Pluto’s famous heart powers icy winds on the dwarf planet | Live Science

Pluto’s icy heart is beating.

The dwarf planet’s famous heart-shaped feature, which NASA’s discovered during its epic July 2015 flyby, drives atmospheric circulation patterns on Pluto, a new study suggests.

Most of the action comes courtesy of the heart’s left lobe, a 600-mile-wide (1,000 kilometers) nitrogen-ice plain called Sputnik Planitia. This exotic ice vaporizes during the day and condenses into ice again at night, causing nitrogen winds to blow, the researchers determined. ( is dominated by nitrogen, like Earth’s, though the dwarf planet’s air is about 100,000 times thinner than the stuff we breathe.)  

These winds carry heat, particles of haze and grains of ice westward, staining the ices there with dark streaks.

“This highlights the fact that Pluto’s atmosphere and winds — even if the density of the atmosphere is very low — can impact the surface,” study lead author Tanguy Bertrand, an astrophysicist and planetary scientist at NASA’s Ames Research Center in California, . 

And that westward direction is interesting in itself, considering that Pluto spins eastward on its axis. The dwarf planet’s atmosphere therefore exhibits an odd “retrorotation,” study team members said.

Bertrand and his colleagues studied data gathered by New Horizons during the probe’s 2015 close encounter. The researchers also performed computer simulations to model Pluto’s nitrogen cycle and weather, especially the dwarf planet’s winds.

This work revealed the likely presence of westerly winds — a high-altitude variety that races along at least 2.5 miles (4 kilometers) above the surface and a fast-moving type closer to the ground that follows Sputnik Planitia’s western edge.

That edge is bounded by high cliffs, which appear to trap the near-surface winds inside the Sputnik Planitia basin for a spell before they can escape to the west, the new study suggested.

“It’s very much the kind of thing that’s due to the topography or specifics of the setting,” planetary scientist Candice Hansen-Koharcheck, of the Planetary Science Institute in Tucson, Arizona, said in the same statement. 

“I’m impressed that Pluto’s models have advanced to the point that you can talk about regional weather,” added Hansen-Koharcheck, who was not involved in the new study.

New Horizons’ Pluto flyby revealed that the dwarf planet is far more complex and diverse than anyone had thought, featuring towering water-ice mountains and weird “bladed” terrain in addition to the photogenic heart (whose official name, Tombaugh Regio, honors the discoverer of Pluto, ).

The , which was published online Tuesday (Feb. 4) in the Journal of Geophysical Research: Planets, reinforces and extends that basic message.

“Sputnik Planitia may be as important for Pluto’s climate as the ocean is for Earth’s climate,” Bertrand said. “If you remove Sputnik Planitia — if you remove the heart of Pluto — you won’t have the same circulation.”

Mike Wall’s book about the search for alien life, “” (Grand Central Publishing, 2018; illustrated by), is out now. Follow him on Twitter . Follow us on Twitter or

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‘Watch out Tesla believers’: Critics are piling on to warn the 300% stock rally will crash and burn

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  • Tesla shares have soared 300% in six months, hitting an all-time high of over $900 on Tuesday.
  • Investors, analysts, and politicians are warning investors the rally won’t last.
  • “I have no doubt it will end in tears for many people,” one investor said.
  • Visit Business Insider’s homepage for more stories.

Tesla shares have surged about 300% in the past six months, hitting an all-time high of over $900 on Tuesday. Traders, analysts, and politicians are lining up to warn investors that the run up won’t last.

“This is obviously a computer-generated rally, it’s not a reflection on the company, or on valuation. It’s just a trade,” Andrew Left, the activist short seller behind Citron Research, told MarketWatch this week.

“Yes, I’m shorting it … whoever bought it at these prices has to flush it out, and when it flushes, it’s going to flush hard,” he added.

Left’s comments came after Citron blasted the stock rally as unsustainable.

“We believe even Elon would short the stock here if he was a fund manager,” the equity-research publisher tweeted on Tuesday. “This is no longer about the technology, it has become the new Wall St casino.”

Others have warned Tesla’s rally will hurt those left holding the stock when the music stops.

“This is an incredibly dangerous place to be buying the stock and I have no doubt it will end in tears for many people,” trader and analyst Jani Ziedins wrote in a recent post on his Cracked Market blog.

“Owning a stock that’s tripled over the last few months is great, but don’t mistake serendipity for skill,” he continued. “While the fools are spending all of their time daydreaming about what they will buy when the stock breaks $1,200, smart money is selling their stock to those greedy dreamers.”

Matt Maley, chief market strategist at Miller Tabak, echoed those sentiments in a CNBC interview this week.

“This is taking Tesla well above a level that would be supported by its current fundamentals,” he said. “The stock is going to get absolutely clobbered at some point before long.”

Even former presidential candidate Ralph Nader sounded the alarm, warning Tesla could take down the entire stock market.

“When the stock market bubble implodes, it will have been started by the surge in Tesla shares beyond speculative zeal,” he tweeted.

“Watch out Tesla believers,” he added in a follow-up tweet.

Join the conversation about this story »

NOW WATCH: A big-money investor in juggernauts like Facebook and Netflix breaks down the ‘3rd wave’ firms that are leading the next round of tech disruption

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McConnell blasted for letting trial run past SOTU; even Chris Wallace calls Dems ‘petty’ and ‘spiteful’ for it

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Because of pressure mostly from Senate Democrats but also from some of his colleagues, Senate Majority Leader Mitch McConnell agreed late Friday to postpone President Donald Trump’s acquittal vote until next Wednesday.

The decision provoked frustration in some, though for different reasons.

Here is the McConnell-Schumer Senate deal which extends impeachment to next Wednesday. Story first reported by @OANN pic.twitter.com/b2pKhBma2i

— Jack Posobiec🇺🇸 (@JackPosobiec) February 1, 2020

Chris Wallace, one of Fox News’ most vocal Democrats, responded by blasting the Democrats for being so “petty” and “spiteful.” The remarks came after fellow FNC contributor Dana Perino opined about the Democrats’ motivation for pushing for a delay.

“I think one of the things that the Democrats want, and I don’t know why they think this would be helpful, is to be able to have the headline say, ‘An impeached president gives State of the Union,’” she said.

The president’s SOTU address is scheduled for Tuesday, a day before Trump is to be formally acquitted.

“I think it is so petty on the part of the Democrats and spiteful,” Wallace promptly chimed in. “End this. Land the plane!”


(Source: Fox News)

Others aimed their criticism at McConnell instead, including Fox Business Network host Lou Dobbs and frequent FBN guest Ed Rollins, the co-chairman of the Donald Trump Great America PAC.

“Why in the world would the majority leader agree to run this thing through the state of the union address?” Dobbs asked in exasperation late Friday.

“He won, and the bottom line is that he should have shut it down tonight. And who cares if it’s in the middle fo the night? The whole thing is in the middle of the night,” Rollins replied.

“So what’s the profit in him doing this?” Dobbs pressed.

“There’s not,” Rollins replied. “There’s a danger to it because you have another whole weekend of the co-conspirators — The New York Times — leaking more Bolton stories and raising more hell. He’ll be on all the talk shows.”

Listen:


(Source: Fox Business Network)

Shortly before the Senate began the process of voting on whether or not to allow witnesses to testify in the president’s trial, the Times dropped yet another Bolton “bombshell.”

This one alleged that the “president asked his national security adviser last spring in front of other senior advisers to pave the way for a meeting between Rudolph Giuliani and Ukraine’s new leader.”

Within an hour of the “bombshell” dropping, the Democrat impeachment managers began making closing arguments that reportedly contained quotes from that very story.

“[T]he House managers begin their closing arguments, and guess what? They’ve got charts, they got graphs, they got quotes from the New York Times leak!” conservative radio show host Rush Limbaugh noted at the time.

“It’s the playbook, and it is now so obvious, it’s become a joke. Every senator in that room knows exactly what’s going on here. We’re listening to closing arguments that are a coordinated, last-gasp, hail Mary for witnesses or what have you, that the New York Times found somebody to leak ’em something else from the manuscript of Bolton’s book.”

Dovetailing back to Dobbs, he shared his concerns on Twitter, as did other notable conservatives.

Look:

Why in the world would Senate Majority Leader McConnell allow this Radical Dem assault on @realDonaldTrump and the nation to run through the State of the Union and go on Wednesday when he could wrap it up tonight or at least tomorrow? #MAGA #AmericaFirst #Dobbs

— Lou Dobbs (@LouDobbs) January 31, 2020

Get the vote done Tuesday.

Exonerate the President BEFORE the State of the Union Address Tuesday so America can officially and symbolically turn the page from this duplicitous impeachment.

Tuesday night needs to be @realdonaldtrump‘s. https://t.co/koYyhxOQOv

— JD Rucker (@JDRucker) February 1, 2020

Why is McConnell pushing this now to Wednesday?

— Jeremy Frankel (@FrankelJeremy) January 31, 2020

Someone needs to ask all those ‘muh Cocaine Mitch’ people why McConnell is cutting deals with Schumer to extend the impeachment trial. Weird!

— Jack Posobiec🇺🇸 (@JackPosobiec) January 31, 2020

Reports have emerged suggesting that “Cocaine Mitch” may have delayed the acquittal vote for his own personal benefit.

“A joint fundraising committee allied with Senate Majority Leader Mitch McConnell (R-Ky.) is hosting a fundraiser in the Miami area over Super Bowl weekend,” The Hill has confirmed.

“McConnell for Majority Leader, a joint fundraising committee, has scheduled a fundraiser at 4 p.m. Saturday at a ‘South Beach Miami Location Provided Upon RSVP,’ according to an invite obtained by The Hill.”

While it’s not clear whether the majority leader will attend the event, some have speculated that his scheduled presence at the event would certainly explain his inexplicable decision to delay the president’s acquittal vote.

So is this why McConnell didn’t force a vote tonight or tomorrow? Cause that would be bad https://t.co/n19AMOVDYg

— jim manley (@jamespmanley) February 1, 2020

To be fair, however, the president himself reportedly signed off on the delay.

“Before agreeing to the delay, Senate Majority Leader Mitch McConnell (R-Ky.) phoned Trump to get the president’s approval, according to a source familiar with the conversation. Trump then signed off on the decision,” Politico reported.

It’s not clear what the strategy here is, though knowing the president, there is indeed most likely some sort of strategy at play.

Senior Staff Writer

V. Saxena is a staff writer for BizPac Review with a decade of experience as a professional writer, and a lifetime of experience as an avid news junkie. He holds a degree in computer technology from Purdue University.

Latest posts by Vivek Saxena (see all)

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Nollywood Actor Mike Ezuruonye Ungergoes Surgery Following Strange Growth Spurt In His Eye

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Nollywood actor Mike Ezuruonye has revealed he recently underwent surgery on his eye.

Mike says he spent eight hours in surgery following a strange growth spurt around his eye.

The fair-skinned actor made this known via a post on his Instagram page on Friday, January 24, 2020, where he shared a photo of himself on the operation table and thanked God for the successful surgery. Mike then opened up about the cause of the growth.

According to him, the mass in his eye formed as a result of the overbearing amount of harsh light rays his eyes were exposed to in the years he spent shooting movies. The movie star also said he was scared of going under the knife.

He wrote:

“Forgive being Reluctant but just had to share…Many don’t know what we go through in the course of our work (FILM MAKING). Had a growth encroaching the pupil of both eyes cos of overexposure to HARSH movie Production LIGHTS over the Years…(Heard looking into your PHONE/COMPUTER for too long also puts one in Danger)…Advised to get Surgery done, I was Scared.”

We wish him speedy recovery. 

See his post below:

View this post on Instagram

Forgive being Reluctant but just had to share..Many don’t know what we go through in the course of our work (FILM MAKING)..Had a growth encroaching the pupil of both eyes cos of over exposure to HARSH movie Production LIGHTS over the Years…(Heard looking into your PHONE/COMPUTER for too long also puts one in Danger)..Advised to get Surgery done,I was Scared…After Surgery, for over 8 hrs ,i was without sight as my eyes were Demanded Tightly Closed,Tightly Shut by the Ophthalmologist Team of Doctors..Hmnnn..These Made me Appreciate more the GIFT of Sight GOD gave me…Goshhhh that I can never ever take for Granted..Scary experience…But GOD is always Faithful..Glad Surgery was SUCCESSFUL and i will be back real soon to my work and Passion…Thanks to my FANS and TRUE SUPPORTERS..(NOTE Pls :Dont adhere to any IMPOSTOR who would want to take advantage to defraud anyone of his or her money…Pls I am Fine and Healing) I love you all always..God Bless

A post shared by Mike Ezuruonye (@mikeezu) on

Photo Credit: Instagram

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Facebook Accelerator Startups in Nigeria raises over $500,000 in investments – The Eagle Online

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Startups participating in the second season of the Facebook Accelerator Programme have recorded significant achievements, including raising over $500,000 in committed investments and grants in just three months (halfway through the programme).
Within the same period, they have also made significant product pivots, sealed key partnerships and made progress towards creating unique products with world-class business processes.
These results were recently revealed by Facebook and CcHUB, following its 2019 programmes and training, which took place to support and empower students and entrepreneurs to build locally relevant solutions using advanced technologies at NG_Hub, Facebook’s flagship Community Hub space in partnership with CcHUB.
So far in the programme, the startups have been introduced to multiple venture capitalists and corporate executives and also matched with advisors within the CcHUB Global Advisory network.
These advisors include c-suite executives and experts from companies like Dell, Oracle, IHS Towers, Stanbic IBTC, Cellulant, Old Mutual, Axa Mansard, among others.
Six of the startups contributed to the $500,000 total raised so far, with highlights including:
Chekkit, the only African company to be accepted into a global accelerator, cementing a key partnership for their organisation. They also sealed a partnership with the Fantom foundation for their blockchain product and received a grant from Umdasch Challenge at World Summit Awards 2020.
Haulr emerged second place in the recently concluded Zenith Bank’s hackathon securing N6 million.
Simbi interactives sealed key partnerships and have so far received $35,000+ in investments and grants.
Student team, Vinsighte has completed its prototype that reads books to the visually impaired using computer vision.
AirSynq, completed its balloon satellite prototype and has enterprise clients on the waiting list for its product launch in February.
Gradely launched the beta version of its product, and received its first set of customers, whilst increasing the number of schools they are present in by 200 per cent.
These startups and many more will be showcasing their products and solutions aimed at tackling problems across multiple sectors to corporate executives, multinationals and other potential partners during the annual Facebook Accelerator Programme Innovation Showcase week in February 2020.
Speaking on the development, Adaora Ikenze, Head of Public Policy for Anglophone West Africa at Facebook, said: “The numbers speak for themselves, and further reinforces that the work and investments we are undertaking here in Nigeria are having real impact. At Facebook, we are passionate about helping developers and entrepreneurs to grow. We believe in empowering small businesses through our platforms to help more people launch and grow their businesses, which translates to real impact for their communities and local economies.”
Also speaking, Bosun Tijani, Chief Executive Officer, CcHUB, said: “This is yet another extremely brilliant cohort of startups from the Facebook acceleration programme which we are deeply proud of. This goes to further highlight the readiness of innovators across Africa to leapfrog development on the continent with technological innovation. We are delighted to be part of this journey with Facebook in its desire to inspire African entrepreneurs to be among the best in the world.”
With three months remaining, the cohort of season two of the Facebook Accelerator Programme will be undertaking workshop sessions, faculty one-on-ones, growth planning, Industry Advisor Sessions and mock pitches, rounded off with a demo day in April, the end of the programme.
For more information on the Facebook Accelerator Programme Innovation Showcase, visit www.bit.ly/isw-2020.

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KCC offers free manufacturing training for Battle Creek residents

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KCC program offers free manufacturing training available for Battle Creek residents


Elena Durnbaugh


Battle Creek Enquirer
Published 6:00 AM EST Dec 6, 2019

Kellogg Community College wants to help Battle Creek residents launch a career in skilled trades by offering a free manufacturing training program for those who meet income requirements. 

The Kellogg Advanced Manufacturing Assembly training program focuses on providing students the technical skills required to get a job in manufacturing and the professional skills needed to succeed.

“We have companies that are coming up and are like, ‘Hey, we need people,'” Workforce Solutions Career Coach Cherise Buchanan said. “They want people who are going to be committed and are going to stay there, and I think having these students come through our program and saying, ‘Hey, I can make it through this six-week program, and I can be there on time, and I can be there every day.’ You’re going to have a better opportunity.” 

Students at Kellogg Community Regional Manufacturing Technology Center campus experience what it’s like to work on a factory floor.
Elena Durnbaugh

The program will start in January at KCC’s Regional Manufacturing Technology Center campus. Courses cover foundational skills in technical training in manufacturing, Occupational Safety and Health Administration industry training, writing and computer classes and basic math for manufacturing.

Students also get experience working on a production line. 

“It’s changing the whole concept of what it means to go to college.” Kellogg Community College Chief Communications Officer Eric Greene said. “So many people… think going to college means I’ve got to be there for two to four years or longer. There’s going to be homework. It’s going to be all lecture based. But this is college. These are college credits they’re earning toward an actual degree, but it doesn’t feel like a traditional college experience.” 

‘What do you need to be successful?’

Students will earn 8.74 college credits, the Occupational Safety and Health Administration 10-Hour General Industry Certification and the WorkKeys National Career Readiness Certificate. 

Throughout their training, students learn industry standards for efficiency, quality control and safety so that, upon completion of the program, they’re ready for work in an entry-level position. 

“They’re actually learning these and putting them into practice,” Program Manager Lisa Larson said. “They’re debriefing at the end of each session. They’re doing several different production runs and then they’re talking about what defect they found and how they can do better.” 

As part of Kellogg Community College’s Advanced Manufacturing Assembly Program, student learn what it’s like to work on an assembly line by building an industrial strength cart from these parts
Elena Durnbaugh

The program also teaches students the soft skills needed to get a job.

Through a partnership with Michigan Works and Goodwill Industries, students in the manufacturing program receive resume building and mock interview training, as well as financial literacy instruction. They also get assistance with job placement.

Students also receive support services to help them overcome other barriers such as transportation or having enough to eat.

“Anything our students need, we all kind of work together to make sure they get what they need,” Buchanan said. “I like to say, ‘Look at the total person…What do you need to be successful?'” 

DENSO, Trillium among employers

Companies including DENSO Manufacturing, Trillium Manufacturing and Advanced Special Tools Incorporated have hired people from the program, and more companies are taking interest.

“Sometimes when we go on company tours, we have past KAMA students from four or five years ago giving the tours,” Larson said. 

In some cases, Larson said, students who go through the manufacturing program will return to Kellogg Community College for more specialized training.

Greene said the program typically has high placement rates and job advancement rates.

“They come through our program, and they get a job, and then a short time after that, they get a raise or a promotion,” he said. 

Even if students can’t find a job right a way, they can enroll in a paid work experience in manufacturing through Goodwill.

“Everybody can leave doing something if they chose,” Buchanan said. 

The program is part of Kellogg Community College’s Innovative Accelerated Credentialed Training, known as iACT. The programs, which include manufacturing and nurse assistant training, are designed to quickly prepare people with workforce skills. 

“There’s just a lot of progress toward our local workforce becoming more reliable, more vital, just to the overall production that goes on in this community,” Greene said.

Paid for by W.K. Kellogg Foundation

Both iACT programs are made possible through three-year a $2.8 million grant from the W.K. Kellogg Foundation. Next year will be the final year of the grant. 

Larson said Workforce Solutions would like to expand the program.

“We’re hoping to just keep continuing this because it is a very popular program. The employers recognize it. They value it, and we want to keep it going,” she said. 

To be eligible for the program, those interested must be 18 years of age and a Battle Creek resident. They must also meet income eligibility guidelines determined by household size. For example, an individual must make less than $24,280 to apply.

Twenty slots are available in each session, and the deadline to apply for the January advanced manufacturing training program is Dec.16. Classes begin January 27. 

Contact Elena Durnbaugh at (269) 243-5938 or edurnbaugh@battlecreekenquirer.com. Follow her on Twitter at @ElenaDurnbaugh. 

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19 of the Best Tech Companies to Work in the U.S. in 2020

19 of the Best Tech Companies to Work in the U.S. in 2020

If you’re looking for a job in the technology sector, you might want to look at these companies.

By 
Trevor English

Glassdoor, one of the world’s top employment rating websites, recently released its annual list of top places to work for 2020. For those of you who don’t know, Glassdoor is a site where you can go and rate your employer, see what other people are getting for financial benefits, and basically learn as much as you’d like to about a company’s culture without actually working there.

All of this data is user-submitted, and it gives the site access to a high degree of employee sentiment for companies across the U.S. and the world. Their list of the best places to work for 2020 is based on user-submitted reviews in the previous year. It takes into account compensation data, culture data, and virtually anything a user provides to create a holistic ranking structure.

While the list includes companies from any industry in the U.S., if you weed out companies only in the tech space, you’re left with the best technology companies to work for in the U.S. Let’s take a look and see just who those companies are. 

19. Yardi Systems

Top Company Ranking: 53

Rating (stars out of 5): 4.3

Industry: Computer Hardware & Software

What employees say: “This company truly cares about its employees, everything from great benefits and perks to encouraging a wonderful work/life/fun balance.”

18. CDW

Rating (stars out of 5): 4.3

Industry: IT Services

What employees say: “Working with CDW has provided many opportunities to expand my knowledge and skillset while working with phenomenal co-workers.”

17. SAP

Rating (stars out of 5): 4.3

Industry: Computer Hardware & Software

What employees say: “Incredibly well organized, great communication, good pay, and very professional colleagues.”

16. AppFolio

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software

What employees say: “Great work-life balance, friendly management, fantastic training, dog-friendly, fun culture.”

15. Adobe

Top Company Ranking: 39

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software

What employees say: “The workplace is nice – the gym is top-notch, the cafeteria is great, and other amenities which make it an enjoyable work environment.”

14. VMWare – Part of Dell Technologies

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software

What employees say: “Work/Life balance is good, and people are smart and supportive.”

13. Kronos Incorporated

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software

What employees say: “Amazing organization and overall management structure with great benefits and an incredible work-life balance.”

12. Salesforce

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software 

What employees say: “The people are great, the culture is amazing, and the workspaces have everything you could ever need!” 

Rating (stars out of 5): 4.4

Industry: Internet

What employees say: “Employees are truly empowered, respected, and supported. Lots of opportunities to learn from smart, engaged people.”

10. Compass

Top Company Ranking: 32

Rating (stars out of 5): 4.4

Industry: Enterprise Software & Network Solutions

What employees say: “You are encouraged to participate and share your opinions and experience to help continue to make Compass the pinnacle of the industry.”

9. Facebook

Rating (stars out of 5): 4.4

What employees say: “No day is ever alike, and I get to tackle challenging problems surrounded by the best and brightest minds.”

8. Microsoft

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software 

What employees say: “I love the culture and the people here. We are always learning and have a can-do attitude.”

7. Nvidia

Top Company Ranking: 20

Rating (stars out of 5): 4.4

Industry: Computer Hardware & Software

What employees say: “Amazing culture, great work-life balance, and a strong drive to succeed in every area makes NVIDIA one of the best places I’ve ever worked.”

6. MathWorks

Rating (stars out of 5): 4.5

Industry: Computer Hardware & Software

What employees say: “They care about training and ensure that everyone is treated well with amazing little benefits from fruits in the morning to free Wednesday breakfast.”

5. LinkedIn

Top Company Ranking: 12

Rating (stars out of 5): 4.5

Industry: Subsidiary or Business Segment

What employees say: “Super invested in employee development, great work/life balance, great benefits for working mothers and maternity/paternity leave.”

4. Google

Rating (stars out of 5): 4.5

Industry: Internet

What employees say: “Work/life balance, benefits, compensation, autonomy, and the quality of your co-workers are unmatched.”

3. Ultimate Software

Rating (stars out of 5): 4.5

Industry: Enterprise Software & Network Solutions

What employees say: “The unlimited PTO, amazing benefits, and feeling like part of a big family are my favorite parts about Ultimate.” 

2. DocuSign

Top Company Ranking: 3

Rating (stars out of 5): 4.6

Industry: Computer Hardware & Software

What employees say: “They treat their employees fairly, are dedicated to the success of their employees, have great work-life balance, and very responsive management.”

1. HubSpot

Rating (stars out of 5): 4.6

Industry: Computer Hardware & Software

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Facebook Football Messenger – How to Play Soccer on Facebook | Facebook Football Game Tips | Free Facebook Games

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Talking about Facebook Football Messenger, I actually refer to or mean Facebook Football Messenger Game. This game can be played with the Facebook official messenger app or on the web. This game is actually a good way to light up your mood.

However, if you are feeling down or angry, then you should try playing some games. While playing some games you can add the Facebook Football Messenger to the list of the game you want to play. Now you do not need to download this game as you can play it directly on your computer or mobile device.

If you are someone that does not have space on your device, then is really a good alternative for you to play games. However I must warn you, there will be data charges. Now you must have heard abut how you can use the Facebook platform for free. I must warn you that you cannot use this free mode to play games online and it will definitely not work for playing the Facebook messenger football game.

Facebook messenger Download

Downloading the Facebook messenger app is one basic necessity for you to play the Facebook messenger football game. Without further time wasting, I will show you how you can download and install the Facebook messenger app.

  • Get a device connected to the internet and turn it on.
  • Tap on the search bar of the app store and enter your search term as “Messenger”.
  • Tap on the Facebook messenger official app and you should be taken to the app download page.
  • On the app download page, tap on the install button.

That is all you need to do to download and install the Facebook messenger app on your device.

How to Play Soccer on Facebook –  Messenger Football Game

Follow the steps below to play the Facebook football messenger game on the Facebook messenger app.

  • Tap on the discover icon and hit the search bar.
  • Tap on the play icon on the football game from your search results and that is it.

The game should begin immediately and you can start playing. You are going to catch fun playing this game. You might even be addicted while trying to beat your own high score.

The post Facebook Football Messenger – How to Play Soccer on Facebook | Facebook Football Game Tips | Free Facebook Games appeared first on Bingdroid.

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Collapses: The Venice Biennale and the End of History | Art Practical

Collapses: The Venice Biennale and the End of History

The 2019 Venice Biennale feels like the end of everything: the end of art tourism, the end of vacations, the end of the beach and the climate of pleasure. With bad news about the climate crisis worsening every day, the nationalistic turn of governments from the U.S. to Britain to Italy to India and Brazil, it’s unclear whether the liberal ideology that produces world-scale cultural events like the Biennale can hold much longer, or whether the economic or ecological structures of global tourism can continue to support it. The liberal democratic order of free markets and free will is undermined around the globe by violent nationalism and economic protectionism. The Biennale exhibition, May You Live in Interesting Times, offers little but a hollow scream in opposition. The whole thing feels a bit like buyer’s remorse, a magnum opus from a lapsed believer in Francis Fukuyama’s promise that we’d reached the End of History.1

Arthur Jafa

Joint Italy-EU military vessel with helicopter, Piraeus Port, Greece, August 2019. Photo: Anuradha Vikram

Both the main exhibitions and the various national pavilions feature more women and artists of color this year than any previous. Diversity is manifest with respect to types of work, interests, materials, biographies, and ages of the artists on view. Curator Ralph Rugoff states that “[the artists’] work grows out of a practice of entertaining multiple perspectives: of holding in mind seemingly contradictory notions, and juggling diverse ways of making sense of the world.”2 Diversity and multiplicity appear here to be set up as counternarratives to universalism, the ideology that has historically governed the international contemporary art discourse. But is this in fact the case? Fukuyama says, “The spectacular abundance of advanced liberal economies and the infinitely diverse consumer culture made possible by them seem to both foster and preserve liberalism in the political sphere.” If, as Fukuyama suggests, there are  “fundamental ‘contradictions’ of human life that cannot be resolved in the context of modern liberalism, that would be resolvable by an alternative political-economic structure,”3 diversity is not one of those contradictions. Rather, pluralism reinforces the “common ideological heritage of mankind,”4 while fascism’s resurgence around the globe and the popular embrace of nationalist identity are more of a contradiction in light of the realities of international markets. This is the turn of events that market utopians like Fukuyama failed to anticipate.

Rugoff never comes off as a utopian, given his pervasive air of weary detachment. Rather, the exhibition transmits how it feels to watch the ascent of Donald Trump and the unfolding catastrophe of Brexit from the “all-knowing,” cool remove of the contemporary art insider—omniscient, yet impotent, and unable to divest from toxic habits. George Condo, Sun Yuan and Peng Yu, Christian Marclay, and Arthur Jafa channel an anxiety bordering on panic. Construction, shipping, air travel, commerce, monuments, the body, gender—all once fixed as concepts in the Western imagination, with clearly associated positive values, are now invoked by artists such as Yin Xiuzhen, Nicole Eisenman, Slavs and Tatars, and Martine Gutierrez as hazardous, unstable, and volatile. Nowhere is this instability more evident than in the work of Mari Katayama, a Japanese artist whose self-portraiture tableaus tease the boundary between agency and objectification. These artists, more than the comparably straightforward representation advanced by artists like Zanele Muholi, Njideka Akunyili Crosby, or Gauri Gill, capture the zeitgeist of not just the show but the present time. Our historical moment is monumentally catastrophic, and the usual serious response to extremism doesn’t seem to be working. Instead, the images range from abject to absurd.

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Indios antropófagos: A Butterfly Garden in the (Urban) Jungle. Peru Pavilion, Venice Biennale 2019. Photo: Anuradha Vikram

Especially relevant are the artists who toy with the fetishization of Indigenous bodies and cultures for Western consumption. Within the main exhibition curated by Rugoff, Gutierrez situates her U.S.-born Latinx, trans body within a series of photographic landscapes, Body in Thrall, that challenge touristic notions of indigeneity, cultural authenticity, and romanticized poverty around non-white people. She occupies diverse personas, from a film noir femme fatale to the terrifying Aztec deity Tlazolteotl, “Eater of Filth,” always negotiating the high fashion aesthetics of desire with a subversive decolonial aggression. Similar themes and tactics appear in Indios antropófagos in the Peruvian Pavilion, curated by Gustavo Buntinx, in which historical artifacts from the Spanish colonial era and large mosaic tile works by Christian Bendayán depicting frolicking Indigenous youth come together in a scathing critique of cultural tourism. In the French Pavilion, curated by Martha Kirszenbaum, artist Laure Prouvost references the oceans and the sea life projected to die out by 2048, only 29 years into the future, with a number of glass animals seemingly cast into the sea floor, strewn across a landscape of refuse and discarded technologies.

Back in the real world, there’s no way to excise or sequester the beautiful parts into a future that can outlast the very real catastrophes happening now. The overwhelmingly urgent need for a complete lifestyle change played in my head over the week following my visit to the Biennale, as I recuperated from a difficult personal and professional year on a seven-day Greek Islands cruise with my young children, partner, and parents. Looking over the waters where thousands of migrants have drowned, from the top deck of a massive, yet outdated, luxury vessel, I considered how the looming climate crisis creates a condition of simultaneous enjoyment of the modern world that is all around us, and a mourning for its obvious and inevitable loss. Is this the end of curating? The traditional role of the curator as guardian of the world’s collected treasures seems as irrelevant as the contemporary job of mounting resource-heavy exhibitions for an international crowd of jet-setters. Conceptualism has begun to rot from the head, as when Rugoff controversially chose to include Christoph Büchel’s installation of a salvaged boat that, in 2015, sank in the Mediterranean with more than 800 people aboard. I reflected on this watery tomb, recommissioned as a tourist attraction, while looking out across Piraeus port. In the distance, a military troop (jointly operated by Italy and the European Union) performed exercises atop a warship in a city where anti-immigrant attacks are on the rise. In the seventeenth century, the Venetians gained and lost control of Athens in a rivalry with the Ottomans. Today, it seems the EU’s primary objective in the Mediterranean is to sever thousands of years of interconnection between these three regions. Two years ago, the regenerative promise of art as a universal cultural good was undermined when documenta 14 recreated the financial dynamics of German austerity policies in Athens, Greece afresh. Debts went unpaid, workers uncompensated, all in the name of “fiscal responsibility” that nearly shuttered the sixty-year-old event for good. What better outcome ought we to expect this year from an art event born out of universal nationalism?

Christine Wertheim

Halil Altindere, Space Refugee, 2016. May You Live in Interesting Times, Venice Biennale 2019. Photo: Anuradha Vikram

An explicitly utopian impulse is fugitive in May You Live in Interesting Times, but it manifests in the intersection of art, science, and technology. Margaret and Christine Wertheim’s Crochet Coral Reef raises awareness about preservation of the oceans through a crowdsourcing practice that combines mathematical learning with environmentalism and craft. Tavares Strachan’s meditation on African American astronaut Robert Henry Lawrence, Jr., locates metaphysical discourse about the afterlife within a scientific conversation about space travel—where elsewhere Halil Altindere complicates this view with the tale of Syrian cosmonaut Muhammed Ahmed Faris and his persecution by the state. Ryoji Ikeda bathes us in cleansing white light and describes a massive, thunderous universe of data that takes breathtaking shape before our eyes. Hito Steyerl’s This is the Future is a post-internet pastorale in which computer vision is applied to the Venetian landscape to depict a state of perpetual, dreamlike futurity in which the present persistently refuses to resolve into view. The protagonist of Steyerl’s installation seeks out a garden that she had previously hidden in the future in order to protect it from the ravages of the present.

The song of the Lithuanian Pavilion Sun & Sea (Marina) still rings in my ears:

“When my body dies, I will remain,
In an empty planet without birds, animals and corals.
Yet with the press of a single button,
I will remake this world again”

The finale of Sun & Sea (Marina) details the 3D printing of facsimiles of species in widespread collapse, taking comfort in their simulated resurrection as one would in the cold rays of a dying sun.

Greek Islands

Sun & Sea (Marina), Lithuanian Pavilion, Venice Biennale 2019. Photo: Anuradha Vikram

The gentle tenor of the apocalyptic visions in Sun & Sea (Marina) perfectly encapsulates the feeling of living at the outside edge of the story of the human species on planet Earth, with the knowledge that history as we know it may well be about to end because our species is one of millions undergoing collapse. The emptiness of our endeavors is invoked by Shilpa Gupta, whose wildly swinging metal gate hammers an effigy of national borders into a gallery wall. Otobong Nkanga’s drawings in acrylic on crayon reference the mechanical, industrialized nature of exploitation in the 21st century. Unlike the bees, whose society is organized around abundance, we humans have engineered systems to maximize our suffering. If humankind can truly lay claim to a common ideological heritage, as Fukuyama once argued, we have only ourselves to blame for our impending end.

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OPINION: Death and the legacy of Fela Kuti – Vanguard Allure

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Death, many people say, can be the biggest career move and for proof they point to Michael Jackson who was mired in debt at the time of his death but whose estate is now worth millions and millions more than he made while alive.

Death has always fascinated pop culture, especially when the dead is famous or infamous and young to boot. Think Jimi Hendrix, Janice Joplin, Kurt Cobain, Amy Winehouse and Jean-Michel Basquiat. These rock stars captured the popular imagination, blazed bright like a meteor then fizzled out like shooting stars.

The phenomenon of dying young has been so analysed that someone came up with the 27 Club – a constellation of famous people who died at the age of 27 from drug overdose, alcohol addiction, car or plane crashes as well as suicide or homicide.

Most of them are white (Hendrix and Basquiat no), most of them American. But has death ever boosted the career or renown of an African celebrity? The answer is yes and the most famous must be Fela Anikulapo-Kuti, the iconic musician, jazz aficionado and fiery activist who was a thorn in the flesh of successive military regimes.

Fela died 22 years ago at age 59. He was nowhere near 27 and by that time had adult children – Yeni, Femi and Shola (who died young). He was world-renowned and celebrated and hounded at home. His residence was famously known as Kalakuta Republic (named after the prison cell he occupied while incarcerated at Kirikiri prisons). His cell was called Calcutta but Fela corrupted it to Kalakuta.

His residence so named was raided on February 18, 1977 by what reports say were over 1,000 soldiers. Denizens of the commune including some of his wives were beaten and raped and the building burnt down but not before his aged mother was thrown out of the window. She died from her injuries.

But the loss of his mother and his republic did not diminish Fela’s stridency. He remained militant to the very end dying from complications arising from HIV/AIDs just four months after he left prison.

He was as well known for his music as he was for his activism and today when a musician or celebrity of whatever stripe is conscious people liken him or her to Fela.

But how did death boost Fela’s career? Alive, Fela was mercurial and tempestuous. His albums were mostly one-song albums that sometimes lasted for over 20 minutes. His intros were famous for featuring call and response choruses and then long jazz pieces that seemed to go along for interminable moments. Radio stations found him a nightmare and attempts by music labels to re-master and cut short his songs for the new CD technology were rebuffed. The only close examples in contemporary western music would be ‘Bohemian Rhapsody’, the Queen song from the 1975 album A Night at the Opera which clocks in at 6 minutes and then Tubular Bells, Mike Oldfield’s 1973 studio album which extends to 49 minutes.

Fela was, therefore, a peculiar kind of musical artist with an oeuvre that was as potent musically as it was politically. For Fela, music was a weapon and one he wielded in many ways as if it was the lasso of truth with which he whipped the military and autocrats and kleptocrats into line.

His music was critical of soldiers whom he called zombies but soldiers loved to listen to his music because it was also critical of the government and often plumbed the depths of the pervasive social malaise and political morass.

Fela’s music was a leveller and had an uncanny ability for transcending class and gender, moving fluidly between the mainland and island and breaching class strictures. Visitors to the Africa Shrine in what is now Computer Village in Ikeja, where Fela played live sets every Friday when he was not on tour would find bank CEOs and messengers dancing and smoking as they listened to Fela’s music. The shrine was a democratic locale where music was a unifying factor.

It is also important to note how Fela’s music is at home in the mouths of the rich as well as the poor with men from different sides of the track laying equal claim to the man, musician and prophet.

Fela’s death was devastating but in dying, Fela seemed to step across the threshold from legend into myth. His death many say made his children instant millionaires and then his music re-mastered and available widely on CD spawned a whole new generation of fans, many of them not yet born or mere toddlers when Fela transited from this realm.

Today, Afrobeat, the musical genre he pioneered, is played across the world from Portugal to the UK, the US to Spain. Books have been written about him, documentaries shot and a Broadway show has travelled the world presenting Fela as maverick musician, activist and prophet.

But Fela’s reputation has been cemented and augmented more by a hybrid sound, a derivative christened afrobeat and made popular by young African musical artists who have evolved a whole new sound described by the poet and music Dami Ajayi as having begun with the Kennis music group, D Remedies.

According to Dr. Ajayi – “Afrobeats is perhaps the biggest cultural export from West Africa to the rest of Africa and the world. There is little doubt that this music of both Nigerian and Ghanaian origins will continue to enjoy mainstream global prominence.

Afrobeats went mainstream in Nigeria about two decades ago when D Remedies, released their hit song, Shako Mo, under Kennis Music label. The song sampled instrumentals from MC Lyte’s Keep On Keeping On, which also, interestingly, sampled Michael Jackson’s Liberian Girl. With that connection, one can easily link Afrobeat auspiciously to the late King of Pop.

Today, Afrobeats, a fusion of Hip-Hop and African rhythms, has since eschewed overt Western influences in favour of African idioms and musical traditions. Highlife, Juju, Fuji, Apala, Makossa, Sokous and Afrobeats have become cannon fodder for this music and the benefits are multidirectional. Ultimately, one can argue that Afrobeats is making the old new.”

But what has become clear is that many of the biggest Afrobeats stars have adopted Fela Kuti as both muse and creative forge. This year again as we celebrate the life and times and legacy of Fela Kuti during the weeklong Felabration at Freedom Park and beyond, we will be reminded that his death has made him more relevant than he ever was alive and a bigger musical brand to boot.

The list is long but Uzoma Ihejirika writing in thelagosreview attempts to put it all in perspective – “Founded 21 years ago by Yeni Anikulapo-Kuti, Felabration presents an opportunity to acknowledge Fela Kuti’s contribution through Afrobeat, the genre of music he pioneered. His jazz-inspired, robust sound continues to spark a creative flame in the hearts of Nigerians—both admirers and detractors— who no matter what cannot ignore Fela, the man and the musical icon.

That creative flame continues to burn in contemporary Nigeria even amongst artistes who were not born or were mere children when Fela became an ancestor. These artistes have made the Afrobeat genre a foundation upon which to speak about their fears, their frustrations, and their joys.”

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