Nats double down on commitment to coal, Joyce rants against wind and solar | RenewEconomy

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If there were any questions over the National Party’s commitment to the coal sector after the loss of Matt Canavan from the resources portfolio, they were quickly answered by new deputy leader David Littleproud who reasserted his party’s commitment to a new coal generator in Queensland on his first day in the job.

In an interview with ABC’s RN Breakfast program on Wednesday, Littleproud trotted out the three consistent assertions of the coal lobby; that you can reduce emissions using more coal, that more coal generation is necessary to lower electricity prices and that baseload power is a necessary feature of the future energy system.

Each of these three assertions have been repeatedly debunked, but it confirms that it’s business as usual in a Morrison cabinet that will continue to face internal divisions over a need to act on climate change and the fossil fuel advocates within its ranks.

It is understood that Queensland Nationals MP Keith Pitt is the front runner to take over Canavan’s former positions as the minister for resources and Northern Australia when new ministerial appointments are announced by Prime Minister Scott Morrison on Thursday.

Pitt himself has been an outspoken advocate for a new coal-fired power station in Queensland, so while Canavan – who liked to describe himself as “Mr Coal” – has exited the federal cabinet, the pressure to push forward with the Collinsville project is likely to continue.

Pitt has also been a strong supporter of a nuclear industry in Australia, and will have the backing of failed Nationals leadership candidate Barnaby Joyce, who again argued for nuclear power to be considered as part of Australia’s efforts to reduce emissions as part of a bizarre Facebook rant against renewable energy.

“We have to recognise that the public acceptance of wind towers on the hill in front of their veranda is gone, and the public dissonance on that issue is as strong as any other environmental subject,” Joyce said.

“If zero emissions are the goal then surely nuclear energy should be supported, but it is not. If wind towers are a moral good and environmentally inoffensive, why can’t we have them just off the beach at Bondi so we can feel good about ourselves while going for a surf? It would cause a riot.”

“Do you want a 3,000ha solar farm next door to you? Lots of glass and aluminium neatly in rows pointing at the sun. I am not sure others will want to buy that view off you when you go to sell your house.”

The coal industry might have lost its most enthusiastic advocate from the federal cabinet, but the Nationals were quick to show that it won’t lead to any changes on the party’s energy and climate change policies.

In his interview, Littleproud, who is also tipped to take on the now vacant agriculture portfolio, told the ABC that investments in new coal generators would help lower emissions and lower electricity prices.

“You need to make sure that you create an environment in the marketplace with a mix of renewables and coal-fired power stations, and if you can improve the emissions of coal fired power stations, you should make that investment if it means that we hit our targets and we reduce energy prices,” Littleproud claimed.

It has been well established for some time that the cheapest source of new electricity generation capacity are renewable sources like wind and solar.

A recent update to the CSIRO’s GenCost assessment of the costs of different generation technologies re-confirmed that new wind and solar are, by far, the cheapest sources of electricity generation. Even when additional storage is accounted for, prices of firmed renewables are competitive with fossil fuel generators when the costs of carbon emissions are considered.

Renewables are already helping to drive down electricity prices.

This week, the ACT, which has recently achieved its 100 per cent renewable electricity target, is also set to see an almost 7 per cent fall in its electricity prices this year, as the territory’s investments in wind and solar projects have helped deliver lower electricity prices for Canberra households, ensuring they continue to pay some of Australia’s lowest electricity prices.

But this also didn’t stop Littleproud asserting that it is possible to achieve reductions in greenhouse gas emissions while still embracing coal.

“You can invest in clean coal technology in and reduce emissions,” Littleproud said.

“I’m not disputing the science, what I’m saying is I’m not gifted academically to have that science background myself.” – @D_LittleproudMP when asked about his recent statement that he didn’t know if climate change was man made. #abc730 @leighsales #auspol pic.twitter.com/sFh44eNP2a

— abc730 (@abc730) February 4, 2020

Again, there are fundamental limits to how much emissions from coal-fired power stations can be improved. Even with a complete transition to the Coalition’s favoured high-efficiency low-emissions (HELE) coal power station technologies, the most generous estimates put the amount of emissions reductions at 20 per cent.

In his review of the National Electricity Market, chief scientist Dr Alan Finkel compared the emissions intensity of different generation technologies, showing that the HELE coal-fired power stations promoted by the Nationals will still produce 0.7 tonnes of carbon dioxide equivalent for each megawatt-hour of electricity produced, and is only slightly below the NEM’s current average emissions intensity.

When the science, and the international commitments made under the Paris Agreement, are calling for governments to achieve zero net emissions by 2050, a 20 per cent cut in coal power station emissions is going to be grossly insufficient.

It’s a position that leaves the Nationals at odds with science, but also the business community which is undergoing an accelerating exit from the coal industry. This includes BlackRock, which manages USD$7 trillion (A$10.15 trillion) in investments, which announced in January that it was divesting its portfolios from thermal coal companies.

Littleproud argued for the need for “baseload” power, suggesting that coal-fired power stations are necessary, as Australia currently lacks sufficient levels of battery storage.

“We’ve still got to have baseload, the thing is that we don’t have battery storage to the capacity that we need to be able to keep the lights on,” Littleproud said.

With the emergence of new energy management technologies, a growing market for energy storage that is outpacing growth in coal generation in Australia, demand response platforms and the falling prices of renewables, the concept of baseload is quickly becoming outdated.

With system planners recognising the crucial role that a ‘flexible’ energy system will have into the future, pushing new inflexible baseload power stations, like a new coal generator, into the energy system will only be counterproductive.

Chair of the Energy Security Board, which has been tasked with redesigning Australia’s energy market in response to the widescale transformation underway in the energy sector, labelled Australia’s existing “baseload” generators as “dinosaurs”, singling out coal-fired generators Bayswater and Liddell saying that their inflexibility made them poorly suited to a future energy system.

There has been a surge of installations of large-scale battery storage systems, and new investments continue to be made in deploying storage projects, while coal-fired generators are readying to exit the market.

The renewed push from the Nationals for a new coal generator appears to have been bolstered by the findings of a $10 million feasibility study into a potential new coal-fired power station in Collinsville. The feasibility study was funded as part of the government’s Underwriting New Generation Investments initiative and has yet to be released publicly.

“Collinsville, there’s a there’s now a report that’s come back to say that that business case should advance and then obviously, that will be backed by the economics of it,” Littleproud told ABC’s RN Breakfast.

The saga of the Collinsville power station has been a source of tension within the Coalition party room. Outgoing resources minister Matt Canavan had been desperate to get the project off the ground, and confronted prime minister Scott Morrison when he thought progress on the proposal was progressing too slowly.

Those tensions continue to play out in the party room, with a fiery confrontation occurring during the first coalition party room meeting of the year, and after a summer dominated by bushfires and calls for stronger climate action.

Several Nationals members shouted down calls from moderate Liberal MPs, who called for the Morrison government to demonstrate that it was taking climate change seriously.

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Brit man, 24, plummets to his death off a cliff during night out in French ski resort

A BRITISH man has died in the French Alps after a night out with friends.

The 24-year-old’s body was discovered yesterday afternoon at the foot of a cliff after he was reported missing at 5am.

The British man died after a fall near the resort of Brides les Bains, Savoie, French Alps,
The British man died after a fall near the resort of Brides les Bains, Savoie, French Alps,
Alamy

Police believe he fell off a cliff after getting lost on his way back to his accommodation after a night in the pub.

The man, who has not been named, was staying in Brides-les-Bains, near the ski resorts of Courchevel and Méribel.

His body was discovered near Les Allues where he had been socialising for the night.

A search involving police, firefighters and mountain rescue equipped with dogs was launched and continued throughout yesterday.

His body was spotted by a helicopter crew at 4.50pm, almost 12 hours after he was reported missing.

‘FELL WHILE WALKING HOME AFTER NIGHT OUT’

A spokesman for Albertville police said: “Unfortunately the body of a man was discovered yesterday after a big search. 

“He was most probably the victim of a fall.

“We believe he was walking back from Les Allues to his accommodation in Brides-les-Bains. He departed with some other people but they became separated. 

“He was reported missing in the early hours. He was discovered not far from Les Allues. It appears he had not walked that far.

“We have no further information. An investigation into the death of the man has been opened and this will determine how he died and how far he fell. We can give no further details.

“Currently we have little information about him and are trying to establish if he was a season worker or a tourist.”

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The three-mile walk between Les Allues and Brides-Les-Bains takes about an hour-and-a-half. In the early hours of Thursday the temperature was minus three degrees celsius. 

Brides-les-Bains is directly linked by a cable-car to the famous resort of Méribel, popular with British skiers. The town was an Olympic Village for the 1992 Winter Olympics based in Albertville. 

The tragedy comes just weeks after British doctor William Reid, 25, fell to his death in the French ski resort of Avoriaz.

William, from Edinburgh, was on the fifth day of a New Year holiday with his girlfriend and his family. 

They had just enjoyed lunch and were making their way back to their accommodation. His family said he took a wrong turn and fell. Medics battled in vain to try and save him.

For the latest news on this story keep checking back at Sun Online.

Thesun.co.uk is your go to destination for the best celebrity news, football news, real-life stories, jaw-dropping pictures and must-see video.

Download our fantastic, new and improved free App for the best ever Sun Online experience. For iPhone click here, for Android click here. 

Like us on Facebook at  and follow us from our main Twitter account at @TheSun.

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Volcanoes: Fires of Creation – 3D Nature Film | AMNH

[Overheard view of a smoking crater among clouds, then a volcano, viewed from the side as the Sun sets behind it.]

[POPPING, EXPLOSIVE SOUNDS.] 

[Bursts of lava, then views of lava flows down slopes.]

NARRATOR: Volcanoes are astounding forces of nature.

[A group of three people, seen from the back, observe a fiery scene below them.]

NARRATOR: They possess the power both to destroy

[Gusts of smoke and water during an eruption somewhere in the ocean] 

NARRATOR: and to create.

[An aerial view of the ruins of an ancient city below a bright blue sky.]

NARRATOR: Throughout the ages, we’ve built our cities

[The peak of a volcano rises, smoking, with several towers of a church-like building in the foreground.]

NARRATOR: In their shadows.

[A fly-over shot above green fields dotted with palm trees, with a volcano in the background.]

NARRATOR: Drawn to their rich soils. 

[An aerial view of a big crater at the top of a volcano, with a city spread out below.]

[EXPLOSIVE SOUNDS.]

[A view of another crater, spewing clouds of gas, rock, and smoke.]

[SECOND MUSICAL SCORE BEGINS] 

[An underwater view of an eruption.]

NARRATOR: From the depths of the ocean

[Scenes of an elephant walking, lions playing in a field, and a group of gorillas, including a silverback, among greenery.]

NARRATOR: to grasslands and tropical forests, volcanoes help shape 

[A view of a smoking volcano top, a view of a coast line.]

NARRATOR: vibrant ecosystems.

[A view of an explorer walking with bags away from a campsite dotted with tents.]

NARRATOR: Join National Geographic photographer Carsten Peter

[Two people, tethered with ropes, stand on the edge of a tall cliff.]

NARRATOR: and his team

[A view of two people descending down towards a lake of lava.]

NARRATOR: as they go where few would dare.

[A close-up of the boiling lava.]

CARSTEN PETER:  The whole Earth is rumbling, the whole Earth is shaking

[A view of the two climbers, tethered, raising their arms with their backs to the lake of lava.]

CARSTEN PETER: It’s absolutely incredible.

[Bursts of lava.]

NARRATOR: Discover the exciting science

[Two orbs, one large and one smaller, collide in space with a burst.]

NARRATOR: behind Earth’s origins.

[A view of a fractured surface, with moving pieces and in parts erupting with lava.]

NARRATOR: Every rock tells a story.

[A view of a person in protective gear, holding on to the edge of a rocky slope, above a lake of fiery lava.]

NARRATOR: So imagine what this one will reveal.

[Sparks and flying bits of lava. Text reads: Volcanoes. The Fires of Creation. Vocalnoesfilm.com. #Volcanoesfilm. Logos display at the bottom.]

NARRATOR: Now playing on IMAX and giant screens.

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EXTRA: How single mum married her rug in bizarre wedding ceremony – TheCable Lifestyle

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Bekki Cocks, a 26-year-old casino worker, took a bold, albeit strange step in December 2019, when she tied the knot with ‘Mat’, an inanimate object — which turns out to be her “favourite rug.”

, the single mother of two’s marriage to ‘Mat’ follows her growing bond for the rug ever since she purchased it.

Bekki was then encouraged by her friends to marry the rug after she had on “several occasions” told them how “obsessed” she was with ‘Mat’.

“I bought Mat about a year ago and I’ve been banging on about how much I love him to anyone who will listen ever since,” she was quoted as saying.

“It became a bit of a thing with my friends who used to joke ‘if you love Mat so much why don’t you marry him?’. I spend so much time looking after him – cleaning him and vacuuming him a couple of times every day and making sure he always looks his very best – I couldn’t imagine being without him now.

“I am a little obsessed with Mat. When the kids are in bed, I’ll often just lie down with him and tell him my most private thoughts.

“I’m a single mum, so he’s become a confidant and I always seem to be able to think things through properly when we’ve been together. So, a few months ago when one of my friends said I should marry him, I said ‘I will then’.

“It started as a bit of fun but I soon started looking into a service and eventually it became something I was determined to go through with. I couldn’t be happier – I’m really looking forward to spending Christmas with Mat. I’ve also promised that while I might step on Mat from time to time, I won’t ever walk all over him.”

Single mum marries her rug! pic.twitter.com/gjvtQtJ5HT

— The Sun (@TheSun) December 7, 2019

Bekki, who was clad in a traditional all-white wedding dress during the intimate hour-long service, promised to love, honor and care for ‘Mat’ “till death us do part”.

The bizarre wedding ceremony took place at the Independent Fitters carpet store, close to Bekki’s home in Stockport in front of specially invited guests.

“We’re gathered here today in a special place to celebrate a very momentous day for Becky and her husband to be Mat. The love this two have for one another is rare and unique, and clearly, they have been swept off their feet since they met. Take this ring, wear it always and know that I rug you,” said the officiating priest.

“Mat we assume by your silence that you also feel the same. May every joy and happiness be yours, may your love wax stronger. I know present mr and mrs AD 20 Wool Twist. You may now hug the rug.”

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Single Mom Marries A Rug In Strange Wedding Ceremony

person teddy bear tie
Bekki Cocks
Bekki Cocks

Bekki Cocks, in what could be described as a strange development married a ‘mat’ in December 2019.

The 26-year-old casino worker, described the ‘Mat’, to be her “favourite rug.”

According to The Sun UK,  Bekki, a single mother of two’s marriage to ‘Mat’ follows her growing bond for the rug ever since she purchased it.

She was therefore encouraged by her friends to marry the rug after she had on “several occasions” told them how “obsessed” she was with ‘Mat’.

“I bought Mat about a year ago and I’ve been banging on about how much I love him to anyone who will listen ever since,” she was quoted as saying.

Read Also: Khafi Takes Gedoni To See Her Grandmother Ahead Of Their Upcoming Wedding (Photo)

“It became a bit of a thing with my friends who used to joke ‘if you love Mat so much why don’t you marry him?’. I spend so much time looking after him – cleaning him and vacuuming him a couple of times every day and making sure he always looks his very best – I couldn’t imagine being without him now.

“I am a little obsessed with Mat. When the kids are in bed, I’ll often just lie down with him and tell him my most private thoughts.

“I’m a single mum, so he’s become a confidant and I always seem to be able to think things through properly when we’ve been together. So, a few months ago when one of my friends said I should marry him, I said ‘I will then’.

“It started as a bit of fun but I soon started looking into a service and eventually it became something I was determined to go through with. I couldn’t be happier – I’m really looking forward to spending Christmas with Mat. I’ve also promised that while I might step on Mat from time to time, I won’t ever walk all over him.”

During the wedding ceremony, Bekki, who was dressed in a traditional all-white wedding dress, promised to love, honor and care for ‘Mat’ “till death us do part”.

The bizarre wedding ceremony took place at the Independent Fitters carpet store, close to Bekki’s home in Stockport in front of specially invited guests.

The post Single Mom Marries A Rug In Strange Wedding Ceremony appeared first on Information Nigeria.

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Derek Acorah dead: TV psychic and Celebrity Big Brother contestant dies aged 69 after ‘very brief illness’ | London Evening Standard

person

TV mystic Derek Acorah has died aged 69, his wife has said.

The self-styled spiritual medium, whose real name is Derek Johnson, appeared on Celebrity Big Brother  in 2017 and launched the paranormal reality TV series Most Haunted in 2001.

His wife Gwen Acorah shared the news in a statement on his official Facebook page, adding that the psychic had been in intensive care after falling into a coma.

“Farewell my love! I will miss you forever! I’m devastated to announce that my beloved husband Derek has passed away after a very brief illness,” she wrote.

Derek Acorah took part in Celebrity Big Brother three years ago (PA Archive/PA Images)

“Thank you so much to everybody who has supported me – I can never thank you enough.”

She suggested that her husband had been targeted by trolls before his death in the second part of her statement.

Born in Bootle, Merseyside, in 1950, Acorah featured in regular segments on 1996 TV show The Psychic Zone before becoming a contributor on spin-off show Psychic Livetime.

Acorah got his big break on TV thanks to Psychic Livetime on satellite channel Granada Breeze, and then followed it up with his own series Predictions With Derek Acorah.

He then went to Living to feature in Most Haunted, where he was the guest medium for several series until he departed after six series in 2005 following claims of fakery.

The show’s resident parapsychologist Dr Ciaran O’Keeffe told The Mirror in late 2005 that he had set up Acorah by having other crew members feed him false information about spirits in various locations.

Dr O’Keeffe invented a long-dead South African jailer called Kreed Kafer, an anagram of Derek Faker, and said he was stunned when the TV medium “got possessed by my fictional character” at Bodmin Jail.

In 2006, Acorah’s former co-host Yvette Fielding told the Metro: “We tell people everything is real, then it turns out he was a fake, so he had to go.”

After Most Haunted, the presenter had another series called Derek Acorah’s Ghost Towns, which ran for three series in 2005 and 2006.

In 2009 Acorah attempted to contact the late King of Pop in a broadcast called Derek Acorah’s Michael Jackson: The Live Seance, but the show was widely panned by viewers and critics.

Acorah was forced to apologise to the McCann family after he was quoted as saying that that their lost daughter Madeleine was dead.

He reportedly told The Sun that she had joined the “spirit world”, greatly upsetting the McCanns, although Acorah later claimed he had been misquoted by the paper.

Acorah was banned from driving for more than two years in 2014 after admitting to driving without due care and attention and for failing to provide a breath test following a crash the previous year.

His wife said he died from a short illness (PA)

He appeared in series 20 of Celebrity Big Brother on Channel 5, where he came fourth.

Acorah was born in Bootle, Merseyside, in 1950.

He originally had aspirations to be a footballer, and was on the books of Liverpool FC but did not play a game.

He went on to play football in Australia but his career in the sport ended while he was in his late twenties due to a leg injury.

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NEPA, PHCN Trend On Twitter As Nigerians React To Nationwide Blackout

#NEPA, #PHCN, #Blackout are currently trending on the micro-blogging site, Twitter, no thanks to the collapse of the national electricity grid, which led to a .

had reported earlier that the DisCos in different statements on Wednesday said the blackout being experienced across the country is as a result of the industrial action by electricity workers.

The National Union of Electricity Employees (NUEE) announced the commencement of a nationwide strike earlier in the day.

In a statement, the Assistant Secretary-General of NUEE, Anthony Sule, had said the union’s decision was made since the federal government failed to dialogue with them to resolve the lingering issues in the sector.

The Ibadan Electricity Distribution Company (IBEDC), Nigeria’s largest power distributor, later issued a statement to announce that the strike had disrupted its services.

“Subsequently, the action has led to a nationwide shut down of electricity installations and has resulted in the disruption of service across our network,” the company said.

However, on Thursday morning, the (NUEE), suspended its strike action, hours after a nationwide blackout in the country due to Electricity Workers’ industrial action.

Moments after the statements were released, Nigerians took to the micro-blogging site, Twitter to air their opinions on the strike action.

Naija News captured some of the reactions below…

Ramaphosa: I can’t go for Peace conference in Egypt when South Africa is facing electricity crisis.

Buhari: “#NEPA on strike”….. I need to travel to Egypt, I can’t miss this journey. #NEPA on strike. pic.twitter.com/Rhv7Vxfh0m

— Emmanuel Idoko (@Emmy_myles) December 12, 2019

Someone cannot play with BUHARI oo, ordinary Major general that they call him, baba off light everywhere 🤣🤣🤣

RT if you also don’t have light in your area#NEPA #ASUU #Buhari #dababy #blackout pic.twitter.com/MzewujQKVc

— ISEEAM G29 productions💥 (@iseeamg29) December 12, 2019

Wished Asuu, nepa and co will do so #NEPA #ASUU pic.twitter.com/4nyb3R1pgF

— EL G333🌿 (@Abdoulmumeen_g) December 12, 2019

Someone said Mbah’s head(reflection of the sun) can generate 415v for a whole community… just get the OMbah app and connect🤣🤣 #NEPA #blackout pic.twitter.com/VOinvUETVy

— OMO EDO THICKER BODY👑👑 (@therealosaetin) December 12, 2019

I miss those friends in Primary school 😒 that used to say ‘if I give you one dirty slap eh 👋you’ll fly to America’ 😆Pls I’m available now, coman slap me🙏 I want to fly go America 😂😂#NEPA #ASUU #Buhari

— edgar odafe (@edgar_odafe) December 12, 2019

#Blackout also affecting OAU students preparing for tough Examinations #NEPA / #PHCN.. why na😫😫😫😰😰😰😰😰 pic.twitter.com/xJZt4nVZo0

— #Babafaros Farombi Seun (@TheBabafaros) December 12, 2019

Samsung users: #NEPA is on strike😭😭
Infinix users: My ba3 will last 😁

Iphone users:- pic.twitter.com/AhnWrA96dT

— Onuoha nicanor (@Onuoha_nicanor) December 12, 2019

#NEPA is the major cause of unwanted
pregnancy in Nigeria. Everything starts
when she enter the room to charge her
phone.

— 👑BILLIONAIRE ZEDD🇨🇦 (@Official_imo) December 12, 2019

People that didn’t have light in their area for the past 6 months are also complaining about #blackout

Wetin #NEPA no go see untop pole?? pic.twitter.com/SivYlZxHh8

— luwakanty (@KantyBoii) December 12, 2019

Beginning. End of the decade
of a decade#NEPA #PHCN pic.twitter.com/sv8AFiFBiS

— Udo Chukwudubem (@chukz_b) December 12, 2019

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Ondo: PDP tackles Akeredolu over daughters wedding in Mauritius

person

…EXCO members went at their personal expenses — Govt

Dayo Johnson, Akure

The opposition Peoples Democratic Party in Ondo state yesterday said the conduct of the wedding of the daughter of governor Rotimi Akeredolu in Mauritius was a vexatious display of insensitivity by the governor towards the difficult challenges currently being faced by citizens of the state.

It alleged that ” almost 100 people attended the wedding in Mauritius adding that ” such a visit is not only needless but irresponsible and shows clearly what the priorities of this government are”.

A statement issued by the state Director of Media and Publicity , Zadok Akintoye in Akure said “Within the last two years, the governor has celebrated weddings of his children across the world from Canada to the United States and now Mauritius at the expense of citizens of this state without any sense of respect to the people he leads.

“How else can one explain the present display of affluence and disdain for the people?

The governor, family members, members of the State Executive Council, wives of traditional rulers, Speaker Bamidele Oloyelogun, Deputy Speaker lroju Ogundeji and other principal officers of the State House of Assembly amongst others aides of the governor and his wife Betty travelled to Mauritius for the wedding.

Akeredolu’s daughter, Dr Teniola was joined in holy wedlock with Engineer Olatunde Mike Oyeyiola at the Long Beach Sun Resort, Mauritius on the 30th of November.

Akintoye said “The recent outcry of citizens of this state against the vexatious display of insensitivity by the Governor of Ondo state, Mr. Rotimi Akeredolu SAN, remains another testament of the lack of empathy by the APC-led government towards the difficult challenges currently being faced by citizens.

“Considering very carefully the deplorable condition of public infrastructure in the state, the high number of students in public universities who have been forced to either suspend or fully abandon their academic pursuits, the inability of this government to provide basic and affordable healthcare.

” One would have expected the governor to show some minimal level of empathy expected of a public servant superintending over a government that has increased taxes and levies paid by citizens and forced many to seek survival through pain.

” lt is on record that this APC-led government, remains the most anti-people government in the history of Ondo state and one that has glorified crony capitalism, nepotism, tribalism and wanton disregard for the welfare of the people.

“We therefore ask this government to face the serious issues of providing good governance rather than turning the administration of  public wealth and resources into an opportunity for grandiose parties and jamboree.

“The indefensible response from the Honorable Commissioner for Information, Mr. Donald Ojogo that only five cabinet members graced the occasion, can at best be seen as a  deliberate attempt misinform the citizens.

” Its on record that members of the Cabinet, the Speaker and Members of the state House of Assembly, Aides and Assistants of this Governor, numbering almost 100 attended the wedding in Mauritius.

“For a government that has not been able to mobilize its aides to deal with the deplorable state of public infrastructure in the state, such a visit is not only needless but irresponsible and shows clearly what the priorities of this government are.

ALSO READ: Breaking: Police declare Nnamdi Kanu’s lawyer ‘Ejiofor’ wanted

” We put this government on notice that its’ reckless abandonment of the good of the people will be remembered when this government is replaced by a more people friendly PDP government in 2020.

However, in a swift reaction, the information and Orientation commissioner Donald Ojogo has denied the ” needless insinuations surrounding the wedding ceremony of the daughter of the governor in Mauritius.

Ojogo said that “the baleful narratives deliberately churned out to the public were not in unexpected.

“This is more so that the quality of those who attended the event has the capacity to draw such carousal inspirations that state funds were spent on the travel and other expenditures of those who were at the ceremony.

” lt is perhaps, pertinent to state that the erroneous impression being created by those behind the unsavoury perspectives that the entire members of the State Executive Council attended the event is not just puerile but pernicious.

“For the records, not more than five of the 30-member Cabinet graced the event at their personal expense.

He added that “We therefore plead with sponsors of such unholy narratives to be kind enough to provide evidence of State Government’s funds spent on those who attended the wedding ceremony.

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Collapses: The Venice Biennale and the End of History | Art Practical

Collapses: The Venice Biennale and the End of History

The 2019 Venice Biennale feels like the end of everything: the end of art tourism, the end of vacations, the end of the beach and the climate of pleasure. With bad news about the climate crisis worsening every day, the nationalistic turn of governments from the U.S. to Britain to Italy to India and Brazil, it’s unclear whether the liberal ideology that produces world-scale cultural events like the Biennale can hold much longer, or whether the economic or ecological structures of global tourism can continue to support it. The liberal democratic order of free markets and free will is undermined around the globe by violent nationalism and economic protectionism. The Biennale exhibition, May You Live in Interesting Times, offers little but a hollow scream in opposition. The whole thing feels a bit like buyer’s remorse, a magnum opus from a lapsed believer in Francis Fukuyama’s promise that we’d reached the End of History.1

Arthur Jafa

Joint Italy-EU military vessel with helicopter, Piraeus Port, Greece, August 2019. Photo: Anuradha Vikram

Both the main exhibitions and the various national pavilions feature more women and artists of color this year than any previous. Diversity is manifest with respect to types of work, interests, materials, biographies, and ages of the artists on view. Curator Ralph Rugoff states that “[the artists’] work grows out of a practice of entertaining multiple perspectives: of holding in mind seemingly contradictory notions, and juggling diverse ways of making sense of the world.”2 Diversity and multiplicity appear here to be set up as counternarratives to universalism, the ideology that has historically governed the international contemporary art discourse. But is this in fact the case? Fukuyama says, “The spectacular abundance of advanced liberal economies and the infinitely diverse consumer culture made possible by them seem to both foster and preserve liberalism in the political sphere.” If, as Fukuyama suggests, there are  “fundamental ‘contradictions’ of human life that cannot be resolved in the context of modern liberalism, that would be resolvable by an alternative political-economic structure,”3 diversity is not one of those contradictions. Rather, pluralism reinforces the “common ideological heritage of mankind,”4 while fascism’s resurgence around the globe and the popular embrace of nationalist identity are more of a contradiction in light of the realities of international markets. This is the turn of events that market utopians like Fukuyama failed to anticipate.

Rugoff never comes off as a utopian, given his pervasive air of weary detachment. Rather, the exhibition transmits how it feels to watch the ascent of Donald Trump and the unfolding catastrophe of Brexit from the “all-knowing,” cool remove of the contemporary art insider—omniscient, yet impotent, and unable to divest from toxic habits. George Condo, Sun Yuan and Peng Yu, Christian Marclay, and Arthur Jafa channel an anxiety bordering on panic. Construction, shipping, air travel, commerce, monuments, the body, gender—all once fixed as concepts in the Western imagination, with clearly associated positive values, are now invoked by artists such as Yin Xiuzhen, Nicole Eisenman, Slavs and Tatars, and Martine Gutierrez as hazardous, unstable, and volatile. Nowhere is this instability more evident than in the work of Mari Katayama, a Japanese artist whose self-portraiture tableaus tease the boundary between agency and objectification. These artists, more than the comparably straightforward representation advanced by artists like Zanele Muholi, Njideka Akunyili Crosby, or Gauri Gill, capture the zeitgeist of not just the show but the present time. Our historical moment is monumentally catastrophic, and the usual serious response to extremism doesn’t seem to be working. Instead, the images range from abject to absurd.

astronaut

Indios antropófagos: A Butterfly Garden in the (Urban) Jungle. Peru Pavilion, Venice Biennale 2019. Photo: Anuradha Vikram

Especially relevant are the artists who toy with the fetishization of Indigenous bodies and cultures for Western consumption. Within the main exhibition curated by Rugoff, Gutierrez situates her U.S.-born Latinx, trans body within a series of photographic landscapes, Body in Thrall, that challenge touristic notions of indigeneity, cultural authenticity, and romanticized poverty around non-white people. She occupies diverse personas, from a film noir femme fatale to the terrifying Aztec deity Tlazolteotl, “Eater of Filth,” always negotiating the high fashion aesthetics of desire with a subversive decolonial aggression. Similar themes and tactics appear in Indios antropófagos in the Peruvian Pavilion, curated by Gustavo Buntinx, in which historical artifacts from the Spanish colonial era and large mosaic tile works by Christian Bendayán depicting frolicking Indigenous youth come together in a scathing critique of cultural tourism. In the French Pavilion, curated by Martha Kirszenbaum, artist Laure Prouvost references the oceans and the sea life projected to die out by 2048, only 29 years into the future, with a number of glass animals seemingly cast into the sea floor, strewn across a landscape of refuse and discarded technologies.

Back in the real world, there’s no way to excise or sequester the beautiful parts into a future that can outlast the very real catastrophes happening now. The overwhelmingly urgent need for a complete lifestyle change played in my head over the week following my visit to the Biennale, as I recuperated from a difficult personal and professional year on a seven-day Greek Islands cruise with my young children, partner, and parents. Looking over the waters where thousands of migrants have drowned, from the top deck of a massive, yet outdated, luxury vessel, I considered how the looming climate crisis creates a condition of simultaneous enjoyment of the modern world that is all around us, and a mourning for its obvious and inevitable loss. Is this the end of curating? The traditional role of the curator as guardian of the world’s collected treasures seems as irrelevant as the contemporary job of mounting resource-heavy exhibitions for an international crowd of jet-setters. Conceptualism has begun to rot from the head, as when Rugoff controversially chose to include Christoph Büchel’s installation of a salvaged boat that, in 2015, sank in the Mediterranean with more than 800 people aboard. I reflected on this watery tomb, recommissioned as a tourist attraction, while looking out across Piraeus port. In the distance, a military troop (jointly operated by Italy and the European Union) performed exercises atop a warship in a city where anti-immigrant attacks are on the rise. In the seventeenth century, the Venetians gained and lost control of Athens in a rivalry with the Ottomans. Today, it seems the EU’s primary objective in the Mediterranean is to sever thousands of years of interconnection between these three regions. Two years ago, the regenerative promise of art as a universal cultural good was undermined when documenta 14 recreated the financial dynamics of German austerity policies in Athens, Greece afresh. Debts went unpaid, workers uncompensated, all in the name of “fiscal responsibility” that nearly shuttered the sixty-year-old event for good. What better outcome ought we to expect this year from an art event born out of universal nationalism?

Christine Wertheim

Halil Altindere, Space Refugee, 2016. May You Live in Interesting Times, Venice Biennale 2019. Photo: Anuradha Vikram

An explicitly utopian impulse is fugitive in May You Live in Interesting Times, but it manifests in the intersection of art, science, and technology. Margaret and Christine Wertheim’s Crochet Coral Reef raises awareness about preservation of the oceans through a crowdsourcing practice that combines mathematical learning with environmentalism and craft. Tavares Strachan’s meditation on African American astronaut Robert Henry Lawrence, Jr., locates metaphysical discourse about the afterlife within a scientific conversation about space travel—where elsewhere Halil Altindere complicates this view with the tale of Syrian cosmonaut Muhammed Ahmed Faris and his persecution by the state. Ryoji Ikeda bathes us in cleansing white light and describes a massive, thunderous universe of data that takes breathtaking shape before our eyes. Hito Steyerl’s This is the Future is a post-internet pastorale in which computer vision is applied to the Venetian landscape to depict a state of perpetual, dreamlike futurity in which the present persistently refuses to resolve into view. The protagonist of Steyerl’s installation seeks out a garden that she had previously hidden in the future in order to protect it from the ravages of the present.

The song of the Lithuanian Pavilion Sun & Sea (Marina) still rings in my ears:

“When my body dies, I will remain,
In an empty planet without birds, animals and corals.
Yet with the press of a single button,
I will remake this world again”

The finale of Sun & Sea (Marina) details the 3D printing of facsimiles of species in widespread collapse, taking comfort in their simulated resurrection as one would in the cold rays of a dying sun.

Greek Islands

Sun & Sea (Marina), Lithuanian Pavilion, Venice Biennale 2019. Photo: Anuradha Vikram

The gentle tenor of the apocalyptic visions in Sun & Sea (Marina) perfectly encapsulates the feeling of living at the outside edge of the story of the human species on planet Earth, with the knowledge that history as we know it may well be about to end because our species is one of millions undergoing collapse. The emptiness of our endeavors is invoked by Shilpa Gupta, whose wildly swinging metal gate hammers an effigy of national borders into a gallery wall. Otobong Nkanga’s drawings in acrylic on crayon reference the mechanical, industrialized nature of exploitation in the 21st century. Unlike the bees, whose society is organized around abundance, we humans have engineered systems to maximize our suffering. If humankind can truly lay claim to a common ideological heritage, as Fukuyama once argued, we have only ourselves to blame for our impending end.

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I Have Not Made Money From Nollywood – Dayo Amusa

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Nigerian actress and producer Dayo Amusa has revealed that she is yet to make money from the movie industry.

Speaking in an interview with The Sun, the actress revealed she has other businesses that pays her.

“I do a lot of things that generate money for me. I have always done business even before I came into Nollywood and I am still in business. I came into Nollywood as an actress before becoming a movie producer and to date, I have shot 12 movies and still counting. Truth be told, I have not made money from Nollywood yet. After 12 movies I have not made the kind of money that I should make but I know I will make it. You see, there is a difference between making a huge profit and then, just getting your money back on your investment. I haven’t broken even” she said.

On what the major challenge is, the actress said this is due to the fact that her movies are not yet being shown in cinemas.

Read Also: Why I Revealed My HIV Status: Actress Dayo Amusa

“I love doing good movies and putting up good content. I think my major challenge now is that my movies are not showing in all cinemas in the country like I hoped and it saddens me. Their excuse is that my movies are indigenous and the titles are local but I am like ‘we get to watch foreign movies indigenous to different parts of the world yet subtitled and these movies are been shown in our cinemas so I ask the question ‘why can’t we encourage our local content?’ I want to believe that even if a movie is 100 per cent indigenous, that does not stop it from showing in cinemas as long as the movie is well subtitled.

“It has greatly affected me as an independent filmmaker, I do most of my productions from my purse. It is not like I get grants and it really eats moviemakers up when we don’t get the opportunity to showcase what we have.

“Even if they feel we are not getting it right, there is a way they can inform us that this is what you need to achieve this and that. But they just label it local content, indigenous this and indigenous that, giving what we do all sorts of names but the fact is, when you preview a job and story-wise you have it, picture-wise you have it, quality-wise and artistic whatever you have it, then why the barrier? Why can’t such a movie be seen in all cinemas across Nigeria?

“But they are giving excuses that when cinema-going audiences hear the title, they will not like it. Who says so? Yes, a title could have a very positive impact on production but a title is a title, be it local or English or what have you. An indigenous title cannot stop a good film from flying at the box office,” she adds with emphasis.

The post I Have Not Made Money From Nollywood – Dayo Amusa appeared first on Information Nigeria.

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