Donald Trump claims viral picture of orange tan line was ‘photoshopped’

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Trump cries fake news

Donald Trump did compliment his wind-swept hair (Picture: Reuters)

Donald Trump has furiously claimed an image showing him with a dramatic orange tan is ‘fake news’ and has been photoshopped.

The US President has been widely mocked by social media users after the snap was posted by the unofficial Twitter account White House Photos on Friday.

The original picture showing the Commander-in-Chief walking to the Oval Office was taken by photographer William Moon, a reported Trump-enthusiast who attends press events.

Many Twitter users began mocking Trump using the #orangeface hashtag and comparing his appearance to cats, corgis, Mrs Doubtfire and the Oompa Loompas from Charlie and the Chocolate Factory.

One meme included the caption: ‘Tupperware after you store spaghetti in it.’

7983251 Trump claims his fake tan lines are photoshopped but his 'hair looks good' as meme of his face with orange streaks goes viral

One Instagram user compared Trump to Mrs Doubtfire (Picture: Instagram)

7983251 Trump claims his fake tan lines are photoshopped but his 'hair looks good' as meme of his face with orange streaks goes viral

This Instagram user compared Trump to a three-year-old (Picture: Instagram)

7983251 Trump claims his fake tan lines are photoshopped but his 'hair looks good' as meme of his face with orange streaks goes viral

Trump hit back at critics saying his hair ‘looks good’ (Picture: Instagram)

Another quipped that Trump’s look was ‘girls before YouTube make up tutorials’.

One Twitter user added: ‘Nobody tell him that his foundation doesn’t match his face.’

But Trump hit back in a trademark Twitter rant in which he claimed the black-and-white photo had been digitally altered.

‘This was photoshopped, obviously, but the wind was strong and the hair looks good? Anything to demean!’

7983251 Trump claims his fake tan lines are photoshopped but his 'hair looks good' as meme of his face with orange streaks goes viral

Social media users had a field day with the picture (Picture: Instagram)

7983251 Trump claims his fake tan lines are photoshopped but his 'hair looks good' as meme of his face with orange streaks goes viral

Trump was compared to cats and corgis (Picture: Instagram)

Following Trump’s claims, Mr Moon tweeted that the photo was not ‘photoshopped’ but he had used the ‘Apple smartphone’s photo app to adjust the color of the picture’.

Moon is not employed by the White House and is not a member of the White House News Photographers Association.

His Twitter bio reads: ‘White House Correspondent, Journalist, Photographer, Poet and Pesco Vegetarian.’

Similar pictures of Trump at the same time taken by official photographers clearly show a tan line, but the colour is not as dramatic.

A Washington Post investigation into the photo concluded that a bronzer, or artificial tanner, led to the orange hue on Trump’s face.

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Goldman Sachs is making it easier to plug its services into other tech platforms like Amazon or Apple’s iPhone, and an industry consultant says it shows how the bank is leading a `fundamental change’ in retail banking.

  • Goldman Sachs is in talks with Amazon about providing small-business loans to merchants who sell products on Amazon’s retail platform, according to a person with knowledge of them. The talks were first reported by the Financial Times on Monday. 
  • The partnership would be the second inked by Goldman with a large technology firm that can provide the scale and distribution for Goldman’s products that it can’t get itself. 
  • The partnership, and another one with Apple, is an example of banking-as-a-service, though some insiders have taken to calling it Goldman Sachs-as-a-service. 
  • “If Goldman can pull off an embedded banking deal somewhere else besides Apple Pay … that’s a leading indicator of a fundamental change in retail banking,” according to independent consultant Richard Crone.

Goldman Sachs is close to inking a second high-profile deal to offer banking services in partnership with a large tech company, and it’s a sign of what may be a fundamental change in retail banking. 

Goldman is in talks with Amazon to offer small business loans to merchants who sell products on Amazon, according to a person with knowledge of the discussion. The Financial Times first reported the talks on Monday. Goldman’s small business loans may feature the bank’s name and begin as soon as March, the newspaper said. 

A spokesman for the bank declined to comment. 

If the deal is signed, it would become the second Big Tech partnership for Goldman Sachs after it launched a credit card last year with Apple last year. Goldman CEO David Solomon has called the Apple Card the most successful credit card launch of all time, without providing details to back up the claim. 

But it would also be a sign of something much more ambitious: Goldman Sachs moving quickly and aggressively to leverage those characteristics that make it uniquely a bank, with a license that allows it to offer banking products and a balance sheet where it can fund loans cheaply being just two prominent examples. 

The company has been sinking hundreds of millions of dollars into building out its technology capabilities, including APIs (application programming interfaces), to make it as easy and seamless to plug such services into the technology platforms of others, whether that’s Apple’s mobile devices, as with the Apple Card, or Amazon’s retail platform. 

At an investor day last week, execs referred to it as banking-as-a-service, but some insiders have taken to calling it Goldman Sachs-as-a-service. 

Stephanie Cohen, Goldman’s chief strategy officer, appeared on stage last week at the bank’s investor day alongside Marco Argenti, the co-chief information officer who recently joined the bank after several years as a senior exec at Amazon Web Services.

Cohen said the bank is looking for ways to use technology to embed the types of things that Goldman can do well, such as risk management, or loan underwriting.

Cohen cited the Apple Card, which is a Goldman-designed product delivered on Apple’s devices, as one such example. 

“That last capability is the consumer version of our platform strategy,” Cohen said. “It allows us to take products and services that we build for our own clients and then give it to other clients so that they can embed financial products into their ecosystem. This strategy will drive top-line growth, and it will create scale efficiencies.”

Goldman isn’t the only large bank that’s working with Big Tech companies. In November, Google announced a partnership with Citigroup to provide checking accounts to the tech firm’s customers. 

And yet, Goldman is probably doing it better than anyone because it has developed a suite of APIs that it can take off the shelf and plug into other platforms, according to Richard Crone, an independent consultant. 

“Goldman Sachs, when they write the history books, will be noted as the one who invented or perfected embedded banking, where you embed your financial services through the user interface, or at the edge, of someone else’s network,” Crone said. “If Goldman can get this right with Amazon, I would expect them to go to Facebook next or any other online platform of substance that provides them a large distribution channel.”

Goldman is leaning on many of the lessons it learned in its partnership with Apple, known as an incredibly demanding partner, Crone said. Most notably, the ability to offer instant issuance to a set of customers that have already been pre-validated, multi-factor authenticated, Know-Your-Customer credentialed by the large tech firms. 

“They already know the customer, but they have met the regulatory requirement in advance before they hand it over,” he said. 

The product will likely look similar to what small merchants are getting from Square Cash or PayPal Working Capital. 

Goldman has bigger ambitions. At last week’s investor day, the bank presented a slide that showed a product called Marcus Pay, which talked about point-of-sale solutions for merchants based on its digital consumer bank. 

This is just another example of how embedded banking is here to stay, which can be hard for a lot of bankers to understand because they want to service customers through their own app, Crone said.

But “no financial institution can reach the scale that’s required to compete electronically” with the large platforms if they only do it through their own app, he said.  

“If Goldman can pull off an embedded banking deal somewhere else besides Apple Pay, or if Citigroup can pull off Google Cache, that’s a leading indicator of a fundamental change in retail banking.”

See also: Goldman Sachs just unveiled hundreds of slides laying out the future of the company. Here are the 10 crucial slides that show how it plans to transform into a bank for everyone.

See also: Inside Goldman Sachs’ first investor day, where avocado toast and crab apples were served with tech talk, 3-year plans, and a surprising trading mea culpa

NOW WATCH: WeWork went from a $47 billion valuation to a failed IPO. Here’s how the company makes money.

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Wrongful Death Suit Against Cabell Sheriff Stays In Mason County | Huntington News

Judge R. Craig Tatterson on June 13 denied a motion to transfer a wrongful death suit against Charles N. “Chuck” Zerkle filed by the estate of Mike Carter from Mason to Cabell Circuit Court.  The ruling came in the form of a letter, and following an April 22 hearing.

The letter gave no detailed explanation for denying the motion. 

According to initial media reports, Carter, 88, died following a collision with Zerkle just before 8 a.m. on Sunday, July 29, 2018 along W. Va. Route 2 in Lesage.  An initial investigation by West Virginia State Police found Carter caused the collision when he failed to obey a stop sign at intersection of Ohio River Rd. and Sanns Dr.

However, the suit filed by Jeffrey W. Carter, administrator of Mike Carter’s estate, places Zerkle at fault.  In his complaint filed Jan. 23, 2019, Carter maintains Zerkle was driving a 2018 GMC Sierra north on Ohio River Rd.“at a high rate of speed in excess of the posted speed limit,” when he struck the elder Carter in a 2002 Ford F-150 pick-up truck while attempting to turn south. 

Additionally, Carter alleges at the time of the collision, Zerkle “was working as an officer, agent and/or employee of …Z&Z Enterprises, Inc. in the course of job related activities.”  Named as a co-defendant in the suit, Z&Z Enterprises in the parent company of  Apple Grove Market, a grocery/convenience store Zerkle owns with his wife, Sandra. 

In the motion filed March 7, Camille E. Shora, with the McLean, Va. law firm of Wilson, Elser, Moskowitz, Eldelman & Dicker, said the suit is in the wrong venue as the accident, and fatality occurred in Cabell, and not Mason, County  Also, though admitting Zerkle is the owner of Z&Z Enterprises, he was not “‘on the clock'” that morning.

In an affidavit attached to the motion, Zerkle avers he “was driving from my home in Cabell county to cut the grass at a property in Mason County.”  The location of the property is not specified.

Since Tatterson’s ruling, the sides have exchanged discovery requests.  Letisha R. Bika with the Charleston law firm of Farmer, Cline and Campbell represents the Carter estate.

No trial date is set. 

Mason Circuit Court, case number 19-C-6

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Special screening of BBC series ‘This Country’ coming to Gloucestershire and tickets are completely free – Gloucestershire Live

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For fans of the Cotswold based hit TV show ‘This Country’ you could be in for a treat.

BBC Three is bringing the series back to its Cotswolds roots on January 23 – and tickets are completely free.

Fans will get to see the first two episodes of the new series followed by a Q&A with sibling stars Daisy and Charlie Cooper, producer Simon Mayhew-Archer and director Tom George.

Coming back to its Gloucestershire roots on January 23 in Cirencester the special screening will be hosted by BBC Points West Gloucestershire reporter Steve Knibbs.

Tickets to the event at Bingham Hall, Cirencester , will be allocated though a random ballot.

You can apply for tickets from 10am on January 3 to 10am on January 10.

Charlie Cooper otherwise known as ‘Lee “Kurtan” Mucklowe’ said: “We are so excited to have the screening of series three here in our hometown Cirencester , where the show was created.

“Some would call it a homecoming but the problem is we’ve never left. Big up the Cotswolds !”

This Country follows cousins Kerry and Lee ‘Kurtan’ Mucklowe through their quiet country lives.

The video will start in 8Cancel

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At the 2018 BAFTAs This Country won the award for Best Scripted Comedy and Daisy won Best Female Comedy Performance. More than 33 million people have requested the show on iPlayer.

The new series airs in early 2020.

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Stephanie Marshall, Head of the BBC in the West and South West, said: “We love bringing national series like This Country back to where they were made. It’s a way of thanking people in the area by giving them a sneak peek before the rest of the UK.

“Amazingly more than 4,000 people applied for tickets to the This Country screening last year.

“The BBC is committed to make more and more of its TV, radio and online content outside of London. In fact, more than 50 per cent of all our shows are now made outside of the capital.”

To apply go to the BBC Shows and Tours website here .

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Hull business woman Georgia Allenby has big, personal plans for old Ceruttis restaurant – Hull Live

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Property firm design manager Georgia Allenby’s next project is creating a new home for herself at one of Hull’s best-known former restaurants.

Famous for its fish dishes, Ceruttis closed its doors last April after 45 years.

Its closure came after brother and sister Tony and Tina Cerutti announced plans to concentrate on their other restaurant in Beverley while expanding an existing external catering business.

The property in Nelson Street was previously used by British Rail in conjunction with the operation of the nearby Humber ferry.

Now Ms Allenby is planning to turn the clock back even further by converting the building into a three-bedroom residential dwelling after buying it. It was originally built in 1813 as a family home.

Allenby

She has submitted a planning application to Hull City Council seeking permission to change its use from commercial to residential.

In a design and access statement accompanying the application, she said: “The property was originally built for residential use in 1813.

“The reason for me purchasing the property is to convert it back into a three-bedroom house, which I will occupy myself.

“The property is rich in heritage and any original or historic features, which still exist in the interior and exterior, will be kept and preserved.”

Watch: When do you need planning permission?

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Ms Allenby is the design and marketing manager at Hull-based family firm Allenby Commercial, which has acquired and refurbished a series of high profile properties in the city centre in recent years.

They include Paragon Arcade, Danish Buildings and Bayles House in High Street, the former Europa House office block at the junction of Ferensway and Anlaby Road and the multi-use Works business and leisure complex in Beverley Road.

Ms Allenby is also a director of the Hideout Hotel in North Church Side, another of the company’s recent city centre conversion schemes.

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Ricky Gervais Horrifies Hollywood Liberals With ‘Savage’ Takedown at the Golden Globes

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Ricky Gervais Golden Globes

Ricky Gervais opened the 77th annual Golden Globes with what amounted to a trigger warning, before launching into a ruthless takedown of the Hollywood crowd. 

“You’ll be pleased to know this is the last time I’m hosting these awards, so I don’t care anymore,” the British comedian said, noting he had hosted for the four previous years. “I’m joking. I never did.”

In case anyone had missed his point, Gervais added, “Let’s have a laugh at your expense, shall we? Remember, they’re just jokes. We’re all gonna die soon, and there’s no sequel.”

Gervais’ first target was Hollywood awards shows themselves. He recalled the scandal over Kevin Hart’s old anti-gay tweets, which led the actor to fire himself from hosting the 2019 Academy Awards.

“Kevin Hart was fired from the Oscars because of some offensive tweets. Lucky for me, the Hollywood Foreign Press can barely speak English, and they’ve no idea what Twitter is,” he said, implicitly acknowledging his own politically incorrect Twitter activity.

Gervais next took aim at Hollywood entitlement in the form of actress Felicity Huffman, who recently spent two weeks in prison for her involvement in a nationwide college entrance exam cheating ring.

“I came here in a limo tonight, and the license plate was made by Felicity Huffman,” Gervais said. “It’s her daughter I feel sorry for. That must be the most embarrassing thing that’s ever happened to her, and her dad was in ‘Wild Hogs.’”

Ricky Gervais shows Hollywood his Golden Globes

After calling “The Irishman” actor Joe Pesci “Baby Yoda,” Gervais warned all the Hollywood executives in the room that they could be the next casualty of the #MeToo movement.

“In this room are some of the important TV and film executives in the world, people from every background. But they all have one thing in common. They’re all terrified of Ronan Farrow,” he said, referring to the investigative journalist who made a name for himself with exposes about sexual harassment and abuse. “He’s coming for you.”

“Talking of you perverts, it was a big year for pedophile movies,” Gervais continued.” “Surviving R Kelly.” “Leaving Neverland.” “The Two Popes.”

Having highlighted Hollywood’s dirty underbelly, Gervais went after its self-conception as a place that promotes equal opportunity for minorities.

“Many talented people of color were snubbed in all major categories. Unfortunately there’s nothing we can do about that. The Hollywood Foreign Press are all very, very racist,” he said.

“We were gonna do an en memoriam this year, but when I saw the list of people that had died, it wasn’t diverse enough. It just, no. It was mostly white people, and I thought, no, not on my watch. Maybe next year. Let’s see what happens.”

Continuing to literally and figuratively shrug at himself, Gervais quipped that nobody was watching the Golden Globes anyway, saying, “Everyone’s watching Netflix.

He offhandedly suggested that Jefferey Epstein had not killed himself in prison in August while awaiting trial on sex trafficking charges.

When the crowd moaned, Gervais added, “I know he’s your friend, but I don’t care.”

Pushing on, Gervais joked that Americans only turn to Hollywood these days for superhero blockbusters, which he said have transformed actors in nothing more than buffed drug addicts.

“All the best actors have jumped to Netflix and HBO. And the actors who just do Hollywood movies do fantasy adventure nonsense,” he said.
“They wear masks and capes, and really tight costumes. Their job isn’t acting anymore. It’s going to the gym twice a day and taking steroids. Have we got an award for most ripped junkie?”

Gervais then called out a few more celebrities by name.

He hit Leonardo DiCaprio for his affinity for young women.

“‘Once Upon a Time in Hollywood,’ nearly three hours long. Leonardo DiCaprio attended the premiere, and by the end, his date was too old for him,” he said, before comparing the actor to the British prince disgraced by the Epstein revelations. “Even Prince Andrew’s like, “Come on, Leo, mate. You’re nearly 50, son.”

Gervais wrapped up his monologue with an epic rant about the hypocrisy of liberal elites in Hollywood and Silicon Valley alike.

“Apple roared into the TV game with The Morning Show,” Gervais said. “A superb drama about the importance of dignity and doing the right thing, made by a company that runs sweatshops in China.”

Gervais then turned his attention to all the actors, writers and directors in the room.

“Well, you say you’re woke, but the companies you work for…unbelievable. Apple, Amazon, Disney. If ISIS started a streaming service, you would call your agent, wouldn’t you?”

As the audience laughed nervously, Gervais, offered some advice to the nominees.

“So if you do win an award tonight, don’t use it as a platform to make a political speech, right?” he said. “You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you spent less time in school than Greta Thunberg.”

Actor Tom Hanks’ shocked expression subsequently went viral online.

All of Hollywood when Ricky Gervais tells them that no one cares about their political opinions: pic.twitter.com/CQreakKKTg

— Kyle Morris (@RealKyleMorris) January 6, 2020

Despite Gervais’ admonition, though, the evening was filled with liberal politics.

Patricia Arquette, in accepting a supporting actress in a limited series award for her role in Hulu’s “The Act,” pleaded with the audience to consider the threat of another extended conflict in the Middle East.

Michelle Williams, who won best actress in a limited series for the FX’s “Fosse/Verdon,” delivered a feminist pro-abortion acceptance speech.

And Sacha Baron Cohen, who appeared onstage as a presenter, took a shot at Facebook founder Mark Zuckerberg for allegedly allowing Nazis to run rampant on the platform.

Meanwhile, according to People magazine, the crowd for the first time dined on an entirely vegan dinner in the name of fighting climate change.

Cover image:
Ricky Gervais hosts the 77th annual Golden Globe Awards ceremony in Beverley Hills, California, on Jan. 5, 2020. (Twitter)

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Week in Review: Apple’s rebirth as a content company has a forgettable debut – TechCrunch

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Hey everyone. Thank you for welcoming me into you inboxes yet again.

Hope you all had a wonderful Thanksgiving. After dodging your inboxes for a couple weeks as I ventured off to China for a TechCrunch event in Shenzhen, I am rested up and ready to go.

If you’re reading this on the TechCrunch site, you can get this in your inbox here, and follow my tweets here.

The big story

When Apple announced details on their three new subscription products (Apple TV+, Apple Arcade and Apple News+ — all of which are now live) back in March, the headlines that followed all described accurately how Apple’s business was increasingly shifting away from hardware towards services and how the future of the company may lie in these subscription businesses.

I largely accepted those headlines as fact, but one thing I have been thinking an awful lot about this week is how much I have loved Disney+ since signing up for an account and just how little I have thought about Apple TV+ despite signing up for both at their launches.

It’s admittedly not the fairest of comparisons, Disney has decades of classic content behind them while Apple is pushing out weekly updates to a few mostly meh TV shows. But no one was begging Apple to get into television. The company’s desires to diversify and own subscriptions that consumers have on their Apple devices certainly make sense for them, but their strategy of making that play without the help of any beloved series before them seems to have been a big miscalculation.

At TechCrunch, we write an awful lot about acquisitions worth hundreds of million, if not billions, of dollars. Some of the acquisitions that have intrigued me the most have been in the content space. Streaming networks are plunking down historic sums on series like Seinfeld, Friends and The Big Bang Theory. The buyers have differed throughout these deals, but they have never been Apple.

That’s because Apple isn’t bidding on history, they’re trying to nab directors and actors creating the series that will be the next hits. And while that sounds very Apple, it also sounds like a product that’s an awfully big gamble to the average consumer looking to try out a new streaming service. Why pick the service that’s starting from a standstill? Apple has ordered plenty of series and I have few doubts that at least one of the shows they plan to introduce is going to be a hit, but there isn’t much in the way of an early favorite yet and for subscribers that haven’t found “the one” yet, there’s very little reason to stick around.

Other networks with a half-dozen major series can afford a few flops because there’s a library of classics that’s filling up the dead space. Apple’s strategy is bold but is going to lead to awfully high churn among consumers that won’t be as forgiving of bad bets. This is an issue that’s sure to become less pronounced over time, but I would bet there will be quite a few consumers unsubscribing in the mean time leaving those on freebie subscriptions responsible for gauging which new shows are top notch.

Apple has also made the weird move of not housing their content inside an app so much as the Apple TV’s alternative UI inside the TV app. One one hand, this makes the lack of content less visible, but it also pushes all of the original series to the back of your mind. If you’re a Netflix user who has been subconsciously trained never to use the TV app on your Apple TV because none of their content is housed there, you’re really left forgetting about TV+ shows entirely when using the traditional app layout.

We haven’t received any super early numbers on Apple News+, Apple Arcade or Apple TV+, but none of the three appears to have made the sizable cultural splashes in their debuts that were hoped for at launch. Apple’s biggest bet of the three was undoubtedly TV+ and while their first series haven’t seemed to drop any jaws, what’s more concerning is whether the fundamentals of the service have been arranged so that unsatisfied subscribers feel any need to stick around.

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on Twitter @lucasmtny or email
lucas@techcrunch.com

On to the rest of the week’s news.

Image via AMY OSBORNE/AFP/Getty Images

Trends of the week

Here are a few big news items from big companies, with green links to all the sweet, sweet added context:

GAFA Gaffes

How did the top tech companies screw up this week? This clearly needs its own section, in order of badness:

Disrupt Berlin

It’s hard to believe it’s already that time of the year again, but we just announced the agenda for Disrupt Berlin and we’ve got some all-stars making their way to the stage. I’ll be there this year, get some tickets and come say hey!

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Apple Card faces probe over discrimination complaint | ABS-CBN News

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Something curious happened when a husband and wife recently compared their Apple Card spending limits.

David Heinemeier Hansson vented on Twitter that even though his spouse, Jamie Hansson, had a better credit score and other factors in her favor, her application for a credit line increase had been denied.

The prominent software developer wondered how his credit line could be 20 times higher, referring to Apple Card as a “sexist program” (with an expletive added for emphasis).

The card, a partnership between Apple and Goldman Sachs, made its debut in the United States in August.

“My wife and I filed joint tax returns, live in a community-property state, and have been married for a long time,” he wrote Thursday on Twitter. “Yet Apple’s black box algorithm thinks I deserve 20x the credit limit she does.”

Hansson’s tweets caught the attention of more than just his 350,000 followers.

They struck a nerve with New York state regulators, who announced Saturday that they would investigate the algorithm used by Apple Card to determine the creditworthiness of applicants.

Algorithms are codes or a set of instructions used by computers, search engines and smartphone applications to perform tasks, from ordering food delivery to hailing a ride — and yes, applying for credit.

The criteria used by the Apple Card are now being scrutinized by the New York State Department of Financial Services.

“Any algorithm that intentionally or not results in discriminatory treatment of women or any other protected class violates New York law,” an agency spokeswoman said in a statement Saturday night.

“DFS is troubled to learn of potential discriminatory treatment in regards to credit limit decisions reportedly made by an algorithm of Apple Card, issued by Goldman Sachs, and the Department will be conducting an investigation to determine whether New York law was violated and ensure all consumers are treated equally regardless of sex,” the statement said.

An Apple spokeswoman directed questions to a Goldman Sachs spokesman, Andrew Williams, who said that the company could not comment publicly on individual customers.

“Our credit decisions are based on a customer’s creditworthiness and not on factors like gender, race, age, sexual orientation or any other basis prohibited by law,” Williams said.

David Hansson did not respond to an interview request Saturday night.

His wife’s experience with the Apple Card, the first credit card offering by Goldman Sachs, does not appear to be an isolated case, however.

Steve Wozniak, who invented the Apple-1 computer with Steve Jobs and was a founder of the tech giant, responded to Hansson’s tweet with a similar account.

“The same thing happened to us,” Wozniak wrote. “I got 10x the credit limit. We have no separate bank or credit card accounts or any separate assets. Hard to get to a human for a correction though. It’s big tech in 2019.”

In addition to Goldman Sachs, Apple partnered with Mastercard on the Apple Card, which the companies hailed as a revolutionary “digital first” credit card that had no numbers and could be added to the Wallet app on the iPhone and used with Apple Pay.

A spokesman for Mastercard, which provides support for Apple Card’s global payments network, did not respond to a request for comment Saturday.

David Hansson, a Danish entrepreneur and California resident, is known for creating Ruby on Rails, a popular computer coding language used to create database-backed web applications. He is an author and decorated race car driver on the Le Mans circuit, according to a biography on his website.

In a subsequent tweet, he said that the Apple Card’s customer service representatives told his wife that they were not authorized to discuss the credit assessment process.

He said that customer service employees were unable to explain why the algorithm had designated her to be less creditworthy but had assured his wife that the bank was not discriminating against women.

An applicant’s credit score and income level are used by Goldman Sachs to determine creditworthiness, according to a support page for the Apple Card. Past due accounts, a checking account closed by a bank for overdrafts, liens and medical debts can negatively affect applications, the page stated.

On Friday, a day after David Hansson started railing on the Apple Card’s treatment of female credit applicants, he said his wife got a “VIP bump” to match his credit limit. He said that didn’t make up for the flawed algorithm used by Apple Card.

He said many women had shared similar experiences with him on Twitter and urged regulators to contact them.

“My thread is full of accounts from women who’ve been declared to be worse credit risks than their husbands, despite higher credit scores or incomes,” he said.

2019 The New York Times Company

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2020 presidential race could weigh on FANG stocks

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The 2020 presidential race could weigh on ‘FANG’ stocks as Democrats attack big tech

As 2020 presidential campaigns accelerate, the dominance of Silicon Valley technology companies is likely to remain a key issue for Democratic candidates, Bank of America analyst Justin Post said in a note to investors on Monday.

“Campaign focus on FANG regulation [is] likely here to stay,” Post said.

Sen. Elizabeth Warren last week unveiled a plan to break up the biggest tech companies if she is elected president. The Massachusetts Democrat is especially focused on four of Wall Street’s beloved “FAANG” stocks: Facebook, Amazon, Apple and Google-parent Alphabet. The group also includes Netflix.

“The giant tech companies right now are eating up little, tiny businesses, start-ups – and competing unfairly,” Warren told CBS on Sunday.

“We’ve got to break these guys apart,” Warren added. “It’s like in baseball: You can be the umpire or you can own one of the teams, but you don’t get to be the umpire and own the teams.”

Post analyzed the “breakup scenarios” for Alphabet, Amazon and Facebook, which Warren referred to repeatedly in her criticism. While forced spinoffs may largely help the former two tech giants, Post thinks Facebook is the most at risk to seriously losing shareholder value.

Bank of America sees “a partial breakup of Alphabet (including spin of YouTube or Waymo)” as possibly “value enhancing.” With the broad reach of each of Alphabet’s business units, as separate entities, each brand “has enough scale to capture vast advertiser interest,” Post added.

Similarly for Amazon, Post said a breakup “would be somewhat neutral for the stock,” as investors in Jeff Bezos’ empire “are generally comfortable” with how much Amazon’s businesses would be worth on their own.

Breaking up Facebook “could be most concerning for investors,” Post said. He found that if Facebook’s Instagram and WhatsApp platforms were separated, they “would likely compete directly with Facebook for usage and advertisers, raising concerns on increased competition.”

That overlap in Facebook’s businesses is a key reason Warren believes they should be separated.

“They bought the competition and now they’re sucking the data out of the competition,” Warren said.

While Bank of America did not include Apple in its breakup analysis, Warren confirmed to CNBC that she intends to break up the iPhone maker. In her interview with CBS, Warren argued that she is not against markets, which she said “produce a lot of good,” but instead thinks “markets have to have rules.”

“It is not capitalism to have one giant that comes in and dominates, a monopolist that dominates a market,” Warren said.

Warren said recent talks with technology venture capital firms revealed that the places where Amazon, Facebook and Google compete are known as “kill zones” to entrepreneurs.

“They call it the kill zone because they don’t want to fund businesses in that space because they know Amazon will eat them up, Facebook will eat them up, Google will eat them up,” Warren said.

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See is a funny TV show, but not on purpose – The Verge

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There’s a scene in See I would bet everything in my wallet (seven dollars, three old MetroCards, and five half-used coffee rewards cards) that it’ll go viral. It’s the one where Jason Momoa’s character picks up a book for the first time. Since the show is set centuries after a virus deprived humanity of sight, he has no idea what’s in his hands. He complains it smells like “dead bark” and holds it the way a toddler might hold a vegetable when they were in fact expecting a cookie. Then Alfre Woodard’s character demands he hand over what he’s found, and speaks its long-forgotten name: book.

It’s extremely funny in context, and probably debilitating out of it. It also makes See, Apple’s post-apocalyptic drama, one of my favorite kinds of shows: you could just plainly state something that happens in an episode, and everyone would swear you’re making it up. That doesn’t mean you should watch it.

Set in the ruins of our world, the people of See have adjusted to a sightless life after centuries of practice. Makeshift curtains of beads make for boundaries both audible and physical, fights involve a lot of probing contact and grappling (as does sex), and there’s a lot of finger snapping. See is extremely invested in showing you how all this stuff works, so much so that it barely delves into its characters.

Baba Voss (Jason Momoa) is a man who must take his family on the run after his adopted twins, Kofune and Haniwa, are born with sight. The trouble is, the very idea of sight is heretical — much like witchcraft in colonial America, troublesome people are accused of having the ability to see as justification for burning them alive. And there’s also an evil queen who learns of the twins, and as a religious zealot who worships the “darkness” (by, and I will testify to this in court if I have to, masturbating as she prays) she wants them brought to her for evil queen reasons.

A generous and forgiving read of See could interpret it as an attempted meditation on knowledge, ignorance, and responsibility, but See actively resists attempts to latch on to anything of substance it might have to offer. In the first three episodes made available in advance to critics, See is more interested in the logistics of its world than it is in implications.

Sometimes that leads to fun television. The third episode, the best of that initial bunch, is largely unconcerned with the season’s main arc, instead telling a story where Kofune is kidnapped by slavers and must be rescued. It’s visually striking, introducing a tribe of people that, unbeknownst to them, are living in the ruins of an amusement park. It’s got a killer fight scene, with unique choreography that clearly conveys the limitations and skills of everyone involved and depicts brutal violence with grace and skill. And it’s got personal stakes, which I won’t spoil here because it’s one of the only bits of character backstory you get in the first couple of episodes.

None of these things make See a more interesting show beyond the hour you spend watching them. It’s cotton candy, a fun confection for one moment, and just plain sugar the next.

See is clearly interested in drawing people into its elaborate and well-crafted post-apocalypse, but it’s telling that the only questions I have after watching are purely pedantic ones. Like how did a blind society make such perfect and deadly weapons, or build homes that never leak, or clothes and makeup that look so nice?

These are questions asked by jerks and spoilsports, and I wish I had better ones to ask of See. The show is strange, but fails to justify that strangeness with a compelling story, characters, or literally anything other than the list of ideas you and your stoned cousin would come up with if you wondered what it would be like if we all woke up one day totally blind, man. Maybe you’ll come up with something fun enough for posting on Twitter, but it’s not going to cut it for eight hours of television.

All Apple TV Plus shows are available to . The service costs $4.99 a month.

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