Hundreds of readers donate copies of depression memoir after Caroline Flack’s death | Books | The Guardian

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An independent bookseller has been deluged with thousands of requests after offering to send anyone who feels they need one a copy of Matt Haig’s memoir about depression, Reasons to Stay Alive, in an initiative the author called “such a positive thing on what was a pretty bleak weekend”.

Simon Key, who runs online retailer the Big Green Bookshop, was contacted by a reader, Emma, offering to buy a couple of copies of Haig’s book for people in the wake of TV presenter Caroline Flack’s death. Haig’s book details his own descent into depression, and his climb back out of it.

Key, who already runs a weekly “buy a stranger a book” club, told his Twitter followers about her offer, and said he’d “try to cover any others that are requested”. As thousands of requests poured in, readers were also quick to support him with donations.

“People have been very generous – some have given a pound or two; others more than £100,” Key said. Donations now stand at around £6,000 and are still coming in, with Key having sent out more than 600 books. He is still making his way through the requests he’s received – “I’m posting about one a minute,” he wrote on Twitter on Sunday – shortly before he leaves for a half-term holiday.

“I’m getting thousands of DMs from people who need the book, and who are telling me why,” Key said on Monday. “This book has made a difference – lots of people have said it saved their lives. And this is not just about people getting the book, it’s about how they’re getting it. They’ve been brave enough to ask for it, and that’s a step forward.”

Blackwell’s in Oxford has also been giving away copies of the book to those who have asked for it, also funded by readers. Deputy manager Charlie Bush said the shop now had 40 books donated by readers, with the retailer discounting the price for donors and covering the postage costs.

“We really believe that books have the power to be life-changing and we also know that lots of people are going through tough times for all sorts of reasons. So we hope that people can gain some comfort and inspiration from Matt’s book. We tip our hats to Big Green Books for getting the ball rolling and offer huge thanks to customers who are making this possible with donations,” said Bush.

Flack had described Haig’s book as “honest and beautiful” on Twitter in 2015 and in the aftermath of her death, the author said that “when I had a bout of Twitter-fuelled depression just as Reasons to Stay Alive came out, this was the tweet that first lifted my spirits. We need more kindness.”

On Monday, Haig told the Guardian that the giveaways were “amazing … such a positive thing on what was a pretty bleak weekend. The response was phenomenal, and the generosity of so many people who volunteered to give copies to other people – online strangers – was, well, there are no words. It was just very touching and shows that the internet, and life in general, are a lot better when we try to look after each other. I am also pleased that this book, which I wrote over five years ago, is still able to help people in some small way.”

In the UK and Ireland, Samaritans can be contacted on 116 123 or email jo@samaritans.org or jo@samaritans.ie. In the US, the National Suicide Prevention Lifeline is 1-800-273-8255. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at www.befrienders.org.

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FGM doctor arrested in Egypt after girl, 12, bleeds to death | Global development | The Guardian

A doctor has been arrested after the death of a 12-year-old girl he had performed female genital mutilation (FGM) on.

Nada Hassan Abdel-Maqsoud bled to death at a private clinic in Manfalout, close to the city of Assiut, after her parents, uncle and aunt took her for the procedure.

Her parents and aunt were also arrested after reports of her death emerged.

The doctor, 70, carried out the procedure without anaesthesia, without a nurse present and without any qualifications as a surgeon, according to local prosecutors.

The surgeon, known only as “Ali AA” claimed the family brought the girl to him for “plastic surgery” on her genitals.

Family members reportedly admitted that they knew they were taking the child to undergo FGM, and that her mother and aunt had stayed in the room during the procedure.

FGM involves the removal of the clitoris and sometimes other external female genital organs. Tradition in some parts of rural Egypt demands that young women undergo FGM as a way of demonstrating sexual purity.

The police and officials carrying out investigations don’t care about domestic and sexual violence, including FGM

Egyptian authorities have struggled for years to eradicate the practice, despite a 2008 ban and new laws in 2016 criminalising parents and doctors who facilitate it. Under the new laws, anyone who performs FGM faces between three and 15 years in prison, while anyone accompanying girls or women to be cut faces up to three years in jail.

But campaigners warned at the time that the new laws were unlikely to combat the practice, given the lack of convictions of doctors and reliance on people to self-report. They also warned more girls could be taken to hospitals or other medical facilities to have the procedure, meaning that complications were less likely but so was public knowledge of the practice itself.

In 2013, 13-year-old Sohair al-Bata’a died as a result of FGM. Raslan Fadl was the first doctor to be convicted of FGM, serving three months of his sentence in a case considered a watershed in convincing Egyptian lawmakers to criminalise the practice.

Fadl was released after reconciling with the Bata’a family, a loophole in the law that campaigners say shields families and doctors from prosecution.

“FGM continues to occur because there is no desire from the political leadership to stop it. The state is tolerant of female genital mutilation despite the presence of law, and despite receiving funds and grants from abroad [to combat it],” said Reda El Danbouki, a lawyer and campaigner against FGM.

He said judges fail to apply the law because they “are affected by a culture which does not see FGM as a crime”.

He added: “The police and the officials carrying out investigations don’t care about domestic and sexual violence, including FGM.”

Danbouki criticised Egypt’s doctors’ syndicate for suspending convicted doctors rather than removing them permanently from the register.

According to Unicef, 87% of of females aged 15 to 49 have undergone FGM in Egypt. About 14% of girls under 14 have been cut.

An estimated 27.2 million Egyptian women and girls had been subjected to FGM in 2016, according to Unicef, out of a population of almost 100 million.

Rania Yehia, of Egypt’s National Council for Women, an initiative affiliated to the presidency, said that her organisation would continue to campaign to raise awareness.

Yehia maintained that the strength of tradition in rural Egypt makes the problem hard to combat, but blamed the persistence of the issue on external factors. “This habit comes from outside Egypt. It comes from elsewhere in the continent of Africa … not from north Africa,” she said.

Additional reporting by Adham Youssef

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In the ground and off the page: why we’re banning ads from fossil fuels extractors | Membership | The Guardian

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In a bid to reduce our carbon footprint, confront greenwashing and increase our focus on the climate crisis, the Guardian this week announced it will no longer run ads from fossil fuel extractors alongside any of its content in print or online. The move will come into immediate effect, and follows the announcement in October last year that we intend to reduce our net emissions to zero by 2030.

Once upon a time, a newspaper was a rather straightforward business. You generated enough material of interest to attract a significant number of readers. You then ‘sold’ those readers to advertisers happy to pay to get their ideas, products or brands in front of consumers with cash to spend.

Of course, digital disruption over the past 20 years has upended that model, but advertising remains an important part of the media business ecosystem. At the Guardian, it is still responsible for about two-fifths of our income.

But what happens when the readers don’t like the adverts? What do you do when the message that advertisers want to spread jars awkwardly with the work your journalists are doing?

What if your journalists are some of the best in the world at revealing and investigating the deepening climate catastrophe and the disaster that is fossil fuel growth, while some of your advertisers are the very people digging the stuff out of the ground?

This contradiction has bothered us – and some of you – for some time. We came up with a rather bold answer this week: turn away the money and double down on the journalism.

“It’s something we thought about for a long time,” says Anna Bateson, the interim chief executive officer of Guardian Media Group, the Guardian’s parent company. “We always felt it was in line with our editorial values but were cautious for commercial reasons.”

She said it was the logical next step after the Guardian committed last year to becoming carbon neutral by 2030 and was certified as a B Corp – a company that puts purpose before profit. But she added that the move had to be weighed carefully, given the fact that the Guardian only recently returned to breakeven after years in the red.

“You have to be careful you are not making cavalier decisions,” she said. “ We are still having to fight for our financial future. But because of the support we get from our readers, it is less of a risk.”

On the advertising side of our business, Adam Foley said there were no complaints at all that potential customers were suddenly off-limits, adding that staff felt that “being part of a company that shares their values” was the biggest motivation for his teams.

“A statement like this reaffirms to all of us that we’re contributing to a business that really lives those values – to the extent where it is prepared to sacrifice profit for purpose.”

The response from the wider world has been a pleasant surprise. Hundreds of you have written in, pledging your support, and in some cases, one-off contributions to start making up the shortfall. (EDS: See below – I’m going to append the best responses below. In print you can use as the panel)

The environmental movement was instantly appreciative, with activists quickly urging our peers to follow suit. “The Guardian will no longer accept advertising from oil and gas companies,” Greta Thunberg tweeted. “A good start, who will take this further?” Greenpeace called it “a huge moment in the battle against oil and gas for all of us.”

Some readers have been calling for the Guardian to go the whole hog and forsake advertising from any company with a substantial carbon footprint. Bateson said that was not realistic, adding that such a move would result in less money for journalism. She said the fossil fuel extractors were specifically targeted because of their efforts to skew the climate change debate through their lobbying effort.

“We are committed to advertising,” she said. “It will continue to be part of our future. We want advertisers who want to be appear alongside our high quality journalism.”

And how will we know if this has worked?
“We will listen to our readers, we will listen to our advertisers. The response so far has been gratifying. If we continue to hear positive noises from our readers and supporters, then it will have been a success.”




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Responses from our supporters

That is such a brilliant decision and it will be tough, but it is the correct one and I am very proud of The Guardian. Barbara Syer

Following the Guardian’s decision to ban ads from fossil fuel companies I’m making a monthly contribution to support its fearless journalism: reader support is essential for independent scrutiny of the powerful in business, finance and politics. Titus Alexander, Hertfordshire, England

I live at present in Canada, home to the Alberta Tar Sands: another name for ecological devastation resulting from fossil fuel extraction. I fully support The Guardian’s action in ceasing to be a vehicle for advertising by fossil fuel extractive companies, and I’m proud to be a supporter. My monthly donation is small, but when I can I will make it much greater. Rosemary Delnavine, Canada

Congratulations. At this time it may be a bold step, indeed, within this industry, but true leaders have to take bold steps for the betterment of the quality of life, and more importantly for the life of future generations. I applaud this decision, and will spread the word. Raphael Sulkovitz, Boston MA

What a bravery! This is what the life on earth needs, thank you. Karri Kuikka, Finland (EDS: please leave her wonderful Finglish intact!)

Keep it up. Here in Canada, we’re still trying to have it both ways — sell the product internationally but discourage buying domestically. As I recall, it was the same with tobacco. Eventually, it took a change in public opinion to solve the problem. As a news source, your efforts are part of this solution. Robert Shotton, Ottawa

I applaud your decision to”walk the talk.” I will therefore continue to contribute to The Guardian. Bob Wagenseil

Bravo yr decision to eschew $ from the FFI. Please do continue to hold to the fire(s) the feet of the deniers and the willfully ignorant. Sydney Alonso, Vermont, US

I am very happy to hear that good news. It’s quite courageous on your part, and I’m happy to support you! Have a great year ahead, you’ll have my continuous support! Julien Psomas

I completely support your plan to refuse ads from fossils, despite the
financial hit to the Guardian. I have made a donation to help out. David Thompson

A very commendable decision, very much in keeping with the Guardian’s position as leader of green issues to leave a better planet for following generations. Richard Vernon, Oxford

Yay! I’m so proud of the Guardian! We can no longer support or fund in any manner the fossil fuel industry if we have any chance of survival as a civilization on this planet. You’ve taken a courageous and moral step that will hopefully embolden others to join you. Good on you! Best, Carol Ross, Missouri, US

Good decision. I’ll support you as much as I can, which unfortunately is not much as I live on age pension only. Keep up the good work, we need it desperately! Ursula Brandt, South Australia

I am absolutely delighted by this decision. So many people pledge to do something about Climate Change, but few actually are willing to get uncomfortable and DO it. I am very proud of you as my favourite source of Information and this only makes a case for me to donate next time to you again. Christiane Gross

It was great reading what The Guardian is doing re the climate. As a Guardian on-line reader from The Netherlands I’m going to contribute monthly now instead of ‘now and again’. The amount will be relatively small as I do not have a great income. I really hope more of your supporters will do so, because it is really great what you are doing.
With kind regards, Aleida Oostendorp, Netherlands

I congratulate you and your team on taking this step regarding fossil fuel companies. The Guardian’s stance on the environment and its excellent coverage of related stories and events is the major reason for my support. Well done, and good luck in the future. Deirdre Moore

Love your new policy about accepting money from fossil fuels. Will contribute more to help make up for the shortfall. Todd Misk

I live on a fixed income with a strict budget so my continuing support of your excellent news organisation represents my commitment to the fight to address climate change. Every step counts. Barbara Hirsch, Texas, US

Only when we speak truth to power can change take place. thank yo for your courageous and expensive decision. Nancy Shepherd, Vermont, US

Love your journalism, especially your investigative work and the climate change topic. And with the bold statement about not receiving any more sponsorship from the fossil extracting companies? Well, the already great newspapers became even more impressive now. Keep up the good work. Miroslav Řezníček, Czech Republic

Thank you for taking the bold step of refusing advertising from fossil fuel extractive companies. I think it is the right thing to do & hope many more companies do the same. We must all work together if we want to save our planet. It is one of the most important issues of our times. Ginger Comstock, New York, US

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Nigerian Youths Should Choose Life, Not Death — Emmanuel Onwubiko

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Statistically, the global authority on health issues known as the World Health Organization (WHO) has released a highly frightening but realistic rate of suicides committed by members of the global humanity per annum. It says that close to 800 000 people die due to suicide every year, which is one person every 40 seconds.

Suicide the World Health Organisation observed succinctly, is a global phenomenon and occurs throughout the lifespan.

It reckons that effective and evidence-based interventions can be implemented at population, sub-population and individual levels to prevent suicide and suicide attempts. There are indications that for each adult who died by suicide there may have been more than 20 others attempting suicide.

Suicide occurs throughout the lifespan and is the second leading cause of death among 15-29-year-olds globally.

Suicide is a global phenomenon; in fact, 79% of suicides occurred in low- and middle-income countries in 2016. Suicide accounted for 1.4% of all deaths worldwide, making it the 18th leading cause of death in 2016, so says the global agency on health matters also known as World Health organization in its website just visited by this writer.

I must state that although the fact remains that suicide is a worldwide trend, but for us in Nigeria just like in other African nations, the death of someone is a huge loss not just to the immediate family but to the society and the nation at large. Given the African set up of the typical family tree, members of a given family belong to both the nuclear and the extended family units. So the matter of suicidal demise of any member brings about phenomenal amount of sorrows to a greater percentage of people in Nigeria.

However, due to a number of factors not unrelated with psychological, emotional, financial and sociological factors, a lot of young Nigerians have fallen into the traps of suicide in the last couple of years particularly in the last one year. Around June of last year, Samuel Elias, 25, a final year student of Department of Religion and Culture, University of Nigeria Nsukka allegedly committed suicide by drinking sniper.

The mother of the deceased, Mrs. Kate Elias a staff of the university, told the News agency of Nigeria that the unfortunate incident happened on Monday June 17, around 5.30pm in her house at Justina Eze Street Nsukka.

Elias said she came back from work on that fateful day and discovered that the mood of her first child was bad and he was staggering when he came to collect a bottle of coke from the fridge

“I followed him immediately to his room and started talking to him but he could not respond and when I looked closely, I discovered that his teeth had tightened up.

“As I looked around, I saw an empty sniper bottle; at this point I raised alarm and my other children rushed to the room and we tried to give him red oil but his tightened teeth did not allow the oil to enter his mouth,” she said.

According to her, he was rushed to the hospital, where he eventually died.

“We immediately rushed him to Faith Foundation Hospital, Nsukka and were later referred to Bishop Shanahan Hospital, Nsukka, where he eventually died.

The mother of seven said her son could have died of depression, noting that he had been lamenting his inability to graduate from UNN because of his final year project, which he has been working on.

“I know two things he usually complained, his inability to graduate from UNN since 2016 because of the project that he has not finished as his classmates have all gone for their National Youth Service Corps.

“Also, how his father’s family in Ihechiowa in Arochukwu Local Government of Abia State abandoned us since their father died.

“Whenever he complained of these things, I usually advised him to trust God, who is capable of solving every problem.

“I do not know why he will go to this extent of committing suicide. I have seven children and he was my first child.

“It is still like a dream to me that my first son and first child has died,” she said in tears.

Reacting to this incident, Prof. Tagbo Ugwu, the Head of Department of Religion and Culture in UNN, said somebody called him and told him about the unfortunate incident.

“I received the news with shock and surprise.

“I will find out from his supervisor what is wrong from the project that has stopped him from graduating,” he said.

When contacted Mr Ebere Amaraizu, the Police Public Relations Office, in Enugu State, confirmed the incident and said police would investigate the circumstances surrounding the death.

“The police is aware of Samuel Elias’ death. He was a final year student of the Department of Religion and Culture in UNN, who committed suicide on Monday by drinking sniper.

“Police will investigate circumstances surrounding the death,” he said.

It would be recalled that barely five weeks after Chukwuemeka Akachi, a 400-level student of Department of English and Literary Studies in UNN ended his own life after taking a bottle of sniper. In August of last year, from the Obafemi Awolowo University (OAU), came the story that the school community was thrown into mourning mood following the death of a final year student, Opeyemi Dara. The deceased was said to be a student of Faculty of Arts, Department of English Language, who allegedly committed suicide after taking a suspected dose of lethal substance popularly known as “sniper”. News Agency of Nigeria (NAN) learnt that she allegedly took her life following her poor academic performance, although the details of the incident were still sketchy.

The media stated that the authority of the institution confirmed that the deceased committed suicide following depression occasioned by poor academic records.

Dara’s academic records obtained by a journalist who worked on the story for one of the National dailies indicated that she had five outstanding courses and 12 Special Electives.

Also the Public Relations Officer of OAU, Mr Abiodun Olanrewaju confirmed the incident and promised that the institution would investigate and make its findings public. Olarewaju appealed to students not to contemplate committing suicide because of poor academic performance.

“We sympathize with the parents and guardian of the deceased known as Dara.” We just want our students and young ones to know that depression is not a thing they should encourage, no matter the situation or circumstance they find themselves. “ Some people in the past have passed through the same situation and circumstances and came out clean. “Now, suicide can never be an option and people, especially the young ones who believe that taking their own lives is an act of gallantry should know that it is not. “We want to appeal to students, particularly OAU students to take things easy. Any child that fails; that is why the university says you can rerun a course, you can resit a course.

“People out there also face challenges and when you are in school, failure or repetition of a course or particular subject is also part of the challenges students must face. “The university will get to the root of the incident and get back to the public,” Olarewaju said. Just before this case, there was another story from Edo state.

That was precisely at the Faculty of Arts, University of Benin, UNIBEN, main campus came the heartbreaking story that a final-year student jumped from the second floor of one of the hostels and died.

The deceased male student, whose identity is still unknown as at press time, committed suicide after failing his examinations, which made him suffer depression for failure to graduate. The next case is that of a girl that reportedly took her life following a break up of a relationship and this also happened at the University of Benin like the aforementioned the deceased was a three hundred level student.

The corpse of Miss Christabell Omoremime Buoro, aged 21, a 300-level student of the department of Medical Laboratory Science, University of Benin (UNIBEN), was discovered in her hostel flat at Plot 4 Uwaifo lane, Newton street, Ekosodin area, behind the university fence, so reports the newspapers. Miss Christabell reportedly was discovered after she allegedly took some deadly substance to end her life. It was gathered that the undergraduate linked her suicide to her breakup with her boyfriend.

The media states that an empty sachet of Klin detergent was found in the spot where she took her life.

According to the source of the media information, “A small girl of that age will take her life all because of one boy. The policemen that came to evacuate the body were very angry after reading out loud the note she dropped.

“Thank God that she even dropped a note, if not the roommates would have been in hot soup, because investigation would have began from that point.”

As are with all cases of suicide, the police officers in this case situated at the Ugbowo police station have invited two person for questioning over the content of the letter.

It was rumoured that the deceased Christabel mixed the deadly insecticide, popularly called Sniper with Sprite drink, and reportedly left a suicide note where she stated that she was about taking her life because the guy she loved didn’t love her in return after her boyfriend broke up with her.

Sadly, the year 2020 has also seen another case of suicide by a youngster and in this developing story we were told that the girl stated that she was depressed and that she no longer find life attractive.

The Enugu State Police Command only at the weekend confirmed that a serving National Youth Service Corp member in Enugu State, Miss Bolufemi Princess Motunrayo, has committed suicide.

It was gathered that Miss Motunrayo, a Batch ‘C’ corps member serving in Girls Secondary School, Ibagwa-Aka, Igbo-Eze South Local Government Area of Enugu State took her life on Friday, January 10, 2020, when she allegedly drank a substance suspected to be sniper.

The Corp member hailed from Ijumu Local Government Area of Kogi State and a graduate of Banking and Finance from Prince Abubakar Audu University formally called Kogi State University was reported to have taken two bottles of snipers.

One of the media reporters who worked on this emerging story said it was learnt that she had before committing suicide dropped a short note that read, “I did this because I see nothing worth living for in this world”.

Confirming the alleged suicide is the State Police Public Relations Officer, Ebere Amaraizu, who described the incident as unfortunate.

Amaraizu, a Superintendent of Police in a text message to the Punch newspaper correspondent said, “The incident has to do with the taking of sniper insecticide by one Bolufemi Moturayo Yetunde, a female corper from Kogi State but, doing her service with Girls High School, Ibeagwa-Aka, Igboeze South L.G.A on 10/1/2020.

“She was later rushed to the hospital where the doctor confirmed her dead,” he said.

In the version written by The Guardian, one of the friends of this absolutely beautiful graduate and a serving member of the National Youth Service scheme (NYSC) raised alarm that there is need for a thorough investigation of what triggered the ‘suicide’ because in the thinking of this person, the girl who killed herslf allegedly was having a swell time and was not known to have any case of depression or loneliness.

From all these and many other stories of suicide and suspected suicides especially the cases of suicide by Students, there is a glaring evidence of a lacuna fundamentally in the administration of these tertiary institutions. These cases of students killing themselves due to frustrations attendant with their inability to successfully graduate could be tackled if these schools can set up functional mechanisms for looking into all cases related to inability or otherwise of their students to graduate. There has to be a system in place to seamlessly monitor and ensure that the process of writing and supervision of projects of students are transparent and open to such an extent that no single person should become the last hope of any strident from graduation. The schools should have a reporting mechanisms whereby cases relating to inability to pass these projects and graduate are looked into by dedicated members of staff who should play the role of arbitrators for the students. The school system in Nigeria is too commercially oriented to an extent that Students are put under intense pressure to raise money from all means possible to bribe lecturers marking their papers to enable them graduate and most of these students who can’t raise money to pay their ways are left with no option than to be sexually abused by some professionally incompetent lecturers. The University and tertiary institutions must be made to put on a human and humane face even as there has to be a system in place to give access to students to step up and dialogue with dedicated teachers who would offer counselling and also hear cases related to frustrations witnessed at any stage of their educational journeys. The school must be prepared to vote cash to cater for this sort of important human relationship Counseling mechanisms to stave off the rising cases of suicide. The school must not be all about profitability.

The Nigerian police and other relevant law enforcement agencies like NAFDAC must monitor the activities of traders who deal in chemical and drugs related products such as snipers with a view to ascertaining identities of buyers and the use to which these products would be put into. There is also the need for state governments and the Federal government to embark on deliberate but massive public enlightenment programmes to warn youngsters to choose life over death and to resolutely beat back all suicidal tendencies through the cocktails of effective means of communication and getting counseling service from toll free lines that should be publicized for all Nigerians to be conversant with.

For instance, the European Council on Human Rights has successfully repealed the death penalty because of the overwhelming rating of Right to life in Europe. In Article 2 of the European wide laws on human rights, it is legally provided that: “Everyone’s right to life shall be protected by law. This right is one of the most important of the Convention since without the right to life it is impossible to enjoy the other rights. No one shall be condemned to death penalty or executed. The abolition of death penalty is consecrated by Article 1 of Protocol No. 6.”

The Nigerian Constitution in Section 33(1) provides that “Everyone has a right to life. ”

*Emmanuel Onwubiko is the Head of the Human Rights Writers Association of Nigeria.

The post Nigerian Youths Should Choose Life, Not Death — Emmanuel Onwubiko appeared first on Information Nigeria.

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Slaves, nannies, and maids: Oscars value women of colour – in subservient roles | Film | The Guardian

For Oscar voters, what makes a great performance has disturbingly narrow criteria for non-white performers. The observation that people of colour are only ever recognised for playing slaves and criminals, that their stories are only ever seen as important when they deal with tragedy and suffering, does not strictly belong to the unenlightened past. This week’s Oscar nominations prove that such judgments are planted firmly in the present.

The kinds of roles being written for people of colour over the past decade have begun to expand to encompass a wider range of experiences. Just recently we were graced with the luminous Jennifer Lopez as savvy stripper Ramona in Hustlers; newcomer Nora Lum (Awkwafina) as the conflicted granddaughter of a dying matriarch in The Farewell; Lupita Nyong’o in a remarkable two-in-one turn in Jordan Peele’s Us. This all goes without mentioning the incredible performances that never quite picked up steam: Alfre Woodard in Clemency, for instance, or Song Kang-Ho in Parasite. But never mind the fertile pickings. This year the Academy has nominated one person of colour – Cynthia Erivo as Harriet Tubman in Harriet. This outcome is dismaying, partly because it falls neatly into a familiar pattern: a person of colour performing a racially specific form of suffering, the outlier in a sea of white nominees.

Erivo’s nomination for Harriet, a film that received middling reviews, is not a preposterous decision. Actors are often recognised for individual work that might stand out in an otherwise mediocre film (take Renée Zellweger in Judy). I’m not bothered by the quality of Erivo’s performance. There are far more egregious entries on that front, with the likes of Charlize Theron for Bombshell, or Scarlet Johansson for Jojo Rabbit, reaping nods (have the Oscars ever been a legitimate meritocracy?). Far more worrisome is what Erivo’s nomination suggests about the way Academy voters evaluate performers of colour, who seem to be the most visible, and taken the most seriously, within the trappings of white pity.

That voters overlooked a performance like Nyong’o’s in Us, a chilling interpretation of two sides of the same self, is telling. It doesn’t matter that this performance matches, if not surpasses entirely that of Joaquin Phoenix’s in Joker, even though both actors play, with tremendous physical commitment, psychologically tormented characters in genre films. Instead, the Academy prefers the Nyong’o who starred in 12 Years a Slave (2013), a film in which she is a slave, raped and humiliated. For these efforts, so difficult for the conscience to ignore, she was awarded best supporting actress.

In the last decade, only 14 women of colour were among the 100 women nominated by the Academy for the best actress and best supporting actress awards. There were even fewer men of colour (nine out of 100). That the same types of roles – slaves, nannies, and maids – continue to be the magic ticket to the red carpet, feels particularly ugly considering the range of parts played by white nominees. This year, for instance, the characters of Erivo’s fellow best actress nominees include a Fox newswoman, an icon of classic Hollywood, an aspiring young writer, and a hopeful divorcee. In 2019, Yalitza Aparicio was nominated for her performance in Alfonso Cuarón’s Roma. Aparicio is one of the few Latin American actresses to receive the honour, joining Adriana Barraza as a deported nanny in Babel, and Catalina Sandino Moreno as a drug mule in Maria Full of Grace.




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As moving as these performances are, these films leave a bitter taste as they reaffirm tired conceptions of Latin American women. Aparicio plays a housemaid silently enduring racism and neglect, which recalls another Academy favourite – Tate Taylor’s The Help (2011), which stars Octavia Spencer and Viola Davis as resilient maids, as well! Such slim parameters betray the desire, perhaps even the need by Oscar voters, for a particularly cheap form of pathos, one that simplifies and minimises the experiences of non-white people by placing them on the margins or in the past. Those performances that don’t square with this mould are often considered too “light,” too niche, or too subversive for the Academy, all of which indicates the incredible myopia of its voting body and the thinly veiled racism that guides it.

Perhaps hoping for a consistently diverse pool of Oscar nominees is blind optimism; the more time passes, the anomalous triumphs of films such as Barry Jenkins’ Moonlight, feel like a fever dream. By opening up its membership to more women and people of colour, and enlisting diverse talent such as John Cho, Issa Rae, and Tiffany Haddish to present its nominations, the Academy has attempted to create an image of inclusivity. But given this year’s batch of nominees, that commitment has proven to be both superficial and a bad joke.

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Whakaari/White Island: Official death toll rises to 17 | Stuff.co.nz

The official death toll from the Whakaari/White Island eruption has risen to 17 after a victim died in hospital on Sunday.

Deputy Commissioner John Tims confirmed the death on Monday morning.

He said the person died while in Middlemore Hospital on Sunday night, with police being advised shortly before 11pm.

The person’s death brings the official number of deceased to 17. Of the deaths, 16 died in New Zealand and one in Australia.

Whakaari/White Island erupted at 2.11pm on December 9.

The official toll, from the December 9 eruption, does not include two people still missing, presumed dead, in the waters around the island.

They are Kiwi tour guide Hayden Marshall-Inman, 40, and Australian teenager Winona Langford, 17.

Marshall-Inman was farewelled in a memorial in Whakatāne on Friday where he was remembered as a “superman”, a “hero” and, now, a “guardian of Whakaari”.

The search for the two missing was scaled back late last week when Police Deputy Commissioner Mike Clement admitted they’d so far been unsuccessful in their search.

The search was now being handled by Bay of Plenty police.

District commander Superintendent Andy McGregor said an extensive aerial search for further victims of the Whakaari/White Island eruption between the island and the mainland was conducted by Coastguard and police over the weekend.

No further items of significance were located, he said in a statement on Monday.

Police will review the search area to date and make a decision on further search activity, he said.

In a press conference on Thursday Clement described how much it hurt his staff that they hadn’t been able to return them.

COMPOSITE: SUPPLIED
The official toll does not include Winona Langford and Hayden Marshall-Inman who are still missing, presumed dead, in the waters around the island.

They are Kiwi tour guide Hayden Marshall-Inman, 40, and Australian tennager Winona Langford, 17.

“It hurts us and it hurts our people,” he said.

He also revealed that police divers at one stage were “within metres” of recovering Marshall-Inman’s body when it was believed to have been sighted in the water near Whakaari’s jetty on December 11.

“The reality was the conditions of the ocean meant they could not get close,” Clement said.

“The people on that day have thought long and hard about that. It’s what they come here to do. They’re disappointed. They backed themselves to retrieve a body and they missed out.”

Last week, Middlemore Hospital announced that more than 600 elective surgeries were set to be delayed as they dealt with the eruption’s aftermath.

WHAKATANE BEACON
Hayden Marshall-Inman’s brother, Mark Inman, spoke during Friday’s memorial.

In the first week following the eruption, the National Burns Service – hosted by south Auckland’s Middlemore, but including centres at Waikato, Hutt Valley and Christchurch hospitals – saw more burns than it typically would in a year.

On Friday John Cartwright, incident controller of Counties Manukau DHB’s incident management team, said the extent of burns the Whakaari patients experienced required many operating theatre hours, on multiple days, by large surgical and anaesthetic teams.

The nature of the burns suffered was complicated by the gasses and chemicals present in the eruption. That meant surgeries had to be carried out more rapidly than was the case for “thermal only” burns.

Waikato Hospital took in the largest load of patients, eight critically injured, on the evening of the disaster.

Last week trauma director Grant Christey said it appeared as masks protected the lungs of people caught in the eruption.

“We thought there would be a lot more lung injuries, as well, from inhalation,” Christey said.

“What we learned later, from the people who went out there, was most of [the tourists] had gas masks on,” he said. They put their gas masks firmly on their faces and closed their eyes and tried to get through it.”

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I get advances from men but i don’t allow that to confuse me – Nollywood actress Toyin Alausa

Nollywood actress, Toyin Alausa, starred in Dayo Amusa’s recently premiered movie ‘Omoniyun’, which brought to the fore the issue of oppression of the girl-child. In this interview with JOE AGBRO JR., she talks about her role in the movie, how women cope in a patriarchal society and her expectation at finding love again. Excerpts:

Tell us about your role in the movie ‘Omoniyun’

I played Mama Fiyin. Mama Fiyin is one of those African mothers who have experienced bad marriage. Her first husband left her and she was left to train her daughter Fiyinfolu.

She shut her eyes to  the molestation her daughter was going through in the hands of  the prince and by the time she wanted to take action, it was already too late. She was just particular about her marriage to the prince.

I can say she was lackadaisical because if she was attentive, she would have noticed the signs. The warning signs were there but she did not notice them.

She was busy looking forward to her marriage to the prince and of course that caused her a lot. It actually cost her daughter.

YOU MARRY SOMEBODY WHO HAS TEMPER ISSUES, YOU BEGIN TO GET MOLESTED, AND THEY BEAT YOU UP

You played the mother of Fiyinfoluwa whose character was played by Seliat Adebowale, a relative newbie. What was it like?

Surprisingly, I didn’t see her as a newbie because she did quite well and she really put in her best and it was easy for us.africa

No matter how professional you think you are, you shouldn’t be too full of yourself because you also can make mistake. So I think we all came together to work as a team.

It wasn’t a seniority cadre kind of relationship. We didn’t have that kind of relationship. We were more or less like one big family.

You know we are here to do a job, we have to get it done and we have to do it with love, with mutual respect and that was how it was.

What exactly came to your mind when you read the script for the first time?

This is not my first time of working with Dayo. I know she takes care of details and her stories are always unique. So when I read ‘Omoniyun’ and I saw my character, I was angry with my character.

And I could relate it to a true life experience; you know when you are molested by someone who you are entrusted to, who is supposed to be your guardian, who is supposed to be your protector and then the person is the one molesting you.

You are just alone in the world because nobody is going to believe me. It is your world against his. So when I read that part, I said aaah, I wish I could have been able to do something different, like this is the way it’s supposed to be. I wished this was what I was going to do but well, that’s how the story goes.

The fear of stigmatization has lured a lot of women into marriages especially in Nigeria, and Africa by extension.

What would you want to say to women who find themselves in situations like that?

Candidly, I think the African society hasn’t been too fair on women. And in this dispensation, in this generation,  women are trying to do things differently.

They are beginning to believe more in themselves than the standard that the society has raised for them. Coming to your question, the truth of the matter is, if the deed has been done, there is nothing we can do other than to live either with the regret or to live with the mistake.

Or if you can correct or undo the wrong that has been done, you can undo it. If you can correct the mistakes, then you try as much as possible to correct the mistakes.

But don’t allow the society to push you into what you do not want. Don’t let them set a standard for your life. If you are not prepared for marriage or if you have not gotten the right partner, you don’t have to stay because of family pressure, peer pressure, societal pressure, or religious pressure too.

Read Also: Why I sampled my herbs with friends – Toyin Abraham

There are some churches who just believe, if you are of  age, they will match make you and  get you married whether you like it or not. And these are the things that now bounce back.

You marry somebody who has temper issues, you begin to get molested, and they beat you up. You marry someone who is impotent, who has hidden it from you, and then you now live with that regret.

You know, there are so many things that happen at the end of the day when you have been pushed or forced or coerced as the case may be, into marriage before you want to. You know, when the deed has been done, you just live with the regret or try and make a correction.

 At 41, you still look beautiful, do you still get advances from men?

Well, yes I get advances from men but I don’t allow that to confuse me, let me use that word. I don’t allow that to confuse me.

I am not somebody who  is going to be pushed into what I am not ready for. I believe at the right time with the right person, whatever expectations we have will come to pass.

 And what makes a man, the right the person for you?

Well,  when I see the qualities I desire in a man,  I will know I’ve seen them.

What measures do you think the government could take to stem the menace of rape?

They should make the punishment more severe so that it gives people a mental alertness in their heart, and in their mind.

Let the punishment be more severe.. Whoever goes through rape or molestation, I promise you that no matter how young that child or that lady or that boy is, it stays in the memory. It only takes one incident to trigger it. And they will remember.

The flashes of the event will come. So, there is no amount of punishment that they give them that would really minimize the effect on the victim.

The only thing is, let it sink in their hearts and in their head that if they do this and they are caught, this is the punishment. I believe that if they put in more weighty and severe conditions or punishment as it may be, to the offence of rape and child molestation, it will help curb it and reduce it.

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Collapses: The Venice Biennale and the End of History | Art Practical

Collapses: The Venice Biennale and the End of History

The 2019 Venice Biennale feels like the end of everything: the end of art tourism, the end of vacations, the end of the beach and the climate of pleasure. With bad news about the climate crisis worsening every day, the nationalistic turn of governments from the U.S. to Britain to Italy to India and Brazil, it’s unclear whether the liberal ideology that produces world-scale cultural events like the Biennale can hold much longer, or whether the economic or ecological structures of global tourism can continue to support it. The liberal democratic order of free markets and free will is undermined around the globe by violent nationalism and economic protectionism. The Biennale exhibition, May You Live in Interesting Times, offers little but a hollow scream in opposition. The whole thing feels a bit like buyer’s remorse, a magnum opus from a lapsed believer in Francis Fukuyama’s promise that we’d reached the End of History.1

Arthur Jafa

Joint Italy-EU military vessel with helicopter, Piraeus Port, Greece, August 2019. Photo: Anuradha Vikram

Both the main exhibitions and the various national pavilions feature more women and artists of color this year than any previous. Diversity is manifest with respect to types of work, interests, materials, biographies, and ages of the artists on view. Curator Ralph Rugoff states that “[the artists’] work grows out of a practice of entertaining multiple perspectives: of holding in mind seemingly contradictory notions, and juggling diverse ways of making sense of the world.”2 Diversity and multiplicity appear here to be set up as counternarratives to universalism, the ideology that has historically governed the international contemporary art discourse. But is this in fact the case? Fukuyama says, “The spectacular abundance of advanced liberal economies and the infinitely diverse consumer culture made possible by them seem to both foster and preserve liberalism in the political sphere.” If, as Fukuyama suggests, there are  “fundamental ‘contradictions’ of human life that cannot be resolved in the context of modern liberalism, that would be resolvable by an alternative political-economic structure,”3 diversity is not one of those contradictions. Rather, pluralism reinforces the “common ideological heritage of mankind,”4 while fascism’s resurgence around the globe and the popular embrace of nationalist identity are more of a contradiction in light of the realities of international markets. This is the turn of events that market utopians like Fukuyama failed to anticipate.

Rugoff never comes off as a utopian, given his pervasive air of weary detachment. Rather, the exhibition transmits how it feels to watch the ascent of Donald Trump and the unfolding catastrophe of Brexit from the “all-knowing,” cool remove of the contemporary art insider—omniscient, yet impotent, and unable to divest from toxic habits. George Condo, Sun Yuan and Peng Yu, Christian Marclay, and Arthur Jafa channel an anxiety bordering on panic. Construction, shipping, air travel, commerce, monuments, the body, gender—all once fixed as concepts in the Western imagination, with clearly associated positive values, are now invoked by artists such as Yin Xiuzhen, Nicole Eisenman, Slavs and Tatars, and Martine Gutierrez as hazardous, unstable, and volatile. Nowhere is this instability more evident than in the work of Mari Katayama, a Japanese artist whose self-portraiture tableaus tease the boundary between agency and objectification. These artists, more than the comparably straightforward representation advanced by artists like Zanele Muholi, Njideka Akunyili Crosby, or Gauri Gill, capture the zeitgeist of not just the show but the present time. Our historical moment is monumentally catastrophic, and the usual serious response to extremism doesn’t seem to be working. Instead, the images range from abject to absurd.

astronaut

Indios antropófagos: A Butterfly Garden in the (Urban) Jungle. Peru Pavilion, Venice Biennale 2019. Photo: Anuradha Vikram

Especially relevant are the artists who toy with the fetishization of Indigenous bodies and cultures for Western consumption. Within the main exhibition curated by Rugoff, Gutierrez situates her U.S.-born Latinx, trans body within a series of photographic landscapes, Body in Thrall, that challenge touristic notions of indigeneity, cultural authenticity, and romanticized poverty around non-white people. She occupies diverse personas, from a film noir femme fatale to the terrifying Aztec deity Tlazolteotl, “Eater of Filth,” always negotiating the high fashion aesthetics of desire with a subversive decolonial aggression. Similar themes and tactics appear in Indios antropófagos in the Peruvian Pavilion, curated by Gustavo Buntinx, in which historical artifacts from the Spanish colonial era and large mosaic tile works by Christian Bendayán depicting frolicking Indigenous youth come together in a scathing critique of cultural tourism. In the French Pavilion, curated by Martha Kirszenbaum, artist Laure Prouvost references the oceans and the sea life projected to die out by 2048, only 29 years into the future, with a number of glass animals seemingly cast into the sea floor, strewn across a landscape of refuse and discarded technologies.

Back in the real world, there’s no way to excise or sequester the beautiful parts into a future that can outlast the very real catastrophes happening now. The overwhelmingly urgent need for a complete lifestyle change played in my head over the week following my visit to the Biennale, as I recuperated from a difficult personal and professional year on a seven-day Greek Islands cruise with my young children, partner, and parents. Looking over the waters where thousands of migrants have drowned, from the top deck of a massive, yet outdated, luxury vessel, I considered how the looming climate crisis creates a condition of simultaneous enjoyment of the modern world that is all around us, and a mourning for its obvious and inevitable loss. Is this the end of curating? The traditional role of the curator as guardian of the world’s collected treasures seems as irrelevant as the contemporary job of mounting resource-heavy exhibitions for an international crowd of jet-setters. Conceptualism has begun to rot from the head, as when Rugoff controversially chose to include Christoph Büchel’s installation of a salvaged boat that, in 2015, sank in the Mediterranean with more than 800 people aboard. I reflected on this watery tomb, recommissioned as a tourist attraction, while looking out across Piraeus port. In the distance, a military troop (jointly operated by Italy and the European Union) performed exercises atop a warship in a city where anti-immigrant attacks are on the rise. In the seventeenth century, the Venetians gained and lost control of Athens in a rivalry with the Ottomans. Today, it seems the EU’s primary objective in the Mediterranean is to sever thousands of years of interconnection between these three regions. Two years ago, the regenerative promise of art as a universal cultural good was undermined when documenta 14 recreated the financial dynamics of German austerity policies in Athens, Greece afresh. Debts went unpaid, workers uncompensated, all in the name of “fiscal responsibility” that nearly shuttered the sixty-year-old event for good. What better outcome ought we to expect this year from an art event born out of universal nationalism?

Christine Wertheim

Halil Altindere, Space Refugee, 2016. May You Live in Interesting Times, Venice Biennale 2019. Photo: Anuradha Vikram

An explicitly utopian impulse is fugitive in May You Live in Interesting Times, but it manifests in the intersection of art, science, and technology. Margaret and Christine Wertheim’s Crochet Coral Reef raises awareness about preservation of the oceans through a crowdsourcing practice that combines mathematical learning with environmentalism and craft. Tavares Strachan’s meditation on African American astronaut Robert Henry Lawrence, Jr., locates metaphysical discourse about the afterlife within a scientific conversation about space travel—where elsewhere Halil Altindere complicates this view with the tale of Syrian cosmonaut Muhammed Ahmed Faris and his persecution by the state. Ryoji Ikeda bathes us in cleansing white light and describes a massive, thunderous universe of data that takes breathtaking shape before our eyes. Hito Steyerl’s This is the Future is a post-internet pastorale in which computer vision is applied to the Venetian landscape to depict a state of perpetual, dreamlike futurity in which the present persistently refuses to resolve into view. The protagonist of Steyerl’s installation seeks out a garden that she had previously hidden in the future in order to protect it from the ravages of the present.

The song of the Lithuanian Pavilion Sun & Sea (Marina) still rings in my ears:

“When my body dies, I will remain,
In an empty planet without birds, animals and corals.
Yet with the press of a single button,
I will remake this world again”

The finale of Sun & Sea (Marina) details the 3D printing of facsimiles of species in widespread collapse, taking comfort in their simulated resurrection as one would in the cold rays of a dying sun.

Greek Islands

Sun & Sea (Marina), Lithuanian Pavilion, Venice Biennale 2019. Photo: Anuradha Vikram

The gentle tenor of the apocalyptic visions in Sun & Sea (Marina) perfectly encapsulates the feeling of living at the outside edge of the story of the human species on planet Earth, with the knowledge that history as we know it may well be about to end because our species is one of millions undergoing collapse. The emptiness of our endeavors is invoked by Shilpa Gupta, whose wildly swinging metal gate hammers an effigy of national borders into a gallery wall. Otobong Nkanga’s drawings in acrylic on crayon reference the mechanical, industrialized nature of exploitation in the 21st century. Unlike the bees, whose society is organized around abundance, we humans have engineered systems to maximize our suffering. If humankind can truly lay claim to a common ideological heritage, as Fukuyama once argued, we have only ourselves to blame for our impending end.

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Eyes Wide Shut review – chilling secrecy, quaintly soft-porn sex | Film | The Guardian

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Eyes Wide Shut, now on rerelease, is fascinating, flawed late Stanley Kubrick, his final film before his death in 1999 at the age of 70. It was adapted from Arthur Schnitzler’s Traumnovelle, or Dream Story, published in 1926 and originally set in Vienna. The film is a tale of sexual obsession among modern-day Manhattan’s wealthy and powerful classes and I originally valued it for its satirical potency, formal control and dreamlike self-possession, all of which are bound up in a certain kind of deadpan absurdity and soft-porn seriousness.

Tom Cruise plays Bill Harford, a well-off New York doctor with a fashionable clientele and a magnificent apartment in Central Park West, happily married to beautiful Alice (Nicole Kidman) a former art gallery director, now a stay-at-home mum to their young daughter. (In the book, they are Jewish, an important part of the doctor’s alienation. Not here.) Unsettled by each other’s flirtatious behaviour at a swell party given by a wealthy patient, Victor Ziegler (Sydney Pollack), and by a consumption of champagne and weed, they later have a furious row in which Alice defiantly confesses her lustful thoughts for a certain other man in her past, and Bill then finds himself on a nighttime odyssey, searching for extramarital adventure and gatecrashing a sinister masked orgy, to which he gains admittance by murmuring the (ironic) password “Fidelio”.




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This revival comes with a brief documentary short about the film, Never Just a Dream, with interviewees including his longtime collaborator, executive producer and brother-in-law Jan Harlan — but not his widow Christiane, and not his most important collaborator, screenwriter Frederic Raphael. It might be time to reissue Raphael’s 1999 memoir of working with Kubrick, Eyes Wide Open, in which Raphael amusingly hints that the tense mood of Cruise’s cab ride out to the creepy orgy mansion was inspired by his own minicab journeys from St Albans railway station to the famed seclusion of Kubrick’s Hertfordshire country home for script discussions.

The title, Eyes Wide Shut, was Kubrick’s, and in my original piece, I wondered whether it related to the idea of imaginary sexual transgression being as potent as real, waking transgressions. In dreams you see and know things clearly, with your eyes wide shut. It’s only now that I can see another comparison that was always under my nose: Malcolm McDowell’s eyes being clipped wide open in A Clockwork Orange, being forced to watch something horrible. There are other visual echoes, such as the eerie emptiness of the elevator lobbies like those in The Shining – which are part of the film’s artificiality and theatricality, mocked a little by the film’s denigrators at the time, but a part of the hallucinatory effect. Then there is the party scene at the beginning, like something from The Shining, where Alice meets her predatory Hungarian suitor (Sky du Mont) who could almost be a ghost. Kubrick’s use of Stravinsky’s Waltz from his Jazz Suite shows his sweet tooth for mainstream classical-music themes, and his predilection for softcore female nudity is a characteristic thought a bit dated in 1999.

Perhaps what we felt was contrived was that orgy scene, although it is disquieting and strange in the Hammer-horror way that originally impressed me. But by 1999, Bret Easton Ellis’s American Psycho had upped the ante on these ideas of Manhattan super-wealth and depravity, and in comparison, Eyes Wide Shut seemed a tad quaint. Yet now, in the age of Epstein, we can see that it was not so far-fetched to imagine elaborate clubs in which the rich and powerful can disport themselves and exploit the vulnerable. What comes across even more strongly about Eyes Wide Shut now is its chilling emphasis on ruling-class secrecy. This film inspired Jonathan Glazer’s Birth (2004), itself underappreciated at the time.

Cruise and Kidman heartfelt and fervent performances (although the flickering black-and-white moments showing her imagined sexual indulgence don’t work). There are tears, and Cruise in particular lays himself open in that fiercely committed way that he tries everything as an actor. Did their actual marital disputes resemble what happen in this film? Maybe. They were divorced two years after this came out, with much gossip about whether the film had accentuated their discontents. Pollack’s performance as Ziegler is thrillingly cynical and disillusioned.

Eyes Wide Shut is released in the UK on 29 November.

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Lady shares her near-death experience with alleged ritual killers in Edo

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A Nigerian model identified as Okojie Lydia took to social media  to share her terrifying near-death experience with alleged ritualists in Edo state.

Posting her story via Instastories, Lydia, a final year student of the University of Benin UNIBEN, said many would have insinuated she was killed by a ”Yahoo Yahoo” boy if she had died during the incident.

Read her story below;

I wanna give a concise testimony of what happened to me lately.
Read and pay keen interest.
God’s Grace is big enough

25/10/2019
The above date happened to be d of my jean carnival for my final year week, same day UNIBEN got her new VC, same day UNIBEN got her new VC, same day I planned traveling for Miss Nigeria audition, date for the audition was 26/10/2019, 8am, @owerri

After my jean carnival, I took off to the park to get a bus, heading for Owerri, my Audition venue.

Before I left school, my body kept giving me signs to go back to my hostel, but I insisted on traveling, i got to maingate there was no bus, finally I got a bus, went to the pack but unfortunately no bus at the park, i kept resisting my body sign bcs Miss Nigeria audition is slated for the next day 26/10/2019, 8 am. I didn’t want to miss out

Finally I saw a bus already filled but with one space left @agbor park, I boarded the bus (18 seater) I told dm I wanted to stop at onisha, since it was getting late, some passengers were highlighting, while some were entering, I was focused on where I was going, little did i know, I enter a wrong bus… the bus kept driving.. we got to agbor, most of the passengers came down left with few of them.

The conductors came to meet me and said, go to the front seat, we wanna load new passenger, so he will pick on the way, it’s was passed 8:00pm…. later the driver said to me (Lydia Okojie) the vehicle light is bad and he would want me to pass the night in the hotel, I told him I don’t want to he should take me to Onitsha, where I told them I was going.

Not up to 5 seconds the vehicle light returned to normal, ds time he was driving on speed, it down on me that i just entered RITUALIST VEHICLE he lefy the high way and turned right ward, he kept driving on speed, I could jump down cos it was dark, might not know if there’s a vehicle ahead of me, I messaged a frnd and told him (Hassan) my current location immediately and dropped my phone back in my bag they knew i wrote someone. The got to a lonely place and packed the vehicle, asked me to come down, in the middle of NOWHERE I CRIED FOR MY LIFE.

Just few weeks to be a graduate… there I was fighting for life, I reminded God of my service in His House, and all the alms I give, d conductor was distracted with my bad, the call distracted the driver, that was my escape moment, I removed my hand from the driver and began to run inside the bush, i didnt even know if where I was running to was where dey where slaughtering.. i kept running and praying my cheeks as i kept running.. the driver couldn’t pursue me again cos he wasn’t with toech and bfr the conductor could turn I ran it was 10:44 pm

I hid in the bush, d driver told d conductor dey have to leave, dt where dey are was a bad spot, i was listening where i was hiding they threw all my things away and drove off.

That lady and her sister-in-law fed me, cloth me, sheltered me and gave me comfiot I came to Benin the next day… didn’t even get to half of my journey… when i got to Benin I remembered my hostel mate told me of the dream she got about me.. i prayed as my strength could carry me.. the result of what happened would have been DEATH, but God reveals to Redeem, His mercies are new every morning.

that’s where I came out but wore my clothes and ran to the high way where i met my Guardian angel, A traveler with her baby, she was scared when she saw me but was bold enough to render help, she didn;t know if i was a Ghost, she was heeding for her sister-in-law house to pass the night to continue her journey the next day

The story would have been an unidentified body found dead in the bush, she followed a yahoo boy, only farmers or hunters could have found LYDIA OKOJIE, how would my parent take it, how would my siblings feel, not to talk about you reading but the story now is different.

Am forever grateful to God

We all underestimate the air we breath, waking up to see the day is a blessing no man can pay for. Life is a gift. I owe all to God.

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