Tony Allen: the Afrobeat pioneer’s 10 finest recordings | Music | The Guardian

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Listen to a playlist of Ammar’s selections:

Fela Kuti: Roforofo Fight (Roforofo Fight, 1972)




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Roforofo Fight is the earliest cohesive expression of Tony Allen and saxophonist Fela Kuti’s Afrobeat sound: part Yoruba polyrhythm, part Nigerian highlife melody, part calypso swing, and all shuffling swagger. Allen and Kuti had been playing together for the best part of eight years at this point, mixing highlife and jazz, but a 1969 trip to the US proved pivotal, exposing Kuti to the radicalism of the Black Panther movement and leading to the formulation of his militant aesthetic Africa ‘70 band. On the title track of Kuti’s second album to be recorded after the trip, Allen takes centre stage with his undulating groove, slapping the snare on the jaunty offbeats to counter Kuti’s forceful diction. An enticing taste of things to come.

Fela Kuti: Water No Get Enemy (Expensive Shit, 1975)




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Afrobeat rhythms seem deceptively simple: a steadily paced, off-kilter shuffle that holds the beat without succumbing to the western convention of landing the snare on the third beat of the bar. Try to play an Allen line, though, and you soon realise how much ghosting and embellishment is going on below the surface – doubles splayed on the first note of a phrase, kick drums scattered throughout. And yet, the groove remains even when it feels like it might fall apart. Water No Get Enemy is the perfect example: a hip-swaying mid-tempo horn line sits atop Allen’s liquid shuffle while Kuti uses the amorphous imagery of water to outline methods of resistance to Nigeria’s reactionary government.

Fela Kuti: Zombie (Zombie, 1976)




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By the mid 70s, Kuti’s politics of resistance was reaching its peak. Zombie was its most forceful expression, Kuti’s lyrics characterising the violent Nigerian army as mindless zombies. You can feel the force of his frustration through his blistering saxophone as it meanders over the highlife guitar line, while Allen’s snappy, shaker-heavy rhythm is the ever-reliable foundation for Kuti’s social message. The song’s success in Nigeria was not without consequences, leading to a severe beating for Kuti, the torching of his studio and his elderly mother being thrown from a window and killed.

Tony Allen: Nepa (Never Expect Power Always, 1984)

Kuti had a domineering relationship to his bandmates, demanding all recording royalties for himself despite Allen’s role as musical director. As the 70s wore on and the group’s popularity increased, so did the dissent in its ranks. By 1979, Allen had recorded three albums as bandleader and so decided to leave the ‘Africa 70, taking many of its members with him. The greatest recording of his new era is 1984’s Nepa – an attack on the notoriously unreliable Nigerian Electrical Power Authority. Here Allen continues Kuti’s lineage of playful socio-political criticism, this time updating the Afrobeat sound to include dub-inflected electronics and fusion funk. It would become representative of Allen’s all-encompassing musical appetite in the years to come.

The Good, the Bad & the Queen: The Good, the Bad & the Queen (The Good, the Bad & the Queen, 2007)

As the 90s continued and Allen was establishing himself as an architect of Afrobeat in his own right, especially in the wake of Kuti’s 1997 death, his own genre-eating journey was evolving further into electronics and collaboration. A longtime fan of the genre, Damon Albarn enlisted Allen for his supergroup, The Good, the Bad & the Queen, featuring the Clash’s Paul Simonon on bass and the Verve’s Simon Tong on guitar. The sprawling title track is the closest we see Allen to cutting loose behind the kit and producing an unabashed rock sound behind Tong’s voluminous closing solo – a testament to his energetic versatility.

Moritz von Oswald: Sounding Line 1 (Sounding Lines, 2015)




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Perhaps the strangest and least well-known of Allen’s collaborations is that with the techno producer Moritz von Oswald, who replaced his longtime drummer Vladislav Delay with Allen for his 2015 album Sounding Lines. Allen produces a truly remarkable sound: a warped and manipulated series of electronics. The opening track sees Allen superimpose an Afrobeat shuffle on to a wobbly dub that builds over 10 minutes to create a simmering, electro dancefloor odyssey.

Tony Allen: A Night in Tunisia (A Tribute to Art Blakey and the Messengers, 2017)




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Allen’s first love was always jazz and he referenced throughout his life the work of rhythmic mastermind Max Roach and explosive powerhouse Art Blakey as major influences. This 2017 Blue Note recording was a welcome opportunity for Allen to finally delve into those roots and lay down his own interpretations. Across its four tracks Allen tackles some of Blakey’s best-loved tunes, like a straight-eighths Moanin’, but his Afrobeat-inflected Night in Tunisia is a work of genius, transforming the horn line into a punchy, driving vamp.

Tony Allen: Wolf Eats Wolf (The Source, 2017)




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Continuing his jazz explorations, Allen delivered his first album of original compositions as a bandleader for legendary jazz label Blue Note. The culmination of his decades of musical exploration, it interweaves metallic electronics with warm percussion, bright horn lines and that ever-present drum language. On Wolf Eats Wolf, Allen is comfortably experimental, putting a Synclavier to work over a highlife guitar line and Kuti-referencing horns to create an eminently danceable new jazz standard.

Tony Allen and Jeff Mills: Locked and Loaded (Tomorrow Comes the Harvest, 2018)




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Never one to be pigeonholed, on 2018’s Tomorrow Comes the Harvest Allen paired up with techno wizard Jeff Mills to further the electronic experiments he had begun with Von Oswald. Largely formulated for modular live performances, the record has a wonderfully loose, improvisatory feel. It hits its stride on the propulsive Locked and Loaded as Allen’s shuffle dissipates into white noise beneath Mills’s distorting sub bass. Even in the grid-work of Mills’ techno, Allen manages to swing.

Tony Allen and Hugh Masekela: Never (Lagos Never Gonna Be The Same) (Rejoice, 2020)




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In 2010, Allen paired up with trumpeter Hugh Masekela, a longtime collaborator and giant of South African jazz. Rejoice was released a decade later, following Masekela’s death in 2018, and now stands as Allen’s last released recording. As its title indicates, the album is a sun-dappled, joyous listening experience celebrating both artists’ effortless ability to make us shake a leg. Never (Lagos Never Gonna Be The Same) plays as an homage to Kuti and it serves as a perfect reminder that although our musical greats ultimately pass on, their legacy lies in each note, ready and willing to be dusted off, played and reinterpreted all over again.

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Naira Marley soaring amidst controversies

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Naira Marley
Naira Marley

…Why he’s dominating Nigeria’s music scene

By BENJAMIN NJOKU

The Nigerian music scene in recent times has been saturated with lots of talented music stars, who are redefining the space and creating their own buzz. One of such wave-making stars is Azeez Adeshina Fashola, popularly known as Naira Marley.

Marley burst onto the country’s music space like ‘a colossus’ and suddenly stole the hearts and minds of many lovers of music in this part of the world. It still seems like the pop sensation dropped out of nowhere unto our collective music ears.

Before last year, not much was heard of the Agege-born rapper. Even after the release of his 2017 hit “Issa Goal”, which featured Olamide and Lil Kesh, Naira Marley was still not a name to be reckoned with in the Nigerian music scene. But it was after releasing his hit song, “Am I a Yahoo Boy” featuring popular musician Zlatan Ibile, where he alleged to have declared public support for internet fraud. Naira Marley became the name on everyone’s lips.

The Economic and Financial Crimes Commission,EFCC had arrested him alongside Zlatan and three other persons. They slammed an 11- count charge bordering on credit card fraud, car theft and Cybercrime against Naira Marley. Thus started a legal battle that culminated in his detention for 35 days. Many believe the EFCC arrested him because of his alleged support for internet fraud and his claim that cybercrime is a form of reparation of the wealth stolen from Africa. That was the beginning of his journey to stardom.

While the trial lasted, the controversial singer was busy creating buzz on social media. His fans were not deterred from protesting against his arrest outside the EFCC headquarters in Lagos.

READ ALSO: Davido is the king of African music – Miraboi

Marley was quoted to have said in an interview that their rage was understandable. “Because they know the system. They knew what [the EFCC was] trying to do and they followed what happened. They knew I shouldn’t be getting arrested for what I’m saying. Freedom of speech! I should be allowed to be saying what I’m saying. But the EFCC said I was supporting fraud, because I said I have no problem with these people.”

Today, Marley remains one of the hottest artistes that have dominated the mainstream music chart in Nigeria and diaspora. His fan base has continued to increase on daily basis, just as he’s not free from troubles. Recall that in November, Marley set social media agog when he tweeted that a lady with a big butt was better than one with a Master’s degree. Few days later, the lewd singer alongside his siblings and cousins landed into another trouble after they were accused of stealing a car. But unfortunately, the court early this year dismissed the theft case and the singer walked away a free man.

Marley is a phenomenal singer who has a lot going for him. His journey from prince of Peckham to cult figure in Lagos, represents his evolution into a bonafide intercontinental rock star: selling out shows across Africa, and trailed intently both online and off by his mass of obsessive followers, called the ‘Marlians’.

Named after the Nigerian currency and known for his anti-establishment spirit and viral dance crazes, Marley’s wave connects the West African diaspora to their roots as he delivers his lines in a syrupy mixture of Yoruba and English.

Like Eedris Abdulkareem, Terry G and Bobrisky before him, Marley has been able to traverse between public hatred and adoration. On social media, he’s the most talked about Nigerian singer at the moment. While he’s yet to break into the international scene, Marley is currently enjoying the buzz he’s creating with his music back home. He’s in a lane of his own that politely ignores the commercialism of Afro-pop. To many, Marley is using his music to promote immorality and a generation of valueless youths, while to others, his music is awesome.

RnB singer, Asa described Marley’s music as “awesome.” Just as some twitter users once called out the ‘Puta’ hit maker after he declared that his songs can cure depression. They complained that his songs are noisy and senseless and “the only thing his songs can do is that it can cause depression rather than cure it.”

Since he burst onto the UK music scene in 2014, with Marry Juana, a song he wrote with his friend Ma Twigz, the Agege-born, Marley has been banging out hit after hit. In November 2019, the controversial singer sold out the almost 5000 capacity 02 Arena for Marlian Fest in three minutes. Tickets for the Marlian Fest which held on 30 December 2019 at the Eko Convention Centre, Eko Hotels, Lagos also sold out. There was chaos at the venue as fans tried to gain entrance into the concert.

But believe it or not, Marley is a singer you will hate to love. At present, the rapper is not just the rave of the moment, he is arguably the most popular artiste in Nigeria today. But the negative influence of Marley’s songs on the youths is unimaginable. This Marlian fever, like the era of Makossa has taken over the streets of Lagos and everywhere you go, men, women, the young and the old, the affluent and the poor are quick to claim they are Marlians with glee; and the buzz word “I am a Marlian” hits you like an unforgettable dream.

The lewd singer currently has a huge fan base. They call themselves Marlians. His songs and dance steps are inspiring a new generation of morally debased youths, who follow him around. It seems the youth would be his followers for a long time, except something serious is done. They revel in being “outsiders’, and as a trademark, they are disrespectful of rules and agents of law enforcement.

From the dance step, ‘Soapy,’ that has popularised the habit of masturbation to his off and on life inside prison to his recent dance step called ‘Tesumole,’ Naira Marley has continuously been a source of controversy and confusion in the Nigerian music scene.

It’s not for nothing that a clergyman, Chris Omashola, early this year took to his Twitter page, where he shared a series of prophecies concerning Nigeria. He warned that Marley is a demon and his music is inspired by demons, to destroy the youths in Nigeria.

“In 2020, God told me, Naira Marley is A Demon, He is Satanic and should repent before it’s too late. His songs are demonically inspired to destroy the Destiny of The Youths of this generation, Nigerian youths should desist from calling themselves Marlians. #ACOProphecies2020,” he tweeted.

Marley’s fans have since dismissed the clergyman’s warning, as they sent him threat messages; while he himself reacted by sharing screenshots of the pastor’s leaked sex tapes with an interesting caption. “To all Naira Marley’s fans aka Marlian. Please what’s your final judgment on this #NairaMarley and Apostle Chris Omashola case.” . Then on another occasion he tweeted: “Jesus never went to church.”

That’s not all, a certain mother reportedly cried out on social media after her teenage daughter was suspended from school for being part of a Marlian cult. According to the woman, the school caught over 25 girls who were members of the cult, including her daughter.

The teacher had found underwear in one of the girls’ bags and when she was questioned, she revealed that she was part of a cult whose members do not wear underwear to school on certain days.

It was, however, ascertained that the girls don’t wear pants, while the Marlian boys don’t wear belts.

However, it’s said that being a marlian has its ups and downs, from the rumoured beltless trousers for boys and underwear free girls who all believe in the marlian philosophy. You suddenly behold a boy next door who identifies himself as a Marlian, and ready to dance his Marley’s latest dance steps , ‘ Shaku shaku and Soapy (a demonstration of someone pleasuring him or herself through dance) and you are taken aback.

Despite the legal battle and the backlash against him, Marley’s fan base continues to rise., just as the singer is not relenting on his resolve to rule his world. On December 30, 2019, Marlians thronged the Eko hotel venue of the maiden edition of his headlining show, ‘Marlian Fest’ to keep a date with their music idol. While performing at the show, the singer announced his new record label, Marlian Records and resident presented the four artistes who are signed to his music imprint. He equally won his first major award at the 2020 Soundcity MVP Awards, held at the Eko Convention Center, Lagos Nigeria.

The Marlian President beat Tiwa Savage (49-99), Chinko Ekun (Able God), Prince Kaybee (Banomoya), Shatta Wale (My Level), Burna Boy (On The Low), Rayvanny (Tetema), Zlatan (Zanku – Legwork) to clinch the award for Viewers’ Choice for his viral song Soapy. And it was a major boost to his music career. But one wonders how far Naira Marley can go in this journey?

The post Naira Marley soaring amidst controversies appeared first on Vanguard News.

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Special screening of BBC series ‘This Country’ coming to Gloucestershire and tickets are completely free – Gloucestershire Live

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For fans of the Cotswold based hit TV show ‘This Country’ you could be in for a treat.

BBC Three is bringing the series back to its Cotswolds roots on January 23 – and tickets are completely free.

Fans will get to see the first two episodes of the new series followed by a Q&A with sibling stars Daisy and Charlie Cooper, producer Simon Mayhew-Archer and director Tom George.

Coming back to its Gloucestershire roots on January 23 in Cirencester the special screening will be hosted by BBC Points West Gloucestershire reporter Steve Knibbs.

Tickets to the event at Bingham Hall, Cirencester , will be allocated though a random ballot.

You can apply for tickets from 10am on January 3 to 10am on January 10.

Charlie Cooper otherwise known as ‘Lee “Kurtan” Mucklowe’ said: “We are so excited to have the screening of series three here in our hometown Cirencester , where the show was created.

“Some would call it a homecoming but the problem is we’ve never left. Big up the Cotswolds !”

This Country follows cousins Kerry and Lee ‘Kurtan’ Mucklowe through their quiet country lives.

The video will start in 8Cancel

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At the 2018 BAFTAs This Country won the award for Best Scripted Comedy and Daisy won Best Female Comedy Performance. More than 33 million people have requested the show on iPlayer.

The new series airs in early 2020.

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Stephanie Marshall, Head of the BBC in the West and South West, said: “We love bringing national series like This Country back to where they were made. It’s a way of thanking people in the area by giving them a sneak peek before the rest of the UK.

“Amazingly more than 4,000 people applied for tickets to the This Country screening last year.

“The BBC is committed to make more and more of its TV, radio and online content outside of London. In fact, more than 50 per cent of all our shows are now made outside of the capital.”

To apply go to the BBC Shows and Tours website here .

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Turkey Converts Historic Church Building into Mosque

The Turkish Council of State has approved the conversion of a historic Greek Orthodox Church into a place of Islamic worship.

The Byzantine-era “Chora” Church was originally built in the early 4th century as a monastery complex outside the walls of Constantinople. It was later converted to a mosque after the Ottoman invasion of Istanbul.

In 1945, the church was restored and preserved as the “Kariye Museum.” Despite its conversion back to a symbol of Christianity, a lawsuit was later filed by the Association of Permanent Foundations and Service to Historical Artifacts and Environment claiming that the building was a mosque and thus belonged to the Fatih Sultan Mehmet Foundation.

The recent decision by the Council of State backs this belief and clears the way for the building to be converted into a functioning mosque, according to International Christian Concern.

“The Kariye mosque… is one of the public immovables belonging to the Fatih Sultan Mehmet Foundation,” the council said in a statement, reports the Greek City Times.

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Princeton University describes more about the church’s storied history and religious significance:

Great Revival Sweeping Through Iran As Hundreds Of Thousands Come To Jesus Christ

“Described by Osterhaut as ‘second in renown only to Hagia Sophia among the Byzantine churches of Istanbul’, Kariye Camii [Mosque] attracts much attention because of its rich mosaics and frescoes. The original structure was built by the Holy Theodus in 534 in the reign of Justinian. In the 11th and 12th centuries, it was rebuilt by the Comnenus family and dedicated to Christ (thus the name, Christ in Chora). The structure suffered the great earthquake of 1296 and was later converted into a mosque in 1511 after the Turks conquered Istanbul. Since 1948, the building has been the Kariye Museum, a popular tourist attraction.”

In March of this year, Turkish President Recep Erdogan declared that the iconic Hagia Sophia cathedral, which is also being preserved as a museum transformed into a place of Islamic worship.

“As you know, the mosque was converted to a museum in 1935, as a reflection of the (Republican People’s Party) CHP mentality. We may as well take a step and change that,” Erdogan was quoted as saying, according to the Greek Reporter, prompting outrage from the Christian community.

Many believe that this latest announcement will speed up the process of converting the Hagia Sophia to a full-fledged mosque.

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Historian Dr. Vassilios Meichanetsidis told the Greek Times that the mosque conversions are “a sign of Islamic conquest and supremacy” that have their roots in the Ottoman period and the brutal islamization of the region.

“It was widely practised in the times of conquest and throughout the Ottoman period and thus most of the truly superb Byzantine churches were converted into mosques and suffered serious damages,” assilios added.

“In many ways, the conversions of churches into mosques or museums area part of a genocidal process in which a physical genocide of human beings (Greeks, Armenians and Assyrians/Arameans) has turned into a cultural genocide.”

Offering her analysis of the situation to Faithwire, International Christian Concern’s Regional Manager for the Middle East, Claire Evans said:

“When reading the New Testament, it is apparent that the history of the Church is built upon the soil of Turkey. The country was first Christian, but the invasion of the Ottomans was followed by the steady erasure of this land’s Christian history. Although modern-day Turkey is constitutionally secular, the current political environment is increasingly Islamic.

The environment reinforces the belief that Christianity is a foreign religion to Turkey, and thus a threat to the nation. Indeed, President Erdogan has built his base around concepts that polarize and deepens an “us versus them” mentality. Historic churches prove a difficult concept for Turkey; many do not realize that their country was first Christian, and that Islam is actually the foreign religion. Turning historic churches, now functioning as museums, into mosques scores political points for a government that finds its identity in the country’s Ottoman history.

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The post Turkey Converts Historic Church Building into Mosque appeared first on Believers Portal.

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Planned Parenthood’s political arm to spend $45 million on electing candidates backing reproductive rights

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(CNN)Planned Parenthood‘s super PAC kicked off a $45 million electoral program targeted toward battleground states for the 2020 election, the reproductive rights giant announced on Wednesday.

The group’s self-identified largest program to date will go toward “large-scale grassroots organizing programs and targeted canvass, digital, television, radio and mail programs,” according to a press release. Arizona, Colorado, Florida, Michigan, Minnesota, New Hampshire, North Carolina, Pennsylvania and Wisconsin will all be focuses of the initiative, per the release.
“Who we elect will determine our access to birth control, cancer screenings, sex education, abortion access and more,” said Kelley Robinson, executive director of Planned Parenthood Votes, in a statement.
“That’s why Planned Parenthood Votes will use every tool at our disposal to hit the pavement, flood the airwaves, and elect reproductive rights champions up and down the ballot,” she added. “We know this is a fight we can win.”
The super PAC pledged to back reproductive rights candidates “from the White House to the Senate to statehouses and ballot initiatives across the country,” indicating a state-level focus after a year that saw a slew of pre-viability abortion restrictions coming out of conservative state legislatures. Planned Parenthood is among the plaintiffs in lawsuits challenging such laws in Alabama, Arkansas, Georgia, Missouri and Ohio.
Anti-abortion leaders decried Planned Parenthood’s election efforts, accusing the group of looking to protect its own finances and lamenting its federal subsidies. Planned Parenthood received $563.8 million in government funding in 2018, according to its annual report.
Lila Rose, president of anti-abortion group Live Action, slammed the funding effort as a display of “ruthless prioritization of politics and their bottom line over women’s health care.”
March for Life President Jeanne Mancini said in a statement that the funding effort was unsurprising “because this Administration has implemented a pro-life agenda in many areas, including the Protecting Life in Global Health Policy and new Title X regulations, both of which impacted Planned Parenthood’s bottom line.”
“It is unfair to force Americans to subsidize through their tax dollars this partisan political organization bent on electing pro-abortion politicians,” she added.
This year, Planned Parenthood rejected some federal funding. The group decided to drop Title X funding in August after the 9th US Circuit Court of Appeals upheld a Trump administration rule blocking recipient providers from discussing abortion services with patients. HHS told recipients in July that the rule would go into effect despite several pending challenges.

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Lewandowskis House Testimony Was Basically His Senate Campaign Launch

In calling in Corey Lewandowski to testify, House Judiciary Committee Democrats hoped theyd get a spectacle that might boost their impeachment efforts.

Its unclear whether that will happen. What they clearly did get, however, was a spectacle that cemented Lewandowskis brand as an unapologetic fighter for Donald Trumpfor better or for worse.

Tuesdays high-profile hearing was essentially a coming-out party for Lewandowskis long-teased, but still unannounced campaign for U.S. Senate in New Hampshire: he talked up his blue collar roots and service to President Trump while effusively praising his former boss and gleefully trolling his Democratic questioners. During a bathroom break, he tweeted out a link to a website supporting his possible Senate run; at another point, while answering a question from a friendly lawmaker, he fantasized about what hed do if he were in the upper chamber.

That performance didnt come as a shock to Democrats on Capitol Hill or back in New Hampshire, who said they expected that Lewandowski would seize on the hearing to boost his own profile.

Democratic lawmakers and aides did not admit to any second thoughts about Lewandowskis appearance in light of his explicit politicking and eagerness to gum up the hearing. And they predicted his testimony would damage whatever political hopes he does harbor.

Rep. David Cicilline (D-R.I.) noted that in his testimony, Lewandowski admitted that Special Counsel Robert Muellers report found that Trump summoned him to the Oval Office in 2017 and directed him to send a message to then-Attorney General Jeff Sessions that the president wanted Mueller reined in. Lewandowski had previously said he couldnt recall talking about Sessions with Trump.

Thats obstruction of justice, plain and simple, said Cicilline. Admitting that in this hearing, under oath, I think is not a way to begin a U.S. Senate campaign.

New Hampshire Democrats, meanwhile, have been salivating for weeks at the prospect of Lewandowski creating a televised spectacle, believing it to be a golden opportunity to define him to voters ahead of a possible bid. Party officials and activists in the state have been widely speculating that the former Trump campaign official would use his face time in front of the Judiciary Committee to leave little doubt in Granite Staters minds that he is preparing to launch a Republican challenge to Democratic Sen. Jeanne Shaheen.

New Hampshire Democratic Party spokesman Josh Marcus-Blank pointed to Lewandowskis promotion on Tuesday of the website paid for by a new outside group backing him, called Stand With Corey. By ducking questions and promoting that dark money group during a Congressional hearing to which he was subpoenaed to testify, Lewandowski is demonstrating once again that he works for those shady clients and Trump, not the people of New Hampshire, said Marcus-Blank.

Thats perfectly in keeping with his character, one member of the New Hampshire Democratic state committee said on Tuesday afternoon. Everyone whos been following him in New Hampshire knows hes all about empty, shameless performances.

Lewandowskis stunts in New Hampshire have historically been well telegraphed. In 2010, he debated a cardboard cutout of former Gov. John Lynch on national tax day at the height of the Tea Party movement.

Its all performance, the New Hampshire Democratic state committee member added.

The 46-year-old Windham resident had been on a media tour in his home state in recent weeks, saying hes taking a very long look at a possible candidacy. After steering the early part of Trumps first presidential campaignbefore being ousted by the president in a dramatic fashionthe bombastic operative has since worked as a Washington consultant and television commentator, engaging in politics from the outside.

The Daily Beast previously reported that Lewandowski recently huddled with Trump after several administration officials encouraged him to enter the race. While some Republicans in the state explicitly said his entrance would help Shaheens chancesa sentiment that was bolstered by an editorial in the conservative newspaper the Union Leader advocating for a write-in over Lewandowskihis allies are convinced hes entering as the frontrunner.

Over the course of over five hours on Tuesday on Capitol Hill, Lewandowski took every opportunity he could get to talk up his biography and his work in helping to elect Trump in 2016. In fact, he seemed to revel in injecting explicit politics into his testimony. I appreciate your comments about my ability to win in New Hampshire, he said, in response to Rep. Jamie Raskin (D-MD), who mentioned Lewandowskis political ambitions.

It was just one more thing to enrage Democrats during an already infuriating afternoon during which Lewandowski refused to answer questions and generally stymied Democrats limited time questioning him. This is not a Republican primary campaign, admonished Rep. Hakeem Jeffries (D-NY) to Lewandowski. This is the House Judiciary Committee.

Meanwhile, Republicans on the panel seemed eager to serve softballs to Lewandowski that allowed him to expound on his patriotism, values, and character. "Do you think the Democrats will go to any length to undermine the president of the United States and influence the 2020 election?" asked Rep. Debbie Lesko (R-AZ).

"I believe in this democracy of the United States and I love this country," responded Lewandowski, adding that his primary concern is that his children and grandchildren look back at the Mueller inquiry and say, "that never should have been allowed, never to a Republican and never to a Democrat."

Despite the muddled questioning and political maneuvering, Democrats said it was worth bringing in Lewandowski.

Besides, said one Democratic aide, Its not like he has a shot at winning.

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Belgium: Dismantling of gothic bridge

After years of argument workers have begun taking apart Tournais Bridge of Holes

Architecture

The dismantling of Tournais gothic Bridge of Holes to make room for larger boats down the Scheldt river has been met with solemn protest and a withering attack on local politicians by a minister in Belgiums federal government.

After years of argument over the project, a crane attached to a barge was deployed from 6:00am on Friday morning to take apart the three arches of the Pont des Trous as a local cellist played mournfully on the river bank.

The bridges bricks will be retained for its later reconstruction on similar lines to the original, albeit with a wider and higher central arch.

The council had initially supported a contemporary replacement described by opponents as a Bridge of McDonalds due to its similarity to the burger chains logo, and officials have been criticised for their willingness to dismantle the landmark.

A crowd on the rivers banks audibly reacted when some of the brickwork was seen falling into the water on Friday. Many watching a live stream on the website of the regional television station, Notele, wrote of their sadness at saying goodbye.

Among those on the river bank was Belgiums minster for energy, Marie-Christine Marghem, who in a Facebook post deplored the lack of empathy for local people by the council.

She wrote: Because a Tournaisien lives his city in joys and sorrows, I am at the foot of our Bridge of Holes since the sunrise to see how institutional killjoys attack a monument without prior heritage procedure, under the gloomy eye of the little local potentates.

Prima facie, I obviously don’t see any numbered stone. Are we surprised? Throughout, in addition, no word of empathy has been addressed to the population which long expressed in a popular consultation her love for its roots, its identity, its history.

Built between 1281 and 1304, the Pont des Trous is one of only three remaining 13th-century military bridges in the world.

Bombed and partially destroyed during the second world war, the central arches were rebuilt and widened in 1947. Only its medieval towers the Bourdiel, built in 1281 on the left bank and the Thieulerie, built on the rivers right bank between 1302-04 are original.

The bridges name comes from a nearby lock that was called Les Trous, or the holes, by Tournaisiens.

The reconstruction was said to be necessary as part of a (4.2bn) (3.8bn) project to create a 65-mile (105km) canal, connecting the Seine and Scheldt rivers. The council wants to allow passage for boats of up to 2,000 tonnes rather than continue with the current 1,500-tonne limit.

The dismantling of the bridge has been met with resistance throughout the process, with the Belgian prime minister, Charles Michel, asked to intervene.

The criticism was at its most vociferous in 2016 when the council approved plans by the architect Olivier Bastin for a minimalist and contemporary style.

A petition calling for the plan to be ditched attracted more than 20,000 signatures and the backing of the French radio and TV host Stphane Bern.

It was only in March this year that the minister of public works in the francophone Walloon region, Carlo Di Antonio, announced that the modern design was being ditched and that the bridge would be rebuilt almost identically.

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