‘Queen of Suspense’ Mary Higgins Clark dies aged 92 | Books | The Guardian

person

Mary Higgins Clark, the “Queen of Suspense” who topped charts with each of her 56 novels, has died at the age of 92.

Simon & Schuster president Carolyn Reidy said that Higgins Clark died on 31 January in Naples, Florida, from complications of old age. The author published her first novel, Where Are the Children? in 1975, going on to sell more than 100m copies of her compulsive suspense novels in the US alone. She published her most recent thriller, Kiss the Girls and Make Them Cry, about a journalist investigating sexual misconduct at a television news network, in November.

Crime author Alafair Burke, who collaborated with Higgins Clark on the Under Suspicion series, said she would “miss my friend and co-author, but consider myself one of the luckiest people around to have had the chance to tell stories with one of my favourite writers, the Queen of Suspense.

“Through it all, I marvelled at Mary’s kindness, loyalty, and utter devotion to the work of being a writer. She could write me under the table, insisting we could get a few more pages in when I felt a snack break coming,” said Burke on Twitter. “When we went to an outdoor book festival in August, I kept sneaking off to the air-conditioned ladies’ room, but Mary stayed at the table and posed in the heat for selfies long after the books had sold out.”

Higgins Clark’s fellow authors spoke of her generosity, especially to new writers. Harlan Coben said he was heartbroken to learn of Higgins Clark’s death, describing her as “a generous mentor, hero, colleague, and friend” who “taught me so much”. Laura Lippman called her a trailblazer, adding that “so many of us owe our careers to her”. Scott Turow said she was “an extraordinarily gracious person, unpretentious and remarkably generous in a hundred ways”.

In her memoir, Kitchen Privileges, Higgins Clark wrote of “aching, yearning, burning” to write when she was young. It was an achievement made in the face of heavy odds. Her father died when she was 11, and she went to secretarial school after graduating from high school in the Bronx in New York. She went on to work as an air stewardess. After flying for a year, she married Warren Clark, who she had known since she was 16. She sold her first short story in 1956, for $100. After Clark died in 1964, she began writing radio scripts for a living, while also trying her hand as a novelist. She would write from 5am to 7am, before getting her five children ready for school.




Pinterest

“My mother’s belief in me kept alive my dream to be a writer. My father’s early death left her with three young children to support. A generation later my husband’s early death left me in exactly that position, except that I had five children,” she wrote.

“Mother supported us by renting rooms, allowing our paying guests to have the privilege of preparing light meals in the kitchen. I supported my family by writing radio shows. Very early in the morning I put my typewriter on the kitchen table before I went to work in Manhattan and spent a few privileged and priceless hours working on my first novel.”

She sold Where Are the Children? when she was 47. Telling of a young mother who has fled her original life after the death of her first two children, only for her next two to disappear, it was a huge hit. David Foster Wallace taught it in his college classes, and Coben recalled a letter from the Infinite Jest author, in which he called it “one of the scariest fucking books I’ve ever read”. (“Sorry about the language, Mary!” Coben added.)

She wrote, she told the Guardian in 2015, about “very nice people whose lives are invaded”. In 1988, she struck what the New York Times reported was “the first eight-figure agreement involving a single author”, with a multi-book contract that guaranteed her at least $10.1m. Given the Authors Guild Foundation award for Distinguished Services to the Literary Community in 2018, she was the recipient of numerous awards and 21 honorary doctorates, and saw many of her books adapted for film and television.

“Let others decide whether or not I’m a good writer. I know I’m a good Irish storyteller,” she said, when she was the grand marshal of the St Patrick’s Day parade in Manhattan in 2011.

Michael Corda, her editor at Simon & Schuster since 1975, said: “She always set out to end each chapter on a note of suspense, so you just had to keep reading. It was a gift, but also the result of hard work … She was unique. Nobody ever bonded more completely with her readers; she understood them as if they were members of her own family. She was always absolutely sure of what they wanted to read – and, perhaps more important, what they didn’t want to read – and yet she managed to surprise them with every book.”

Related posts

Louisville Film Society to host annual Oscar Watch Party

person

‘And the winner is …’ It’s time to start making your Oscar night plans, Louisville


Kirby Adams


Louisville Courier Journal
Published 10:48 AM EST Jan 7, 2020

The 77th Golden Globes on Sunday night kicked off the 2020 season of entertainment awards shows. Now, with that glittery and booze-soaked celebration fading in the rearview mirror, it’s time to look forward to February to the opulence of the 92nd Academy Awards. 

Who will win the golden Oscar for Best Actress, Best Supporting Actor, Best Picture and Director? Find out the answer to these Academy Awards night nail-biters in the company of friends, new and old, at the seventh annual Oscar Watch Party presented by Louisville Film Society Feb. 9.

With a little over one month to go before the famous words “and the winner is” are heard around the world, the Louisville Film Society is hosting its own award-worthy Oscar Watch Party at Rabbit Hole Distillery in NuLu at 711 E. Jefferson St.

Guests are invited dress to dazzle and walk the red carpet starting at 7 p.m. then join the fun and festivities. Christine Fellingham (Louisville Magazine) and I will again serve as Masters of Ceremony and will welcome guests on the red carpet before the live broadcast begins at 8 p.m. Multiple large-screen TVs will be placed throughout Rabbit Hole to view the awards streaming live from the Dolby Theatre in Hollywood.

Beauty, style and grace: Meet the 2020 Kentucky Derby Festival Royal Court

And even though this is a party, don’t worry if you’re a “serious” Oscar viewer. There will be a special designated area for serious Oscar watchers set in the active distillery.

Throughout the broadcast, you’ll enjoy heavy hors d’oeuvres, desserts and a full open bar, including custom cocktails designed by Rabbit Hole, all served in an ambiance reflecting the glamour of Hollywood’s biggest night. 

Be sure to bring extra cash to test your skill at predicting the winners in a $250 ballot competition. Plus, there will be raffles and a silent auction with film-related items and more.

Tickets to Louisville Film Society’s Oscar Watch Party are $100, which includes a one-year $50 Louisville Film Society membership. They may be purchased at louisvillefilmsociety.org.

The Louisville Film Society is a nonprofit organization dedicated to providing resources and support to local filmmakers as well as enriching the Louisville community through exposure to engaging and innovative films and cinematic programming. The Oscar Watch Party is the organization’s primary membership drive and fundraiser helping to support the organization’s programming and operations throughout the year.

For more information, contact Nancy Tafel at nancy@louisvillefilmsociety.org or 502-593-1243.

Oscars 2020: Here are the films and actors leading the race

 Reach Kirby Adams at kadams@courier-journal.com or Twitter @kirbylouisville. Support strong local journalism by subscribing today: courier-journal.com/kirbya.

Related posts

Naira Marley soaring amidst controversies

person
Naira Marley
Naira Marley

…Why he’s dominating Nigeria’s music scene

By BENJAMIN NJOKU

The Nigerian music scene in recent times has been saturated with lots of talented music stars, who are redefining the space and creating their own buzz. One of such wave-making stars is Azeez Adeshina Fashola, popularly known as Naira Marley.

Marley burst onto the country’s music space like ‘a colossus’ and suddenly stole the hearts and minds of many lovers of music in this part of the world. It still seems like the pop sensation dropped out of nowhere unto our collective music ears.

Before last year, not much was heard of the Agege-born rapper. Even after the release of his 2017 hit “Issa Goal”, which featured Olamide and Lil Kesh, Naira Marley was still not a name to be reckoned with in the Nigerian music scene. But it was after releasing his hit song, “Am I a Yahoo Boy” featuring popular musician Zlatan Ibile, where he alleged to have declared public support for internet fraud. Naira Marley became the name on everyone’s lips.

The Economic and Financial Crimes Commission,EFCC had arrested him alongside Zlatan and three other persons. They slammed an 11- count charge bordering on credit card fraud, car theft and Cybercrime against Naira Marley. Thus started a legal battle that culminated in his detention for 35 days. Many believe the EFCC arrested him because of his alleged support for internet fraud and his claim that cybercrime is a form of reparation of the wealth stolen from Africa. That was the beginning of his journey to stardom.

While the trial lasted, the controversial singer was busy creating buzz on social media. His fans were not deterred from protesting against his arrest outside the EFCC headquarters in Lagos.

READ ALSO: Davido is the king of African music – Miraboi

Marley was quoted to have said in an interview that their rage was understandable. “Because they know the system. They knew what [the EFCC was] trying to do and they followed what happened. They knew I shouldn’t be getting arrested for what I’m saying. Freedom of speech! I should be allowed to be saying what I’m saying. But the EFCC said I was supporting fraud, because I said I have no problem with these people.”

Today, Marley remains one of the hottest artistes that have dominated the mainstream music chart in Nigeria and diaspora. His fan base has continued to increase on daily basis, just as he’s not free from troubles. Recall that in November, Marley set social media agog when he tweeted that a lady with a big butt was better than one with a Master’s degree. Few days later, the lewd singer alongside his siblings and cousins landed into another trouble after they were accused of stealing a car. But unfortunately, the court early this year dismissed the theft case and the singer walked away a free man.

Marley is a phenomenal singer who has a lot going for him. His journey from prince of Peckham to cult figure in Lagos, represents his evolution into a bonafide intercontinental rock star: selling out shows across Africa, and trailed intently both online and off by his mass of obsessive followers, called the ‘Marlians’.

Named after the Nigerian currency and known for his anti-establishment spirit and viral dance crazes, Marley’s wave connects the West African diaspora to their roots as he delivers his lines in a syrupy mixture of Yoruba and English.

Like Eedris Abdulkareem, Terry G and Bobrisky before him, Marley has been able to traverse between public hatred and adoration. On social media, he’s the most talked about Nigerian singer at the moment. While he’s yet to break into the international scene, Marley is currently enjoying the buzz he’s creating with his music back home. He’s in a lane of his own that politely ignores the commercialism of Afro-pop. To many, Marley is using his music to promote immorality and a generation of valueless youths, while to others, his music is awesome.

RnB singer, Asa described Marley’s music as “awesome.” Just as some twitter users once called out the ‘Puta’ hit maker after he declared that his songs can cure depression. They complained that his songs are noisy and senseless and “the only thing his songs can do is that it can cause depression rather than cure it.”

Since he burst onto the UK music scene in 2014, with Marry Juana, a song he wrote with his friend Ma Twigz, the Agege-born, Marley has been banging out hit after hit. In November 2019, the controversial singer sold out the almost 5000 capacity 02 Arena for Marlian Fest in three minutes. Tickets for the Marlian Fest which held on 30 December 2019 at the Eko Convention Centre, Eko Hotels, Lagos also sold out. There was chaos at the venue as fans tried to gain entrance into the concert.

But believe it or not, Marley is a singer you will hate to love. At present, the rapper is not just the rave of the moment, he is arguably the most popular artiste in Nigeria today. But the negative influence of Marley’s songs on the youths is unimaginable. This Marlian fever, like the era of Makossa has taken over the streets of Lagos and everywhere you go, men, women, the young and the old, the affluent and the poor are quick to claim they are Marlians with glee; and the buzz word “I am a Marlian” hits you like an unforgettable dream.

The lewd singer currently has a huge fan base. They call themselves Marlians. His songs and dance steps are inspiring a new generation of morally debased youths, who follow him around. It seems the youth would be his followers for a long time, except something serious is done. They revel in being “outsiders’, and as a trademark, they are disrespectful of rules and agents of law enforcement.

From the dance step, ‘Soapy,’ that has popularised the habit of masturbation to his off and on life inside prison to his recent dance step called ‘Tesumole,’ Naira Marley has continuously been a source of controversy and confusion in the Nigerian music scene.

It’s not for nothing that a clergyman, Chris Omashola, early this year took to his Twitter page, where he shared a series of prophecies concerning Nigeria. He warned that Marley is a demon and his music is inspired by demons, to destroy the youths in Nigeria.

“In 2020, God told me, Naira Marley is A Demon, He is Satanic and should repent before it’s too late. His songs are demonically inspired to destroy the Destiny of The Youths of this generation, Nigerian youths should desist from calling themselves Marlians. #ACOProphecies2020,” he tweeted.

Marley’s fans have since dismissed the clergyman’s warning, as they sent him threat messages; while he himself reacted by sharing screenshots of the pastor’s leaked sex tapes with an interesting caption. “To all Naira Marley’s fans aka Marlian. Please what’s your final judgment on this #NairaMarley and Apostle Chris Omashola case.” . Then on another occasion he tweeted: “Jesus never went to church.”

That’s not all, a certain mother reportedly cried out on social media after her teenage daughter was suspended from school for being part of a Marlian cult. According to the woman, the school caught over 25 girls who were members of the cult, including her daughter.

The teacher had found underwear in one of the girls’ bags and when she was questioned, she revealed that she was part of a cult whose members do not wear underwear to school on certain days.

It was, however, ascertained that the girls don’t wear pants, while the Marlian boys don’t wear belts.

However, it’s said that being a marlian has its ups and downs, from the rumoured beltless trousers for boys and underwear free girls who all believe in the marlian philosophy. You suddenly behold a boy next door who identifies himself as a Marlian, and ready to dance his Marley’s latest dance steps , ‘ Shaku shaku and Soapy (a demonstration of someone pleasuring him or herself through dance) and you are taken aback.

Despite the legal battle and the backlash against him, Marley’s fan base continues to rise., just as the singer is not relenting on his resolve to rule his world. On December 30, 2019, Marlians thronged the Eko hotel venue of the maiden edition of his headlining show, ‘Marlian Fest’ to keep a date with their music idol. While performing at the show, the singer announced his new record label, Marlian Records and resident presented the four artistes who are signed to his music imprint. He equally won his first major award at the 2020 Soundcity MVP Awards, held at the Eko Convention Center, Lagos Nigeria.

The Marlian President beat Tiwa Savage (49-99), Chinko Ekun (Able God), Prince Kaybee (Banomoya), Shatta Wale (My Level), Burna Boy (On The Low), Rayvanny (Tetema), Zlatan (Zanku – Legwork) to clinch the award for Viewers’ Choice for his viral song Soapy. And it was a major boost to his music career. But one wonders how far Naira Marley can go in this journey?

The post Naira Marley soaring amidst controversies appeared first on Vanguard News.

Related posts

Facebook Accelerator Startups in Nigeria raises over $500,000 in investments – The Eagle Online

person

Startups participating in the second season of the Facebook Accelerator Programme have recorded significant achievements, including raising over $500,000 in committed investments and grants in just three months (halfway through the programme).
Within the same period, they have also made significant product pivots, sealed key partnerships and made progress towards creating unique products with world-class business processes.
These results were recently revealed by Facebook and CcHUB, following its 2019 programmes and training, which took place to support and empower students and entrepreneurs to build locally relevant solutions using advanced technologies at NG_Hub, Facebook’s flagship Community Hub space in partnership with CcHUB.
So far in the programme, the startups have been introduced to multiple venture capitalists and corporate executives and also matched with advisors within the CcHUB Global Advisory network.
These advisors include c-suite executives and experts from companies like Dell, Oracle, IHS Towers, Stanbic IBTC, Cellulant, Old Mutual, Axa Mansard, among others.
Six of the startups contributed to the $500,000 total raised so far, with highlights including:
Chekkit, the only African company to be accepted into a global accelerator, cementing a key partnership for their organisation. They also sealed a partnership with the Fantom foundation for their blockchain product and received a grant from Umdasch Challenge at World Summit Awards 2020.
Haulr emerged second place in the recently concluded Zenith Bank’s hackathon securing N6 million.
Simbi interactives sealed key partnerships and have so far received $35,000+ in investments and grants.
Student team, Vinsighte has completed its prototype that reads books to the visually impaired using computer vision.
AirSynq, completed its balloon satellite prototype and has enterprise clients on the waiting list for its product launch in February.
Gradely launched the beta version of its product, and received its first set of customers, whilst increasing the number of schools they are present in by 200 per cent.
These startups and many more will be showcasing their products and solutions aimed at tackling problems across multiple sectors to corporate executives, multinationals and other potential partners during the annual Facebook Accelerator Programme Innovation Showcase week in February 2020.
Speaking on the development, Adaora Ikenze, Head of Public Policy for Anglophone West Africa at Facebook, said: “The numbers speak for themselves, and further reinforces that the work and investments we are undertaking here in Nigeria are having real impact. At Facebook, we are passionate about helping developers and entrepreneurs to grow. We believe in empowering small businesses through our platforms to help more people launch and grow their businesses, which translates to real impact for their communities and local economies.”
Also speaking, Bosun Tijani, Chief Executive Officer, CcHUB, said: “This is yet another extremely brilliant cohort of startups from the Facebook acceleration programme which we are deeply proud of. This goes to further highlight the readiness of innovators across Africa to leapfrog development on the continent with technological innovation. We are delighted to be part of this journey with Facebook in its desire to inspire African entrepreneurs to be among the best in the world.”
With three months remaining, the cohort of season two of the Facebook Accelerator Programme will be undertaking workshop sessions, faculty one-on-ones, growth planning, Industry Advisor Sessions and mock pitches, rounded off with a demo day in April, the end of the programme.
For more information on the Facebook Accelerator Programme Innovation Showcase, visit www.bit.ly/isw-2020.

Related posts

Facebook stops plans to put ads on WhatsApp

cell phone

In 2019, it was announced at the Facebook Marketing Summit that advertisements would be appearing in WhatsApp Status. Recently, Facebook disclosed it has quit plans to start posting ads on WhatsApp.

WhatsApp will bring Stories Ads in its status product in 2020. #FMS19 pic.twitter.com/OI3TWMmfKj

— Olivier Ponteville (@Olivier_Ptv) May 21, 2019

According to a report by The Wall Street Journal, the team that was set up to work on integrating ads to the app were dissolved and as a result, their work was “deleted from WhatsApp’s code”. Though the app up to this time is ad-free, Facebook still plans to harmonise ads into WhatsApp’s Status feature.

The report further said that Facebooks’s plan to monetise WhatsApp is part of what made WhatsApp co-founder Jan Koum exit the company in 2018 and closely followed months after by his fellow co-founder Brian Acton.

Also, the drawback in putting ads on WhatsApp has led Facebook to alternatively focus on WhatsApp features that will “allow businesses to communicate with customers and organize those contacts.”

Acquired for $22 billion (₦7,974,956,000) in 2014 by Facebook, WhatsApp is one of the most used social media platforms in the world and in Nigeria especially, according to a report. And with new features been added to the Facebook-owned apps, it may seem that the company is unrelenting in making its platform indispensable.

It can be recalled that in 2019, Facebook introduced ‘catalogs’ to its WhatsApp Business app and also Facebook Pay to the market. Although, these features are yet to be available in the African market.

Presuming that ads on WhatsApp would be ultimately launched, the WhatsApp status feature which was copied from Snapchat stories might be carrying ads in between the status just like Instagram stories.

On a brighter note, ads in between WhatsApp stories would be of an advantage to small business owners who already use their WhatsApp status as a tool to market their services. Additionally, these businesses could also create ads to target their prospective customers on the app.

It would also be another huge source of revenue for Facebook as WhatsApp is yet to be monetised while Facebook and Instagram are already generating revenue for the company via customer replies through its new WhatsApp Business API, Facebook Marketplace, ads placement on Instagram and so on.

Attend Techpoint SME Clinic 2020 and stand a chance to win ₦100,000 (CFA 160,000) for your business. Register now for FREE.

Techpoint is hosting an awards ceremony to reward the most outstanding players in the Nigerian startup ecosystem (2015 – 2020). You can nominate your favourite startups now.

Want more stories like this? Subscribe to the Techpoint Africa Newsletter.

Woman in Tech | I write about social media and internet culture | Photography enthusiast.

Related posts

Slaves, nannies, and maids: Oscars value women of colour – in subservient roles | Film | The Guardian

For Oscar voters, what makes a great performance has disturbingly narrow criteria for non-white performers. The observation that people of colour are only ever recognised for playing slaves and criminals, that their stories are only ever seen as important when they deal with tragedy and suffering, does not strictly belong to the unenlightened past. This week’s Oscar nominations prove that such judgments are planted firmly in the present.

The kinds of roles being written for people of colour over the past decade have begun to expand to encompass a wider range of experiences. Just recently we were graced with the luminous Jennifer Lopez as savvy stripper Ramona in Hustlers; newcomer Nora Lum (Awkwafina) as the conflicted granddaughter of a dying matriarch in The Farewell; Lupita Nyong’o in a remarkable two-in-one turn in Jordan Peele’s Us. This all goes without mentioning the incredible performances that never quite picked up steam: Alfre Woodard in Clemency, for instance, or Song Kang-Ho in Parasite. But never mind the fertile pickings. This year the Academy has nominated one person of colour – Cynthia Erivo as Harriet Tubman in Harriet. This outcome is dismaying, partly because it falls neatly into a familiar pattern: a person of colour performing a racially specific form of suffering, the outlier in a sea of white nominees.

Erivo’s nomination for Harriet, a film that received middling reviews, is not a preposterous decision. Actors are often recognised for individual work that might stand out in an otherwise mediocre film (take Renée Zellweger in Judy). I’m not bothered by the quality of Erivo’s performance. There are far more egregious entries on that front, with the likes of Charlize Theron for Bombshell, or Scarlet Johansson for Jojo Rabbit, reaping nods (have the Oscars ever been a legitimate meritocracy?). Far more worrisome is what Erivo’s nomination suggests about the way Academy voters evaluate performers of colour, who seem to be the most visible, and taken the most seriously, within the trappings of white pity.

That voters overlooked a performance like Nyong’o’s in Us, a chilling interpretation of two sides of the same self, is telling. It doesn’t matter that this performance matches, if not surpasses entirely that of Joaquin Phoenix’s in Joker, even though both actors play, with tremendous physical commitment, psychologically tormented characters in genre films. Instead, the Academy prefers the Nyong’o who starred in 12 Years a Slave (2013), a film in which she is a slave, raped and humiliated. For these efforts, so difficult for the conscience to ignore, she was awarded best supporting actress.

In the last decade, only 14 women of colour were among the 100 women nominated by the Academy for the best actress and best supporting actress awards. There were even fewer men of colour (nine out of 100). That the same types of roles – slaves, nannies, and maids – continue to be the magic ticket to the red carpet, feels particularly ugly considering the range of parts played by white nominees. This year, for instance, the characters of Erivo’s fellow best actress nominees include a Fox newswoman, an icon of classic Hollywood, an aspiring young writer, and a hopeful divorcee. In 2019, Yalitza Aparicio was nominated for her performance in Alfonso Cuarón’s Roma. Aparicio is one of the few Latin American actresses to receive the honour, joining Adriana Barraza as a deported nanny in Babel, and Catalina Sandino Moreno as a drug mule in Maria Full of Grace.




Pinterest

As moving as these performances are, these films leave a bitter taste as they reaffirm tired conceptions of Latin American women. Aparicio plays a housemaid silently enduring racism and neglect, which recalls another Academy favourite – Tate Taylor’s The Help (2011), which stars Octavia Spencer and Viola Davis as resilient maids, as well! Such slim parameters betray the desire, perhaps even the need by Oscar voters, for a particularly cheap form of pathos, one that simplifies and minimises the experiences of non-white people by placing them on the margins or in the past. Those performances that don’t square with this mould are often considered too “light,” too niche, or too subversive for the Academy, all of which indicates the incredible myopia of its voting body and the thinly veiled racism that guides it.

Perhaps hoping for a consistently diverse pool of Oscar nominees is blind optimism; the more time passes, the anomalous triumphs of films such as Barry Jenkins’ Moonlight, feel like a fever dream. By opening up its membership to more women and people of colour, and enlisting diverse talent such as John Cho, Issa Rae, and Tiffany Haddish to present its nominations, the Academy has attempted to create an image of inclusivity. But given this year’s batch of nominees, that commitment has proven to be both superficial and a bad joke.

Related posts

Ricky Gervais Horrifies Hollywood Liberals With ‘Savage’ Takedown at the Golden Globes

person
Ricky Gervais Golden Globes

Ricky Gervais opened the 77th annual Golden Globes with what amounted to a trigger warning, before launching into a ruthless takedown of the Hollywood crowd. 

“You’ll be pleased to know this is the last time I’m hosting these awards, so I don’t care anymore,” the British comedian said, noting he had hosted for the four previous years. “I’m joking. I never did.”

In case anyone had missed his point, Gervais added, “Let’s have a laugh at your expense, shall we? Remember, they’re just jokes. We’re all gonna die soon, and there’s no sequel.”

Gervais’ first target was Hollywood awards shows themselves. He recalled the scandal over Kevin Hart’s old anti-gay tweets, which led the actor to fire himself from hosting the 2019 Academy Awards.

“Kevin Hart was fired from the Oscars because of some offensive tweets. Lucky for me, the Hollywood Foreign Press can barely speak English, and they’ve no idea what Twitter is,” he said, implicitly acknowledging his own politically incorrect Twitter activity.

Gervais next took aim at Hollywood entitlement in the form of actress Felicity Huffman, who recently spent two weeks in prison for her involvement in a nationwide college entrance exam cheating ring.

“I came here in a limo tonight, and the license plate was made by Felicity Huffman,” Gervais said. “It’s her daughter I feel sorry for. That must be the most embarrassing thing that’s ever happened to her, and her dad was in ‘Wild Hogs.’”

Ricky Gervais shows Hollywood his Golden Globes

After calling “The Irishman” actor Joe Pesci “Baby Yoda,” Gervais warned all the Hollywood executives in the room that they could be the next casualty of the #MeToo movement.

“In this room are some of the important TV and film executives in the world, people from every background. But they all have one thing in common. They’re all terrified of Ronan Farrow,” he said, referring to the investigative journalist who made a name for himself with exposes about sexual harassment and abuse. “He’s coming for you.”

“Talking of you perverts, it was a big year for pedophile movies,” Gervais continued.” “Surviving R Kelly.” “Leaving Neverland.” “The Two Popes.”

Having highlighted Hollywood’s dirty underbelly, Gervais went after its self-conception as a place that promotes equal opportunity for minorities.

“Many talented people of color were snubbed in all major categories. Unfortunately there’s nothing we can do about that. The Hollywood Foreign Press are all very, very racist,” he said.

“We were gonna do an en memoriam this year, but when I saw the list of people that had died, it wasn’t diverse enough. It just, no. It was mostly white people, and I thought, no, not on my watch. Maybe next year. Let’s see what happens.”

Continuing to literally and figuratively shrug at himself, Gervais quipped that nobody was watching the Golden Globes anyway, saying, “Everyone’s watching Netflix.

He offhandedly suggested that Jefferey Epstein had not killed himself in prison in August while awaiting trial on sex trafficking charges.

When the crowd moaned, Gervais added, “I know he’s your friend, but I don’t care.”

Pushing on, Gervais joked that Americans only turn to Hollywood these days for superhero blockbusters, which he said have transformed actors in nothing more than buffed drug addicts.

“All the best actors have jumped to Netflix and HBO. And the actors who just do Hollywood movies do fantasy adventure nonsense,” he said.
“They wear masks and capes, and really tight costumes. Their job isn’t acting anymore. It’s going to the gym twice a day and taking steroids. Have we got an award for most ripped junkie?”

Gervais then called out a few more celebrities by name.

He hit Leonardo DiCaprio for his affinity for young women.

“‘Once Upon a Time in Hollywood,’ nearly three hours long. Leonardo DiCaprio attended the premiere, and by the end, his date was too old for him,” he said, before comparing the actor to the British prince disgraced by the Epstein revelations. “Even Prince Andrew’s like, “Come on, Leo, mate. You’re nearly 50, son.”

Gervais wrapped up his monologue with an epic rant about the hypocrisy of liberal elites in Hollywood and Silicon Valley alike.

“Apple roared into the TV game with The Morning Show,” Gervais said. “A superb drama about the importance of dignity and doing the right thing, made by a company that runs sweatshops in China.”

Gervais then turned his attention to all the actors, writers and directors in the room.

“Well, you say you’re woke, but the companies you work for…unbelievable. Apple, Amazon, Disney. If ISIS started a streaming service, you would call your agent, wouldn’t you?”

As the audience laughed nervously, Gervais, offered some advice to the nominees.

“So if you do win an award tonight, don’t use it as a platform to make a political speech, right?” he said. “You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you spent less time in school than Greta Thunberg.”

Actor Tom Hanks’ shocked expression subsequently went viral online.

All of Hollywood when Ricky Gervais tells them that no one cares about their political opinions: pic.twitter.com/CQreakKKTg

— Kyle Morris (@RealKyleMorris) January 6, 2020

Despite Gervais’ admonition, though, the evening was filled with liberal politics.

Patricia Arquette, in accepting a supporting actress in a limited series award for her role in Hulu’s “The Act,” pleaded with the audience to consider the threat of another extended conflict in the Middle East.

Michelle Williams, who won best actress in a limited series for the FX’s “Fosse/Verdon,” delivered a feminist pro-abortion acceptance speech.

And Sacha Baron Cohen, who appeared onstage as a presenter, took a shot at Facebook founder Mark Zuckerberg for allegedly allowing Nazis to run rampant on the platform.

Meanwhile, according to People magazine, the crowd for the first time dined on an entirely vegan dinner in the name of fighting climate change.

Cover image:
Ricky Gervais hosts the 77th annual Golden Globe Awards ceremony in Beverley Hills, California, on Jan. 5, 2020. (Twitter)

Related posts

Sir Nigel Farage? Prospect of knighthood for Brexit Party leader provokes joy & horror on Twitter

car person

The prospect of Brexit Party leader Nigel Farage receiving a knighthood in the UK’s New Year Honours list has been met with a mixture of delight and dismay in equal measure on social media.

According to the UK government’s website, the annual list “recognises the achievements and service of extraordinary people” across the country. One lucky recipient of such an honor could be Farage, who is rumored to be in line for a knighthood, primarily for his long-running campaign to see Britain leave the European Union.

Also on rt.com

Brexit Party leader Nigel Farage campaigns in Hartlepool, December 11, 2019.
Victory for Brexit, but not Brexit Party: Farage says he’s ‘comfortable’ with winning no seats in UK election

The thought of such a prestigious accolade for the 55-year-old politician has, perhaps quite predictably, caused ructions on social media. An avalanche of comical memes and gifs have been tweeted by his allies and detractors.

Many of Farage’s supporters have come out to praise his contribution to the Brexit debate with some suggesting that the UK would “still be waiting for a [EU] referendum” without him.

Yes Yes Yes, Marvelous.
Arise Sir Nigel.😉🇬🇧🇬🇧🇬🇧👍 pic.twitter.com/ADp3K1BUam

— dave (@NorthBankDave1) December 23, 2019

Stand Up Sir Nigel Farage #NigelFarage . He has selflessly fought for British Democracy for over 25 years. #SirNigelFarage pic.twitter.com/pqeLuIwOLh

— Ken Shakesby (@ken_shakesby) December 23, 2019

A number of his critics appeared dumbfounded that such a title for the arch Brexiteer could even be contemplated. One person tweeted that if he is knighted then she’ll be having her “own Brexit and leaving the UK!!!”

pic.twitter.com/bHbqHhJpFp

— Tracy O’Shea (@TracymOshea) December 23, 2019

How is that even a question? He has achieved nothing! pic.twitter.com/cSVm54LDj9

— Lauren Rose 🌹 (@RedLeftie) December 23, 2019

The New Year Honours list consists of knights and dames, appointments to the Order of the British Empire, and gallantry awards to servicemen and women, and civilians. Individuals are nominated by UK government departments and members of the public with the Queen informally approving the list.

Think your friends would be interested? Share this story!

Related posts

Odunlade Adekola’s new film ‘Ajanaku’ tops trending list on YouTube

Popular Yoruba actor, Odunlade Adekola’s new film, ‘Ajanaku’ is currently at the top of the trending list on YouTube.

The Yoruba film, which was written, directed and produced by the renowned actor was premiered on Dec. 13 and it has over 420 views in the first six days on YouTube.

The film ‘Ajanaku,’ tells the story of Dr Ajanaku, a worthy unorthodox healer, a role played by Adekola.

Ajanaku(Adekola) believed so much in his ancestral powers but in this chosen path, there were lots of battles to be fought to remain relevant.

The film features Yemi Solade, Odunlade Adekola, and Ireti Osayemi, Eniola Ajao, Bolaji Amusan aka Mr. Latin and Babatunde Aderinoye.

According to him, the film also features some of the students from his acting academy, Odunlade Adekola Film and Production Academy (OAFP).

Adekola a Nigeria actor, singer, film-maker, producer and director, gained popularity with his lead role in Ishola Durojaye’s 2003 movie ‘Asiri Gomina Wa’.

Adekola is a prolific movie producer, who has produced mostly Yoruba films and currently the Chief Executive Officer (CEO) of Odunlade Adekola Film Production(OAFP).

Through his production company, he has been able to produce several movies in Nigeria and has acted in multiple Nollywood movies.

The most notable movie he has produced is “Adebayo Aremu” which he also acted in as a lead character.

The renowned Yoruba actor, began his acting career professionally in 1996 .

Then he joined the Association of Nigeria Theatre Arts Practitioners, under the tutelage of the late Nollywood actor and producer, Isola Durojaiye, also known as Alasari.

READ ALSO: Odunlade Adekola, Dayo Amusa, others grace ‘Omoniyun’ premiere

Adekola has acted, scripted, produced and directed several Yoruba films over the years which include Omo Colonel, Aroba, Oro, Sunday Dagboru, Monday omo adugbo, Taxi Driver: Oko Ashewo, Eku Meji, Kurukuru, Sunday gboku gboku, Adura, etc.

In December 2015, he marked his entrance into the Nigerian music industry.

Adekola in the cause of his acting career, won several awards in Nigeria, which include Best Actor in Yoruba at the Africa Movie Academy Awards in April 2014, Best Actor of the Year at the City People Entertainment Awards in 2009.

In 2011, he won the Best Actor of the Year at the City People Entertainment Awards and in 2014, he won the Best Actor (Yoruba) at the City People Entertainment Awards.

In 2015, he won the Best Actor in a Leading Role at the City People Entertainment Awards and Best Actor of the Year at the African Magic Viewers Choice Awards.

Odunlade Adekola is currently one of the most talented actors, who is married to Ruth Abosede Adekola and the marriage is blessed with beautiful children.

(NAN)

Related posts

Celebrate people while alive, Nollywood actor tells Nigerians

Nollywood ace actor, Yul Edochie, has urged people to desist from showcasing fake love, but celebrate people more when they are still alive.

The renowned actor took to his twitter page @yuledochie to express dissatisfaction over people’s attitude to death and their refusal to celebrate the person when he or she was alive.

According to him, when he had a near-death car crash, nobody celebrated him but if he had died, they would have turned up to celebrate his life.

“I survived a terrible accident and nobody came to celebrate my life. If I had died many asoebi groups would turn up to celebrate my life, fake love everywhere.

“Someone will even choose to buy a N10 million casket to bury me, we must change the way we reason as a people,” he tweeted.

Edochie is a Nollywood Actor and model; it was that passion for acting which took him to study Theatre Arts at the prestigious University of Port Harcourt.

He joined the Nigeria Movie Industry (Nollywood) and started his professional career in 2005.

In 2005, he acted his first movie entitled “The Exquires” alongside with Chidi Mokeme and Justice Esiri.

READ ALSO: Why i won’t get married or have children – Nollywood actor-cum-producer Olu Michaels

Even though his father (Pete Edochie) was already famous, Yul wanted to be his own man, make his own name and not live under the shadows of his father.

He became highly famous in 2007 after starring in a blockbuster movie “Wind of Glory” starring Genevieve Nnaji.

In 2009, he won the city peoples award for best new actor and was also nominated for best actor of the year in 2011.

His career has grown beyond bounds and his fan has increased.

He is ranked as one of the most expensive actors in Nigeria.

In 2011, he founded the Yul Edochie foundation which aims at giving back to the society and helping the less privileged.

Edochie has acted in movies like Innocent Pain, My Loving Heart, Gaza Treasure, and Royal Challenge.

He has won several African Movie Awards such as most prominent actor in Nigeria and best actor in Nigeria.

He is currently one of the richest and most influential actor in Nigeria.

(NAN)

Related posts