. Capturing the gas would be costly, inefficient – so instead, they flare it off. Across the delta, towers of flame burn day and night, some of them stretching ten storeys into the sky.

Gas flaring was officially banned in Nigeria in 1984 – but still, two million people live within four kilometres of a flare site, at risk of the cancers, neurological, reproductive and respiratory problems linked to the pollutants released into the air. The soil is hotter, and crop yields have dwindled; “You plant, and before you know it, everything is dead”. When the rains come, they are black. Oil spills spew from the pipelines of Shell and ENI, the biggest operators in the area. Shell has reported 17.5 million litres lost since 2011; Amnesty International say that’s likely a hefty underestimate. The spills have poisoned drinking water, and destroyed the livelihoods of the fishermen who once combed the delta. 

We are over the brink. People have already lost their lives to hurricanes and bush fires and flooding, to toxins and crop failures – all disasters rooted in fossil-fuel dependent extractive capitalism, bankrolled by a deregulated financial sector. People continue to lose their lives. Global temperatures soar, and a monstrous future slouches towards us from the ecocidal imaginations of the handful of humans directly invested in a doctrine of global annihilation. Now, the death drive built into the heart of our economy reveals itself in ever more undeniable terms; the skull is showing through the skin. 

Scientists at ExxonMobil confirmed the truth of climate change in the 1980s, at the very latest. Since then, Exxon and its fellow fossil fuel companies have spent decades sponsoring climate change denial and blocking efforts to legislate against apocalypse. Under their auspices, newspapers and broadcasters and politicians revelled in a vicious subterfuge disguised as pious gnosticism; asking how we can know for sure that climate change is caused by human activity. In recent years, this strategy has buckled under the weight of public outrage and scientific proof.

The science is clear: only an ambitious, rapid overhaul of the fundaments of our economy gives us hope of survival. And that hope is tantalisingly within our grasp. We have the technology, and we have the financial capacity; all that’s missing is the political will to give those solutions heft, muscle and cold hard cash.

Now, culprit companies are suddenly flouting their green credentials to shore up their position as custodians of the future. Shell Oil has made a big song and dance about its investments in green technology. Goldman Sachs has funded research into how to make cities “resilient to climate change”. These are little more than attempts to seduce and cajole worried publics and skittish investors. Still these companies hoard over-valued assets, continue ploughing resources into carbon-heavy industries, show no signs of leaving enough fossil fuels in the ground to avoid the breakdown of the climate, the potential collapse of civilisation and the extinction of life on earth. Negotiators were banned from mentioning climate change in recent UK-US trade talks. the UK government has subsidised the fossil fuel industry to the tune of 10bn in a decade, and its legislators continue to take its lobby money in return. They defend their right to starve out and flood and burn chunks of human existence – and make money doing it. 

We are being held hostage by a cabal of ruthless ideologues whose only loyalty is to a doctrine of global death. Their success thrives on silence, isolation, manipulation, denial. They are united in their opposition to reality, in their determination to hunt down or hound out real alternatives that threaten their mortal stranglehold on power. All other doctrines are heresy, and their preachers envoys of a sinister delusion. They are unique guardians of a dark and dazzling reality.

If this took place among a handful of hippies beckoning oblivion from the heat haze of a california desert we would call it is: a death cult. Instead, it is orchestrated from sumptuous glass towers, from the velvet inner chambers of parliament – so we call it business as usual. 

To these science-backed suggestions that economic alternatives are possible – even urgent, necessary, beautiful – they react with vitriol and incredulity. Saving the world may sound appealing, but it clashes intolerably with the cultish diktat: ‘There Is No Alternative”. Partisans of the Green New Deal like Alexandra Ocasio Cortez are dismissed at best as well-meaning dreamers or childish hysterics, and, at worst, nightmarish envoys of backdoor totalitarianism. Indeed, grassroots activists have been murdered for organising against big polluters. The political allegiances are clear: Defending life is foolish. Annihilation is inevitable. We have only to accept it graciously, to walk into its arms.

Rightwing politicians barter casually about the difference between a decarbonisation target of 2030, 2045, 2050, 2060 as a matter of messaging and electoral success. As though that difference were not cashed out in millions of deaths. Such differences slide off the sunny, addled mind of the cultist, for whom life and death are indistinguishable. 

A chosen few will be spared; the golden ones who walk in the light. As the asset-stripping and plundering continues apace, so the market for luxury disaster insurance packages has grown, with companies offering high-tech flood defences, private firefighters, private security to guard against mobs of looters. Theirs is a gilded world where disaster can never truly happen to them – because it never truly has. That no insurance policy in the world will provide them with breathable air or sustainable agriculture is a matter for the others, the ghosts, the un-living, those whose existence never really registered. Us.   

Broadcasters tried to haul Boris Johnson before the court of the living on Thursday night for the climate change debate, to account for Conservative policy proposals which present a 50% risk of tipping the world into irreversible, runaway climate breakdown, to account for his fossil fuel backers. He responded by threatening them with censure and legal action. Cult leaders can tolerate no scrutiny of their fragile world picture, no challenge to their power. 

We can break the stranglehold, and commit the death cultists to the bleak annals of history where they belong. It is time to choose only those who have chosen life.   

Eleanor Penny is a writer and a regular contributor to Novara Media. 

Related posts

Who Is Alexandra Grant? – Meet Keanu Reeves’ Artist Girlfriend

person

For the first time in over a decade, Keanu Reeves made a major red carpet debut with a date. Reeves took Alexandra Grant to the LACMA Art + Film Gala on November 2. They walked the red carpet holding hands, sparking romance rumors. Neither Reeves nor his rep have confirmed whether or not the actor is dating Grant yet.

Stefanie KeenanGetty Images

Grant isn’t a new presence in Reeves’ life though; she’s been there for years. And this isn’t the first time he held her hand on a red carpet either this year.

Here, what to know about Reeves’ rumored new girlfriend.

Reeves and Grant have been friends since at least 2011.

Their first project together was published then. Grant illustrated Reeves’ book Ode to Happiness.

Grant is a 46-year-old artist who has worked with Reeves on multiple projects.

People notes that Grant illustrated two books that Reeves wrote: his 2011 book Ode to Happiness and his 2016 book Shadows. They also founded a publishing company together, X Artists’ Books in 2017.

According to the company’s site, “XAB is a small publisher of thoughtful, high-quality, artist-centered books that fit within and between genres. Our books are works of art; portals to imagined worlds; treasured companions; the fabric of a community. We love the same things about our books as we do about our friends: generosity, open-heartedness, intelligence, mystery, style. They bring sustenance and shift realities. They may occasionally break your heart.”

Grant and Reeves have gone to multiple red carpet events this year.

In June, the two attended Saint Laurent’s fashion show together, and they held hands(!!):

Neilson BarnardGetty Images

In May, they attended the MOCA Benefit:

Rachel LunaGetty Images

The two made their event debut as friends in 2016.

Reeves and Grant were first photographed together at the UNAIDS Galaat Design Miami/Basel in Switzerland.

David M. BenettGetty Images

Reeves and Grant were photographed out on a possible dinner date in October.

According to People, the two were photographed at Giorgio Baldi last month. They “arrived together in Reeve’s Porsche and spent three hours inside the restaurant conversing and sharing a meal.” They left together.

Grant can officiate weddings.

As People pointed out, the artist shared photos of her Instagram showing herself presiding over her friend’s ceremony in Brooklyn.

A post shared by Alexandra Grant (@grantalexandra) on

A post shared by Alexandra Grant (@grantalexandra) on

Grant is based in Los Angeles but has lived in four different countries.

On her artist site’s bio, Grant wrote that her living abroad in Mexico, France, and Spain in her childhood and adolescence has strongly inspired her language-based work. Per her bio, “Some of the basic questions that fuel her practice are: How do the languages we speak and the images we see form how we think and exchange ideas? How can artists and writers work to create and influence culture in an increasingly technology-driven world?”

She told LA Weekly in May, of why she lives in that city, “I grew up in part in Mexico City, Washington, DC, and Paris, moving between languages and cultures. Los Angeles felt like home from the moment I first arrived in 1995, especially the diversity of people, idioms, foods, and plants (like jacaranda and bougainvillea). There’s an incredible work ethic here—many people are creative and entrepreneurial. Having friends who are working hard practicing their crafts—whether it’s set design, publishing, or acting—is very inspiring.”

Related posts

Keanu Reeves Goes Public with Girlfriend for the First Time in Decades

person

If there’s one thing that the internet can agree on, it’s that Keanu Reeves is an all-around great guy. From his roles in some of our favorite action thrillers, to his more dramatic roles in films like Dracula, he’s a multi-talented actor, sure – but that’s not why the internet loves him so much. He’s also known for being one of the nicest (and least problematic) celebrities on the planet.

Reeves has lived a life marred by tragedy, and has only ever come out of it with generosity and kindness for the world around him. The internet is basically obssessed with this incredible dude.

But his latest red carpet appearance has got everyone excited – because he’s finally gone public with a girlfriend!

He currently resides in the Hollywood hills after gaining fame in an impressive range of massively successful movies.

He first rose to fame in a pretty unlikely franchise.

Bill & Ted’s Excellent Adventure (1989) told the story of two slackers travelling through time. It was so successful that it was followed by a sequel: Bill & Ted’s Bogus Journey in 1991.

But Reeves has never stuck to just one genre.

In 1992, he starred in Gothic horror-romance, Bram Stoker’s Dracula – although his performance in this rather overblown movie has been pretty much universally panned.

Reeves is perhaps primarily known for his roles in action movies.

He starred in buddy-cop thriller, Point Break, in 1991, alongside Gary Busey and Patrick Swayze. It was a commercial smash and went on to garner a cult following.

He continued this trend in 1994’s Speed.

The suspenseful thriller told the tale of a rigged bus that would explode if it slowed down. Reeves starred alongside Sandra Bullock and Dennis Hopper, but has since shaded the film by refusing to star in the sequel. His reason? “The movies I wanted to make were movies I wanted to see.” Ouch.

But there’s no doubting where Reeves gained most of his fame.

His role as Neo in The Matrix franchise is what really made Keanu Reeves into a household name. The movies are still thought of as touchstones within the science fiction genre.

But Reeves isn’t just an actor.

He’s also a talented musician and spent many years playing bass for alternative rock band, Dogstar, in the ’90s.

There are many strings to his bow.

He’s made a name for himself particularly because of his versatility, playing leading men, brooding heroes, and goofy losers with equal panache.

But aside from his professional achievements, Reeves hasn’t had such an easy life.

via: Shutterstock

He’s faced a life that one wouldn’t wish on their worst enemy. First, he and girlfriend, Jennifer Syme, suffered a tragic loss when their premature baby was stillborn in 1999.

via: Shutterstock

Soon after this tragedy, in 2001, Syme crashed her car into three parked cars and was thrown from the vehicle, dying instantly.

But Reeves hasn’t let this tragedy make him bitter.

via: Shutterstock

Instead, he’s become an incredible philanthropist. He’s well known for supporting a wide range of charitable causes, from PETA to Stand Up To Cancer.

And that isn’t all.

It was recently revealed that Reeves gave all his profits from the sequel from The Matrix to the crew. And he didn’t even want credit for it, saying, “I’d rather people didn’t know that. It was a private transaction. It was something I could afford to do, a worthwhile thing to do.”

Reeves has been fairly quiet on the acting scene in recent years.

But that’s all set to change in coming months as Reeves will be starring in the third part of the John Wick franchise, Parabellum, out this month.

But, in spite of his fame, Reeves is known for being fairly private.

In the past, he was always less-than-eager to take part in interviews and was known by the press for being a little difficult to deal with.

Including what’s going on with him romantically.

Until now, that is. Because last night, Keanu walked the red carpet at the ACMA Art + Film Gala, and he wasn’t alone.

Reeves made a public appearance with his long-term girlfriend, Alexandra Grant (who looked totally gorgeous, by the way).

Grant is a full-time visual artist.

And a super talented one at that. Her Instagram page is filled with beautiful images she’s created. We knew Keanu would pick a good’un.

Reeves and Grant have acutally collaborated on some creative projects together. This includes the 2011 “grown-ups picture book” Ode to Happiness, written by Reeves and with illustrations by Grant.

This is one of the cutest couples we’ve ever seen – and it seems the internet agrees. Images of the two being generally adorable are cheering everybody up.

For more on Keanu, keep scrolling!

Related posts